Screenshot of a page from the ebook of The Backyard Bird Chronicles by Amy Tan.
The page starts with a drawing of a green bird on a branch, labeled “Anna's Hummingbird (female)”.
Under the image, text reads:
“Like most kids, I enjoyed drawing and I laid down enough "pencil miles" (a fun phrase I just learned in this book) to develop some skills at a young age. So by the time my own bird obsession started to take hold, drawing was a natural part of that. I consider drawing mostly a brain exercise. The hand that controls the pencil to make lines on paper is a small part of the whole process. You can learn how to draw, and then drawing anything becomes easier, but drawing is really a different way of seeing, converting something from three dimensions in the real world to lines on a two-dimensional sheet of paper.”
From the book’s forward, written by ornithologist David Allen Sibley.
Screenshot of a page from the ebook of The Backyard Bird Chronicles by Amy Tan.
The text reads: “Drawing something, like birds, actually depends more on your knowledge of the subject than on your drawing ability. And it is a deep and intangible sort of knowledge.
Imagine your very wise birding mentor saying, "Yes, it is black with a yellow head... but do you really know what that bird looks like?" Drawing requires you to absorb details and then to combine them into a simplified and unified whole. Watching birds for countless hours is the way to get to know them, and drawing is the test to demonstrate that knowledge. The drawing is, in a way, like discovering the birds anew, as they appear on your paper. It usually means testing lines and shapes, erasing, adding a curve, sharpening or softening an edge, working to find the details that re-create the essence of the bird in a drawing. And when that happens it feels like a small kernel of truth has been revealed.”
From the forward of the book, written by ornithologist David Allen Sibley.
I started reading The Backyard Bird Chronicles by Amy Tan & found myself impressed by this take on drawing in the forward by David Allen Sibley.
I draw fossils (often poorly) to get to know the details of the bone fragment, so I agree that “drawing is really a different way of seeing”.