An Expedited Strategy Briefing on Mythos, Glasswing, and building a security program for what comes next, by 250 CISOs, and the wider community.
It is still a draft, with some design incomplete, but we felt it was imperative to release.
Link:
labs.cloudsecurityalliance.org/mythos-ciso/
Posts by RootNotez
Feels.jpg
I like how you kinda got water color vibes out of it
haha, YES!
#NOPE
Sticker Mule CEO Anthony Constantino unveiled a statue honoring President Donald Trump, called the "Defiance Monument."
There are plenty of other alternatives
ORLANDO MAGAZINE
Sez:
CustomStickers – best
MakeStickers
StickerGuy
Stickerobot
RockinMonkey
This is called TOR
You've essential published a kill-list, given our present political climate. You could have easily omitted the names of the Judges in this reporting and it would not have diminished it.
Terrible judgement.
www.youtube.com/watch?v=2cT6...
Program
#glitchart #abstract #visualart #glitch #abstractart #newmedia #visualizer #sounddesign #audiovisual #glitchmusic #audiovisualart #touchdesign #techart
databent landscape. grey and RGB.
there is no place left
databent image of my recent tape cover art
#databending #glitch #glitchart #glitchlandscape #landscape
SKULL OF THOMAS AQUINAS: ...PASS IT AROUND, FORTY-SIX BOTTLES OF BEER ON THE WALL, FORTY-SIX BOTTLES OF—
PRIEST: Can you *please* stop singing.
SKULL: I LIKE SINGING, WHAT ELSE AM I GOING TO DO
PRIEST: I am going insane.
SKULL: GIVE US AN UNCONQUERED HEART WHICH NO TRIBULATION CAN WEAR OUT
SKULL OF THOMAS AQUINAS: TAKE A LEFT NOW
PRIEST: No, the GPS says we have to keep going—
SKULL: I KNOW A SHORTCUT
PRIEST: Do you remember the last ti—
SKULL: FOR THOSE WITH FAITH, NO EVIDENCE IS NECESSARY; FOR THOSE WITHOUT IT, NO EVIDENCE WILL SUFFICE
www.creedthoughts.gov.www\creedthoughts
UNITED STATES OF AMERICA NATIONAL TRANSPORTATION SAFETY BOARD ***************** Investigation of: LOSS OF THE SUBMARINE TITAN IN THE NORTH ATLANTIC OCEAN ON JUNE 18, 2023 * * * * * * Accident No.: *********** * * * * * * Interview of: Co-designer/Pilot Deepsea Challenger DCA23FM036 via Microsoft Teams Friday, July 26, 2024
INTERVIEW OF 10 BY LCDR 11 Q. So how did you get yourself started into submersible 12 operations? 13 A. Well, I'm sure you're familiar with my film Titanic. When I 14 set down the path to make that film, the first thing that I did 15 was arrange to be introduced to the head of the submersible 16 program at the P.P. Shirshov Institute in Moscow, a guy named 17| Professor I. I did that through a mutual friend 18 of ours, a guy named , who is one of the preeminent underwater cinematographers in the world. And had been on a 20 submersible expedition out to Titanic the previous year with the 21 Russians. And that was organized by a Canadian company that was 22 doing an IMAX film which was released under the title Titanica.
Learned that an anonymous outside expert on submersibles did an interview with the OceanGate Titan investigation, and they released a transcript, with all the names redacted. The first line of his first answer? "I'm sure you're familiar with my film Titanic."
Old floppy drive with printed label 'Works, but makes Sad Noises'
Got my performance review.
Stillframe: Christian Slater talking into a mic
Stillframe: Samantha Mathis reading a book
Stillframe: Christian Slater lighting a cigarette in a room full of audio gear, tapes, etc
Join us Wednesday, October 1st for a screening of Allan Moyle’s punk pirate radio classic, “Pump Up The Volume” (1990), followed by demos of modern DIY radio tools from RC's own Technical Collective (aka Basement). The drama stars Christian Slater as Mark, a shy, suburban high school student secretly broadcasting a pirate radio show from his parents’ basement under the DJ names “Happy Harry Hard-On” and “Hard Harry”. Mark's sarcastic persona and teen angst-filled rants about American society and his school's dark secrets soon become popular among his fellow students. But after his candor inspires a couple listeners to make tragic decisions, concerned parents, Mark's father (and school commissioner), the police, and even the Federal Communications Commission scramble to track down and stop this mysterious youth provocateur. Eerily anticipating the future of blogging, podcasting, and internet edgelord culture, “Pump Up the Volume” came out a year after Slater's breakout starring role in “Heathers”. The film's soundtrack includes Leonard Cohen, Ice-T, The Descendents, Bad Brains, Henry Rollins, Richard Hell, Pixies, and a never-released track by the Beastie Boys just a year before the release of Nirvana's “Nevermind” transformed radio and popular culture forever. Moyle would later direct “Empire Records”, another Gen X, soundtrack-driven coming-of-age staple. After the screening, we will discuss how you can hop on the airwaves with legal tools like ham radio and newer messaging protocols like Meshtastic and Reticulum that can bypass internet and cellphone networks entirely. In the spirit of the film's call to “steal the air”, we may even discuss how to (on a purely “hypothetical” basis) build a DIY pirate radio station that can broadcast on FM and join NYC's own decades-old history of pirate radio, from Les Paul's legendary Booger Brothers Broadcasting System in Jackson Heights to the wide tapestry of community stations today.
Join us Wednesday, October 1st for a screening of Allan Moyle’s punk pirate radio classic, “Pump Up The Volume” (1990), followed by demos of modern DIY radio tools from RC's own Technical Collective.
#nyx #nycevents #film
Nice ASMR introduction to rust toolchains for ESP32 devices.
www.youtube.com/watch?v=dxgu...
Newly single guy, and getting in shape; name a more iconic duo.
rumination
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#nature #glitchart #digitalart #art #reflection #landscape #surreal #colorful #dreamscape
“the dreamer is still asleep” glitch art by rob sheridan. A distorted shape of a figure.
“the dreamer is still asleep” . circuit-bent photography . 2025 . 16” x 20” .
patreon-exclusive print.
#glitchart
Currently trying to give @microcenter.bsky.social money and they are failing at it. 😕
Today has been a hell of a week.