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Posts by beeb 🧑🀍🩷

Naw be like me, memorize their design /j

1 year ago 1 0 1 0
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Go dragon, slay😍

1 year ago 5855 1044 26 2
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[ #narrexπŸŽ™οΈπŸ¦ˆ ]

quick lil thing i did at work 🀍 i’d love to see other peoples’ so the template is attached below!

🎨 @beebend.bsky.social
#yumesky #yumeship #selfship

1 year ago 6 2 1 0

I LOVE HER SO MUCH SHES SO BEAUFIFUL

1 year ago 3 0 0 0

FALIN OH MY GOF LOVELY GORGEOUS BEAUTIFUK WIFE

1 year ago 2 0 0 0

I figured but good lord 😭

1 year ago 1 0 0 0

guys how do I have over 100 followers what’s there to see 😭

1 year ago 3 0 1 0
Screen cap from my Flickr page where I added the transcription and translation of the Greek inscription. The translation is as follows: 

"Here I lie, deified as Hekate, as you can see. Once I was mortal but now I am immortal and ageless. I, Iulia, the daughter of the great-hearted man Nikias. And my native city is Mesembria-from Melsa and bria. I lived as many years as my stele tells you, three times five, two times twenty, and fifteen. Be happy, passersby."

The irregular metrical epitaph reveals Homeric influences. In addition to personal information, it also offers an intriguing etymology of Mesembria's name from the name of the mythical Thracian founder Melsas and the Thracian word bria, "town." Two centuries earlier, Strabo recorded this local legend, which was probably a Hellenistic invention. It is notable that Iulia claimed such a distinctive Thracian identity.

Screen cap from my Flickr page where I added the transcription and translation of the Greek inscription. The translation is as follows: "Here I lie, deified as Hekate, as you can see. Once I was mortal but now I am immortal and ageless. I, Iulia, the daughter of the great-hearted man Nikias. And my native city is Mesembria-from Melsa and bria. I lived as many years as my stele tells you, three times five, two times twenty, and fifteen. Be happy, passersby." The irregular metrical epitaph reveals Homeric influences. In addition to personal information, it also offers an intriguing etymology of Mesembria's name from the name of the mythical Thracian founder Melsas and the Thracian word bria, "town." Two centuries earlier, Strabo recorded this local legend, which was probably a Hellenistic invention. It is notable that Iulia claimed such a distinctive Thracian identity.

Between the reliefs is a Greek inscription. In it, Iulia gives her her father's name, her native city, her deification as Hekate, and her advanced age - 70, it seems. The image of Artemis and her hunting dogs, and no husband's name, may suggest that Iulia was a celibate devotee of Hekate. 🏺 4/

1 year ago 17 2 2 0
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God ur so real

1 year ago 1 0 1 0
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The moon disguised as Saturn

1 year ago 46050 3131 396 128

A lot of people are suggesting this to be a negative thing. However for me it's fairly liberating. I get to remove the ego out of my own art and just create art for the sake of the process. Let history sort out the rest.

1 year ago 50 7 3 0
Isis-Aphrodite is a form of the great goddess Isis that emphasizes the fertility aspects associated with Aphrodite. She was concerned with marriage and childbirth and, following very ancient pharaonic prototypes, also with rebirth. Elaborate accessories, including an exaggerated calathos (the crown of Egyptian Greco-Roman divinities) emblazoned with a tiny disk and horns of Isis, heighten the effect of her nudity.

Figures depicting this goddess are found in both domestic and funerary contexts. Popular already in the 3rd to 2nd centuries B.C., they continued to be made in Roman times. Dating technology places this piece in the Roman period, probably about AD 150, and the long narrow face and rather dry expression do not contradict such a date. 

Egypt, Roman period (Romano-Egyptian), 2nd century CE. Terracotta painted brown, black, red, and pink on white engobe. 

Met Museum, New York (1991.76)

Isis-Aphrodite is a form of the great goddess Isis that emphasizes the fertility aspects associated with Aphrodite. She was concerned with marriage and childbirth and, following very ancient pharaonic prototypes, also with rebirth. Elaborate accessories, including an exaggerated calathos (the crown of Egyptian Greco-Roman divinities) emblazoned with a tiny disk and horns of Isis, heighten the effect of her nudity. Figures depicting this goddess are found in both domestic and funerary contexts. Popular already in the 3rd to 2nd centuries B.C., they continued to be made in Roman times. Dating technology places this piece in the Roman period, probably about AD 150, and the long narrow face and rather dry expression do not contradict such a date. Egypt, Roman period (Romano-Egyptian), 2nd century CE. Terracotta painted brown, black, red, and pink on white engobe. Met Museum, New York (1991.76)

One of my favorite artifacts at the #MetMuseum is this large polychrome terracotta figure of Isis-Aphrodite. This version of the goddess emphasizes the fertility aspects of Aphrodite, fully nude, with an exaggerated calanthos (crown) emblazoned with a tiny disk and horns of Isis. 🏺

2nd c. CE. πŸ“Έ me

1 year ago 160 30 5 3
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my design of the narrator! his name is dicentis 🀍

ref drawn by the lovely @beebend.bsky.social

#tspud #thestanleyparable #tspnarrator

1 year ago 17 6 2 0

HAI VENNNN!!!!!!!

1 year ago 1 0 0 0

I love YOU nana :3

1 year ago 1 0 1 0
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beebs intro!!
hai guys!! I’m beeb/bea :3 I do art and play games n such, probably will remake this when I make my new meet the artist for the new year
gen info:
-18, she/he, lesbian
-insta: beeb.end
-tiktok: beebend
-im into dunmeshi, vocaloid, jjk, jjba, foxes n such
-looking for moots!

here’s art

1 year ago 10 3 3 0
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dumb anya thang πŸ‘… #mouthwashing

1 year ago 11 2 0 0
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Fox

1 year ago 4317 264 62 11