The Mix 100: Sama' Abdulhadi 💚
For the 100th instalment of The Mix, we welcome a peerless artist to the series.
Whether expressing herself through music or words, Sama’ Abdulhadi is always worth listening to.
Check it: mixmag.net/feature/the-...
At Brooklyn’s “hi-def dance club” Refuge, two mainstays of New York nightlife have joined forces to execute their vision of the perfect club, building on the city’s mighty legacy and carrying that inspiration forward into the future
The Mix 078: JASSS
JASSS' contribution to The Mix is inspired by playing on the Sinai Sound System at Draaimolen and shows her spectrum-busting range with 30 tracks amassing within the hour
Check it out: bit.ly/tm078jasss
My latest Rinse FM show - talk and tunes with Ukrainian creative Tanya Voytko - show is live for playback 🇺🇦
Talking Kyiv clubbing, problems with the framing of clubland resistance in wartime, her expansive cultural work ++more
Listen: soundcloud.com/rinsefm/patr...
In Jordan, experiential music and culture event Medaina Festiva brings affluent, party-inclined travellers to some of the world's most beautiful locations, where culture and capital collide
PinkPantheress stars on the cover of Mixmag 🐆
On her forthcoming project, the UK artist is expanding her sound to make music that “sounds like a statement”.
Read the cover feature: bit.ly/mixmagpp
Listen to the Cover Mix: bit.ly/mmcovermixpp
Cover 1 of 3.
great conversation if you're interested in the early days of techno, jungle and how they influenced each from Detroit to London, plus much more history
In the 1980s in Detroit, Kevin Saunderson started tweaking with the settings on a Casio analogue synthesiser, producing a sound that would change the face of UK dance music forever — influencing developments in genres such as jungle, speed garage, techstep, bassline and more
Kevin Saunderson is co-guest editing our new series of Blackout Mixmag features.
In his editor's letter, the Detroit techno architect shares his views on the importance of documenting dance music's Black origins and his hopes for the industry:
"We broke even for the first time. We have a queue for the first time"
Dimitri Hegemann praises Tresor.West's “very successful” Community Nights with free entry and no headline DJs
For Mixmag’s April 1994 cover feature, Andy Pemberton met Andrew Weatherall at a pivotal moment in his career — his club night was confusing, his latest album disappointing, and his public image had become ludicrous.
In a therapeutic discussion, he revealed his plans for reinvention
The first wave of line-up information for SXSW London has been revealed — as well as the pricey cost of access
𝓣𝓱𝓮 𝓬𝓮𝓷𝓽𝓪𝓾𝓻 𝓸𝓯 𝓪𝓽𝓽𝓮𝓷𝓽𝓲𝓸𝓷 🐴
horsegiirL is captivating clubland 💕
Read the cover feature: bit.ly/mixmaghorseg...
Listen to the Cover Mix: bit.ly/horsegiirlco...
Is 'The Sesh' starting to catch up with Millennials?
While Gen Z are embracing sober curiosity, the toll of sustained drug use is becoming more pronounced in older generations.
“Music is a process not a product”
John Glacier is our final cover star of 2024 🧊
Read: bit.ly/jgmixmag
Listen to the Cover Mix: bit.ly/jgcovmix
✍️: Cici Peng
📸: Simon Wheatley
Four decades on from a record that changed the world of dance music forever, Meena Sears speaks to house music scholars, including Jesse Saunders, and traces the evolution of the culture
last mix of the year and it's a big one 💖
my tweet about not-burial is officially better than burial on the pitchfork scale
I'm in @theguardian.com today arguing for wealth redistribution to support nightlife
Randomer was in Kyiv when Russia began wreaking terror on Ukraine in 2022.
On his first record in five years, he's reinvented his sound (again) and goes deep on the experiences that shaped it in this interview with @mmtowns.bsky.social ft. a breakneck mix
having fun isn't hard when you've got a library card
why is every post on this site about libraries
thinking about Marcelo Bielsa
