Review in Rue Morgue: ISSUES WITH AUTHORITY Nadia Bulkin Ghoulish Books Nadia Bulkin's first collection, She Said Destroy (Word Horde, 2017), in-troduced a fresh and powerful voice, and now her second one reaffirms this and brings further evidence of her growth. And this does not refer only to the larger size of her new stories, since this book contains two novelettes and one almost short novel-sized novella. The deceptive title of the first one, "Cop Car," metaphorically refers to its protagonist who at one point says: "I am a cop car. Once I have you, you cannot be free of me." As a young girl she was brought up in a cult, then taken over by a government agency which wanted to weaponize her abilities of telepathic influence. As it turns out, she is not a victim, but an empowered, damaged person looking for her place in the world's hierarchy. The second novelette, "Your Next Best American Girl," is a blackly satirical take on societal expecta-tions on women, told through a body horror tale of a girl whose beauty pageant contests turn increas-ingly disastrous after she develops sores and other changes on her skin, also affecting her mind. Finally, the big novella "Red Skies in the Morning" (the saying continues: "sailors take warning") builds upon the notion of a Ring-like video curse which gruesomely destroys the viewer unless they transfer it to someone else. Here Bulkin takes issue with authorities who pay willing victims to accept the "paracontagion" to prevent the curse's ultimate outcome. The levels of empathy in such a society are refracted through the protagonist's search for her missing baby sister. These tales are gripping, frightening, and affectionate, but they refuse easy, escapist answers in their acute, layered dissections of dispiritingly recognizable contemporary ills. DEJAN OGNJANOVIĆ
This review of ISSUES WITH AUTHORITY (in Rue Morgue, from earlier this year) will live near to my heart. Why? Because I don't think anyone's described my writing as affectionate before, and yet I feel SUCH affection for all my characters, even the most awful ones.
So thank you. Truly!