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Posts by sheafified sarah

Reminder that we have an episode specifically about how much Nick Fuentes hates his fans

1 hour ago 3 3 0 0

making the world's longest and smoothest jack off motion

1 hour ago 1 0 0 0

really baffles me every time i hear about someone below the age of 70 who has a history of watching bill maher. i think of his audience as exclusively dying boomers so it's just bizarre, like meeting someone in their 30s who was raised as a fan of the dick cavett show

2 hours ago 5 0 0 0

i'm so glad ❤️

2 hours ago 1 0 0 0

from the river to the sea btw

7 hours ago 11 0 0 0

i love women, but even more than that, i love women

7 hours ago 13 0 1 0
Kalshi promotional image with the caption "The world's gone mad, trade it"

Kalshi promotional image with the caption "The world's gone mad, trade it"

I have to confess, I don't like Kalshi's slogan

8 hours ago 5 1 2 0

Tim i have no idea whether this is real

8 hours ago 2 0 1 0
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every time I've missed a flight they've just put me on another one for free. i honestly didn't realize people were spending money on missed flights

8 hours ago 2 0 0 0

do you like this painting. do you think it's good

8 hours ago 4 0 2 0
Video

Here's a second, geared mechanism that transforms between cube and octahedron forms. Full video at youtu.be/T9BNMLFHXUw

23 hours ago 37 9 2 0

the presence of antisemite james lindsay really makes clear that "against antizionism" is code for "islamophobic"

1 day ago 7 1 2 0

funny thing is that leftists are also haunted by the notion that the people they loathe most are overpowering and humiliating them, but that's because it's actually happening. rock stupid child molesting billionaires are actually genuinely kicking the world in the face over and over

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you could maybe adapt most of sections 1, 2 and 4 into something you, not the book, teach the kid

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for like actual children...? i really don't know... i think the most basic and gentle number theory book i know is dudley underwood's and that seems way too difficult

3lihandam69.wordpress.com/wp-content/u...

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I'm in a big coat next to a brick wall

I'm in a big coat next to a brick wall

i had indian food and I'm prepping the next podcast episode

1 day ago 17 0 2 0

I'm so glad this brave law enforcement officer is OK after being violently smirked at. Praying for him and his family

1 day ago 1161 146 23 0
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no doubt part of some sick psychosexual game

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more biphobia from julia

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more biphobia from helen

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sitting next to a straight couple at a restaurant and they're being normal and nice to each other. unnerving

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@clarkjosephf.bsky.social i hope you're following this saga

1 day ago 2 0 1 0

Literally this morning. This isn't some random transphobic account, it's a prominent figure in UK anti-trans politics, with 160k followers, routinely promoted and RTd by Rowling, "Sex Matters", etc. Just openly calling to completely ban being trans.

What are trans folks supposed to do with that?

1 day ago 378 125 15 4

qanon was also big into the concept of predictive programming, where the elites seed their future plans into entertainment media as a way of discrediting future free thinkers, or because they're compelled to, or for whatever reason

so identification of movies with reality is also displayed there

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kash patel was a qanon podcaster. appropriating movie aesthetics and plots is a big part of what they did. where we go one we go all is from some kurt russel movie, and the way they'd say things like "sit back and enjoy the popcorn" illustrates how they relate to politics as media entertainment

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Pete Hegseth quotes *Pulp Fiction.* And it looks like Kash Patel has been alluding to 2009’s *Law Abiding Citizen* since at least Oct 2025.

Patel refers to the Biden-era FBI as a “diseased temple.” The same words the amoral criminal mastermind of the movie uses to describe the justice system.

1 day ago 6 2 1 0

and the post i saw which prompted this

bsky.app/profile/alal...

1 day ago 0 0 0 0
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Michael Jackson Jr. and Sean Carmon, both celebrated dancers, embody the spirit of modern movement and artistic collaboration captured in The Art of Movement, published by NYC Dance Project in 2016. This book, created by photographers Ken Browar and Deborah Ory, features some of the world's leading dancers from renowned companies, including Alvin Ailey American Dance Theater, American Ballet Theatre, and New York City Ballet. Michael Jackson Jr., known for his dynamic performances with the Alvin Ailey company, brings a unique blend of athleticism and grace rooted in the legacy of Ailey's mission to celebrate African American cultural expression and the modern dance tradition. Sean Carmon, also a distinguished member of Alvin Ailey American Dance Theater, joined the company in 2011 after working with prestigious groups like Broadway's The Lion King and Houston Ballet. His powerful stage presence and technical prowess made him a standout in the 2010s dance scene. Together, Jackson Jr. and Carmon represent a new generation of artists who honor the history of modern dance while pushing the boundaries of contemporary performance. Their inclusion in The Art of Movement highlights their significance within the dance world during a period when visual storytelling through photography and social media was reshaping how audiences experience the performing arts.

Michael Jackson Jr. and Sean Carmon, both celebrated dancers, embody the spirit of modern movement and artistic collaboration captured in The Art of Movement, published by NYC Dance Project in 2016. This book, created by photographers Ken Browar and Deborah Ory, features some of the world's leading dancers from renowned companies, including Alvin Ailey American Dance Theater, American Ballet Theatre, and New York City Ballet. Michael Jackson Jr., known for his dynamic performances with the Alvin Ailey company, brings a unique blend of athleticism and grace rooted in the legacy of Ailey's mission to celebrate African American cultural expression and the modern dance tradition. Sean Carmon, also a distinguished member of Alvin Ailey American Dance Theater, joined the company in 2011 after working with prestigious groups like Broadway's The Lion King and Houston Ballet. His powerful stage presence and technical prowess made him a standout in the 2010s dance scene. Together, Jackson Jr. and Carmon represent a new generation of artists who honor the history of modern dance while pushing the boundaries of contemporary performance. Their inclusion in The Art of Movement highlights their significance within the dance world during a period when visual storytelling through photography and social media was reshaping how audiences experience the performing arts.

Throughout the 2010s and into the 2020s, the world of dance has seen a remarkable blending of classical technique with innovative modern influences, and artists like Jackson Jr. and Carmon have been at the forefront of this evolution. Their work captures the essence of dedication, creativity, and emotional expression that defines contemporary dance today. By participating in landmark projects like The Art of Movement, they continue to inspire new audiences globally, solidifying their place in the ongoing history of dance and the celebration of movement as a universal form of artistic communication.

Throughout the 2010s and into the 2020s, the world of dance has seen a remarkable blending of classical technique with innovative modern influences, and artists like Jackson Jr. and Carmon have been at the forefront of this evolution. Their work captures the essence of dedication, creativity, and emotional expression that defines contemporary dance today. By participating in landmark projects like The Art of Movement, they continue to inspire new audiences globally, solidifying their place in the ongoing history of dance and the celebration of movement as a universal form of artistic communication.

and the source www.facebook.com/TheBrabbleLe... which i saw @loonrman.bsky.social provide in the comments

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grayscale image of two short haired black dancers in a light gray room. they are both men, lean and strong. their athleticism is palpable. they are wearing black tights and nothing else. 

one sits on a single knee in front, his other leg angled in front of it, and his upper body rearing to the side and with arms out, as if he were throwing a spear.

behind him, the other man stands with hips spread farther apart than i would have believed possible, on his tiptoes, so that his legs and the ground beneath him form almost a perfect square. he too is leaning to the side, and his arms interlink with the other dancer's so as to form an infinity symbol.

grayscale image of two short haired black dancers in a light gray room. they are both men, lean and strong. their athleticism is palpable. they are wearing black tights and nothing else. one sits on a single knee in front, his other leg angled in front of it, and his upper body rearing to the side and with arms out, as if he were throwing a spear. behind him, the other man stands with hips spread farther apart than i would have believed possible, on his tiptoes, so that his legs and the ground beneath him form almost a perfect square. he too is leaning to the side, and his arms interlink with the other dancer's so as to form an infinity symbol.

QTs are off and this was posted without alt text or a source so I'm just gonna provide those

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i dont find that plausible

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