You can see me peeling away the masking tape to show both the internal and external paint jobs in the video and images. Now to put everything back together! ln.run/H3nsj #CinemaGear #MitchellCamera #MitchellStandard #cameras #film #35mm
Now that I am mostly recovered from last week’s sickness, I am ready to get back to work on the final stages of the painting process. ln.run/H3nsj #CinemaGear #MitchellCamera #MitchellStandard #cameras #film #35mm
Arriflex 35 BL 2 35mm camera with 400’ and 1000’ magazines, long and short eyepieces, matte box, balance plate, and three Cooke Speed Panchro lenses
This Arriflex 35 BL2 comes with 400’ & 1000’ magazines, long and short eyepieces, matte box, balance plate, and three Cooke Speed Panchro lenses. ln.run/ZCSxa #CinemaGear #arri #arriBL #arriflex #ArriflexBL #35mm #film
Cine Kodak Model B 16mm camera
The Cine-Kodak Model B was the 2nd generation 16mm camera from the Eastman Kodak Company, and was launched in 1925. It was designed to be lightweight, portable, and easy to use. This Cine Kodak Model B 16mm camera features a Kodak Anastigmat 25mm f1.9 lens. ln.run/AYmqa #CinemaGear #kodak #16mm
Bell & Howell 2709 all-metal motion picture film camera out of the studio of master matte painting artist Rocco Gioffre
Bell & Howell 2709 all-metal motion picture film camera out of the studio of master matte painting artist Rocco Gioffre
Bell & Howell 2709 all-metal motion picture film camera out of the studio of master matte painting artist Rocco Gioffre
This Bell & Howell 2709, serial number 707 comes from the studio of award-winning studio matte painter and visual effects artist Rocco Gioffre. The all-metal Bell & Howell 2709, introduced in 1912, forever changed the face of motion picture cameras and cinematography. ln.run/w6t_Y #CinemaGear
Bausch & Lomb Baltar 100mm f2.3 lens in Mitchell Standard mount
Baltar 100mm f2.3 in Mitchell Standard mount. Add it to your collection today! ln.run/gjRYa #CinemaGear #BauschAndLomb #Baltar #lenses
ARRI 16 S/ST Power Cable
Now available! Thanks for following along as I fumbled through the design, engineering, and printing of this replacement cable header that fits a stock ARRI 16 S/ST. As anyone who has owned an ARRI S knows, factory cables are nowhere to be found. ln.run/YmEep #CinemaGear #arri#3Dprinting #bambulabs
Angenieux 12-120 F2.2 Arri B mt
In 1961, Pierre Angenieux introduced the first 10x zoom lens for 16mm cameras, the 12-120mm zoom. These lenses were quickly adopted for documentary, news gathering, and feature film production and were popular for decades. ln.run/6hjGL #CinemaGear #angenieux #zoomlens
Mitchell NC #701 35mm motion picture film camera, originally purchased by the 1352nd Photo Squadron of the US Air Force in 1961
Mitchell NC #701 35mm motion picture film camera, originally purchased by the 1352nd Photo Squadron of the US Air Force in 1961
Mitchell NC #701 was originally purchased by the 1352nd Photo Squadron on August 4, 1961. It comes complete with one 1000' magazine, a Mitchell peanut motor, a Mitchell matte box, and 3 lenses. ln.run/T6Cyl #CinemaGear #MitchellNC #LookoutMountain #cameras #35mm
The power cable is not included. These ARRI 2B and 2C power adapters are now available and will be $149 each, plus shipping. ln.run/osUFg #CinemaGear #arri #arriflex
Power Adapter for ARRI 2B/2C Cameras
Power Adapter for ARRI 2B/2C Cameras
Power Adapter for ARRI 2B/2C Cameras
Now available is our power adapter that works with most ARRI pistol grip motors for the ARRI 2B and 2C 35mm cameras. Gone are the frustrating days when the old, cracked ARRI 2B and 2C cables failed to work. ln.run/osUFg #CinemaGear #arri #arriflex
Zeiss Distagon Super Speed lens set in Super 16 format with PL lens mounts
Zeiss Distagon Super Speed lens set in Super 16 format, all with PL mounts. The set includes: 9.5mm T1.3, 12mm T1.3, 16mm T1.3, and 25mm T1.3. ln.run/VTHa7 #CinemaGear #zeiss #distagon #lenses #super16
This clears space on my workbench to prepare the main camera body, which must be completely disassembled into its many, many, many little parts before the camera casting can be stripped and painted. The process continues next week. ln.run/_1iKe #CinemaGear #MitchellCamera #MitchellStandard #cameras
Continuing to paint Mitchell Standard #46
Continuing to paint Mitchell Standard #46
Continuing to paint Mitchell Standard #46
Work continues this week with the slow and tedious process of stripping, patching, sanding, cleaning, and masking Mitchell Standard #46 as I get the rest of the pieces ready for paint. ln.run/_1iKe #CinemaGear #MitchellCamera #MitchellStandard #cameras #film #35mm
Pathé Professional camera
Available now, a fine example of one of the titans of the early motion picture industry, a Pathé Professional camera, serial number 1124. This wonderful wooden camera, made in France, dates to around 1915 and has been lovingly restored to working condition. ln.run/Q_u5J #CinemaGear #pathe #cameras
ARRICAM Lite Universal Eyepiece, ARRICAM heated eyecup with cable, 2 ARRICAM 120/400 Studio Magazines with cases, 2 ARRICAM 300/1000 Studio magazines with cases, and a custom Innerspace camera case with wheels and handle. Available now. ln.run/qc4Kk #CinemaGear #arricam #arricamst #arri #arriflex
factory new ARRICAM ST 35mm 4-perf sync sound 35mm camera with electronic shutter
factory new ARRICAM ST 35mm 4-perf sync sound 35mm camera with electronic shutter
factory new ARRICAM ST 35mm 4-perf sync sound 35mm camera with electronic shutter
factory new ARRICAM ST 35mm 4-perf sync sound 35mm camera with electronic shutter
Offered here is one of the finest motion picture film cameras ever made, the ARRICAM ST. This particular ARRICAM ST is factory brand new. ln.run/qc4Kk #CinemaGear #arricam #arricamst #arri #arriflex #cameras #35mm #film
and then remasking and painting the outside of the camera black wrinkle. A lot of work still to go. Thanks for following along. ln.run/X5tVd #CinemaGear #MitchellCamera #MitchellStandard #cameras #film #35mm
beginning to paint Mitchell Standard sn. 46
Nobody panic, clutch your towels and your pearls, but I have finally started the process of painting Mitchell Standard #46. I have three projects running concurrently, including remaking the lock-down lugs for the Universal tripod I showed a few weeks back. ln.run/X5tVd #CinemaGear #MitchellCamera
Cinema Products CP-16R
Available now, Cinema Products CP-16R 16mm spinning mirror reflex, sound-silent camera with Angenieux 12-120mm zoom lens, and Peter Lisand tripod with fluid head. ln.run/tx4qv #CinemaGear #CinemaProducts #cp16r #16mm #camera
In 1935, the Vinten Model H camera was introduced, a silent camera for sound pictures that quickly gained popularity in British studios. Available now from CinemaGear.com. ln.run/meoPV #CinemaGear #Vinten #35mm #camera
Vinten Model H
We are delighted to offer this unique 35mm motion picture camera from British manufacturer W. Vinten Ltd. This Vinten Model H camera has been meticulously cleaned, serviced, and returned to working condition. ln.run/meoPV #CinemaGear #Vinten #35mm #camera
One of the camera’s most distinguishing features is its extremely long run time on a single wind, one of the longest of its era, and the helpful chime that rings when you are about to run out of wind. A very cool camera, and one I’m looking forward to working on. ln.run/mOYnV #CinemaGear #Kodak
Cine Kodak Special 2 16mm motion picture film camera with original case and lenses
Cine Kodak Special 2 16mm motion picture film camera with original case and lenses
I still haven’t painted Mitchell 46, (I know, I know, I’m stalling) but many things that seemed more urgent have gotten in the way. ln.run/mOYnV #CinemaGear #Kodak #CineKodak #16mm
Mitchell Mark II 35mm Studio Reflex Camera
The Mitchell Mark II 35mm Studio Reflex Camera was introduced in 1962 and was a major departure from the Mitchell Standard, NC, and BNC cameras that had brought Mitchell such success over the previous five decades. ln.run/1SKM- #CinemaGear #MitchellCamera #cameras #35mm #film
Nagra IV-L 1/4 inch reel to reel analog monaural tape recorder
The Nagra IV-L is a 1/4” reel-to-reel analog monaural magnetic audio tape recorder introduced in 1968. It was a favorite of the motion picture, television, radio, and music recording industries. ln.run/oEZNC #CinemaGear #nagra
I have never taken one of these lenses apart, and I don’t want to learn on a customer’s lens, so I stopped at this point. I am going to meet with the client today and see how they want to proceed. ln.run/mV_Rv #CinemaGear #arri #arriflex
Evaluating the PL Lens Mount on an ARRI 2B
Evaluating the PL Lens Mount on an ARRI 2B
Evaluating the PL Lens Mount on an ARRI 2B
I have had my friend Ted Rae’s ARRI 2B available for sale for a while now. Anyone who knows Ted knows that he is a perfectionist with his equipment, and he had a number of upgrades done to this camera. ln.run/mV_Rv #CinemaGear #arri #arriflex
This worked just fine to disburse the cutting oil fumes to the outside. So now, if the hose actually arrives today as promised, I can finally begin the painting process. ln.run/igFUZ #CinemaGear #cameras #3dprinting
Designing a paint fume extraction system ahead of painting Mitchell Standard 46
Now that this rain storm has passed, I am finally preparing to paint Mitchell Standard #46. As part of this endeavor, I have designed myself a paint fume extraction system, crude though it may be. ln.run/igFUZ #CinemaGear #cameras #3dprinting
