#artbook

1 2 3 testing app and book display #pinkskyPost

👍👍

The least you can do is sell your Tesla and quit X—you’re either part of it or you’re against it.

“When a clown moves into a castle, he doesn’t become a king. It’s the castle that becomes a circus.”

I prefer to describe myself as a “visual designer.” This term feels truer to the essence of my work and the intentions behind it.

My creative process is rooted in logic and rationality. Every project I undertake is the result of deliberate thought rather than abstract, emotional impulse. To avoid the ambiguity and subjectivity often associated with the title “artist,”

Even today, the terms “art” and “artist” often feel overused and, at times, stripped of their depth and meaning.

While others are free to define my work as art or to consider me an artist, I choose not to claim the title myself.

Why I Don’t Calling Myself an Artist
John Baldessari once said, “I used to be very uncomfortable calling myself an artist, because I thought it was qualitative, not just a generic title.”

I fully agree with his words.

#art #booksky

Cone Wars has officially reached its 3rd edition. It's hard to believe how far this project has come.

The new edition will soon be available both online and offline via IDEA Books. Thank you all for your continued support—it truly means a lot.

#artbook #art #publishing

About OTHER EDITIONS Other Editions (OE) is an independent, artist-run publishing project based in Helsinki, Finland. It specializes in book-format works...

shop.serraglia.com/about

Art is communication at its best: an act of revealing what often goes unseen or cannot be seen, like—as Bruno Munari would say—a rainbow viewed from its side.

#artbook #art #brunomunari

The image shows a person dressed in a whimsical, cone-shaped mascot costume. The costume is red-and-white striped, resembling a carnival or circus aesthetic, and features large googly eyes, a smiling mouth, and an oversized cone hat on top. The character is holding a microphone, standing in the center of what appears to be a formal setting, such as a conference room or hall with rows of red chairs and a soft-lit ceiling. The phrase “Make Cones Great Again” is displayed at the bottom, adding a humorous twist to the scene. The overall tone combines absurdity and satire.

This image, featured in an essay from Cone Wars (2023) about how advertising and social media shape the world we perceive, was meant as an ironic reference—a relic of the past we thought would fade into memory. Instead, it has resurfaced, feeling unexpectedly relevant once again.

#art

Bbok