i'll be introducing Werner Schroeter's blazing adaptation of Ingeborg Bachmann's Malina tonight @ ICA London 🔥 still some tkts here >> ! ica.art/schroeter-ma...

put the phone in a bowl of rice

Open City x Another Gaze - Announcing participants of the Critics Workshop 2026 - Open City Documentary Festival We are delighted to announce the participants of the Another Gaze led Critics Workshop at Open City Documentary Festival 2026. Another Gaze was founded in 2016 to provide a nuanced forum for discussio...

We are delighted to announce the participants of the Open City x Another Gaze (@another-gaze.bsky.social) Critics Workshop!

🖊️ Led by Daniella Shreir (@shreir.bsky.social) and Laura Staab (@laurastaab.bsky.social).

Meet this year’s cohort here✨: opencitylondon.com/news/open-ci...

ineffable gentleness (how often is it cinnamon? amber?)

Daniella Shreir · My Mother’s Prison: Chantal Akerman’s Predicament Although she often responded to questions with anecdotes and talked about the role of chance and the necessity of...

‘We can’t avoid the fact that, if Chantal Akerman’s is a bedroom cinema, it might well be because she spent months at a time in bed. And if it’s also a manic, joyful cinema, this might be indebted to her highs.’

Daniella Shreir (@shreir.bsky.social) on the director.

www.lrb.co.uk/the-paper/v4...

thanks to @shreir.bsky.social for descending into the rabbit hole of Saint Phalle's life and work with me for the edit, and to @celizotte.bsky.social for her indispensable comments on much earlier drafts ✨

for @another-gaze.bsky.social 💜 i wrote about Niki de Saint Phalle's life-long mission to help children protect themselves from the trauma and tedium of the adult world, and her wonderful film in which the quixotic fantasies of little girls become more than dream www.anothergaze.com/niki-de-sain...

Zechmeister - Open City Documentary Festival Angela Summereder | 1981 | Austria | 79’ | digital | German spoken, English subtitles  Returning to a provincial crime scene, Zechmeister reconstructs the case of its (near absent) central character M...

opencitylondon.com/events/zechm... good film

"Do you at least believe in my plastic bag?"

we're back! applications are now open for the Open City x Another Gaze Critics Workshop ✍️ more info here >> opencitylondon.com/news/open-ci... @opencitydocs.bsky.social

Angst by Hélène Cixous In this novel by the iconic French feminist theorist, a woman replays her abandonment by her mother, who is sometimes addressed as a male mother-god.

yesss www.silverpress.org/products/angst

had fun at the m o v i e s in 2025 intervalslondon.com/2026/01/01/m... thanks @ intervals for asking me to participate in this EOY list 📽️ 🖤

em-dash Dickinson <3

Girls Daydream About Hollywood (1992)

The Girl's Nervy (1995)

Fear of Blushing (2001)

for a new RE:VOIR release, i wrote about how Jennifer Reeves dragged classic cinema and avant-garde heroism through the screwed-up realities of the '90s across three works. they’re nervy, they’re grungy; i love them re-voir.com/shop-films/p...

"I am attracted to things; I think, yes, my films are probably very fetishistic."

spoke with Lucile Hadžihalilović for Notebook 🤍 👑 mubi.com/en/notebook/...

Woodcutters: From the Viennale Masao Adachi and James Benning model an introspective form of political filmmaking, cutting through the dull platitudes of festivalspeak.

“This is what film festivals could be like, Petzold ventured: talking about cinema, talking about wood.”

on the 2025 Viennale, and how the festival and its films orientated themselves in relation to the world, for Notebook mubi.com/en/notebook/posts/woodcutters-from-the-viennale

u can try to outrun yrself ... and u will still find a Haribo Tangfastic stuck to yr shoe (crocodile, green)

u can try to outrun yrself ... and u will still find yrself reading Deleuze's Cinema 2 in Heathrow Terminal 2 💎 🤷

⬇️ a must-read! lareviewofbooks.org/article/maus...

the ice tower 🩵🩵🩵

In Focus: Pia Frankenberg starts /tomorrow/ at the ICA ❕
⛸️ The Assault on 35mm and Ain't Nothin' Without You
🩶 followed by an in-person Q&A with Pia
www.ica.art/frankenberg-...

you can now read @caitlinquinlan.bsky.social's lovely essay on Never Sleep Again, the importance of place to Pia Frankenberg, and a cinema of women walking ❤️ >> ica.art/media/11895.pdf

"In late 1973, she rented two rooms at the Hotel Dante, a seedy joint in North Beach, San Francisco, with Eleanor Coppola ... In their respective rooms, each installed their own work: Hershman Leeson in room 47, Coppola in room 43."

💓 Tess Little on Lynn Hershman Leeson's artworks: "They visit the California Department of Motor Vehicles and submit application forms for driving licences. They meet suitors for dates in San Francisco’s Union Square, wearing blonde wigs and Revlon blush." www.anothergaze.com/woman-viewer...

come to the cinema for Schanelec's minimalist take on melodrama – and my little introduction about that, cinematic Arianes, and an image of happiness – this Saturday >> ica.art/my-sisters-g...

❤️ ⬆️ ⬇️ @sophiasb.bsky.social on Amy Halpern's Falling Lessons, which 'evokes a range of way of seeing and being in the world. We see a baby bottom up and a woman bottom down. In a moment, everything can turn on its head.' 🌀 www.ica.art/media/11715....

www.ica.art/films/schane...

you can catch me waxing lyrical about Angela Schanelec 🤍 🤍 🤍 before My Sister's Good Fortune and Dreamed Path at the ICA in London on Saturday 13 and Tuesday 30 September
ica.art/my-sisters-g...
ica.art/schanelec-th...

serendipitous double bill at the ICA on 23 September: walk Marseille with Maren Eggert and Angela Schanelec, then come back to Cinema 1 in the evening to wander post-reunification Berlin with Pia Frankenberg, Lisa Kreuzer, and co🚶‍♀️💜
ica.art/marseille-on...
ica.art/frankenberg-...

thrilled to confirm Pia Frankenberg will now be joining, in person, for a post-screening Q&A on Friday 19 September! www.ica.art/frankenberg-...