Digital black and white ink illustration, title at bottom: The Host of Anguish. The subject is a humanoid creature shown from the waist up, with at least 6 arms and a horse skull head on a long neck of stylized plant roots. More hands and arms are emerging from its expansive, twisting and tearing flesh to cover most of the lower half of the canvas. All of the hands are grabbing and reaching out as if in crisis. A large, deep hole is in its upper chest, torn flesh as its border. The piece is shaded using extensive, precise crosshatching.
Digital color illustration, primarily in muted blues and soft sage to yellow. Title at bottom: The Purveyor of Murmurs. A portrait of a humanoid wearing draping robes and jewelry. They have 6 fingers on each hand, a neck made of long flowing hair, and a head that is a deer-like skull with fangs. They have no lower jaw. They have twisting vine-like antlers. They are holding a staff whose shaft is twisting vines and is topped with numerous fingers in a layered flower bud arrangement.
Digital black and white illustration using intricate line work and crosshatching, title at bottom: Relent To Ruin. A humanoid figure lies at the bottom of the canvas, entangled in gnarled, twisting tendrils and roots. They are facing up and thrashing as their head, which is a horse skull, is being obliterated by many punching downward fists. The entity above them doing the punching is just a mass of arms and hands and fingers coming out of a center, with solid black fluid pouring out from its center into and over the broken skull. More black streams flow from the center straight out to the top and sides of the canvas, defying gravity.
digital black and white ink illustration, title at bottom: Ungrounded. A humanoid facing the viewer has a black hole for a face/head. Multiple hands surround and reach into the hole, pulling back in a radius. the hands turn into wavy roots or vines that extend out past the edges of the canvas. two arms embedded with roots grab the bottom of the "face" in a pose like they are reaching up and pulling down on the face, and their shape creates an upside down V that fills the bottom of the canvas. Any empty space not filled with roots or hands or arms is a chaotic, scribbled black. More singular roots come out from behind the bottom hands and curve down to disappear beyond the bottom of the canvas. the entire piece is shaded with extremely fine, detailed hatching and stippling.
I'm Xeni and I'm normal about hands
