This is such excellent news. The flagship TV documentary series. The ideal choice of skipper to steer it home
www.theguardian.com/tv-and-radio...
Posts by Xan Brooks
A whole civilization will die tonight, never to be brought back again. I don’t want that to happen, but it probably will. However, now that we have Complete and Total Regime Change, where different, smarter, and less radicalized minds prevail, maybe something revolutionarily wonderful can happen, WHO KNOWS? We will find out tonight, one of the most important moments in the long and complex history of the World. 47 years of extortion, corruption, and death, will finally end. God Bless the Great People of Iran!
Trump just openly stating his intention to commit genocide at this point: "A whole civilization will die tonight, never to be brought back again."
Joe Eszterhas on alcohol, cocaine and Basic Instinct, the unholy Easter trinity
www.theguardian.com/film/2026/ap...
"I'll be 70 in 2026 if we're all still here"
Lovely & strange to revisit High Hopes with its gaswork-studded Kings Cross & defiant last-stand socialism - like finding 1980s England preserved in an air pocket. One of the great film couples (Ruth Sheen, Phil Davis). One of the great final scenes
Start the fire. Walk away. Tell the world they’re on their own.
“Jessica excepted” (subs cut the last line)
Wrote about 25 years of Amelie, send help. This week's @the-independent.com column here
www.independent.co.uk/arts-enterta...
Jamelle Bouie on the gaping fatal flaws of a narcissistic presidency
www.nytimes.com/2026/03/25/o...
Rounding up Paul Thomas Anderson's win at the Academy Awards. An interesting director who made an interesting film for these extremely distressingly interesting times
www.theguardian.com/film/2026/ma...
Also delighted that Amy Madigan took the best supporting actress Oscar for her role in Weapons, a full 40 years after her last nomination. Re-posting my interview with her from last month - she was just excellent
www.theguardian.com/film/2026/fe...
Reliably informed* that it was this article that did it
(*not informed by anyone ever)
www.theguardian.com/film/2026/ma...
Yes, agreed, he was terrific.
Managed to catch Sorrentino & Servillo between cigars, like a patient wildfire photographer staking out two lions in the scrub www.theguardian.com/film/2026/ma...
Growing sense over the past week that this whole elaborate Epstein-Trump-Russia house-of-cards is about to come crashing down. Terrible glorious inevitability to it now www.nytimes.com/2026/02/25/u...
Left in the N-word, cut out "Free Palestine". Jesus wept, Bafta, that's not firefighting, that's arson.
www.theguardian.com/film/2026/fe...
Hoping he sent him Secret Honor instead
Nice to interview an Oscar nominee who's been in this circus for years & simply can't be doing with the endless pomp & glad-handing. Could have chatted with Amy Madigan for hours, which would have driven her nuts, "Haven't you people seen enough?"
www.theguardian.com/film/2026/fe...
Jesus, a trio of American titans in the space of 24-hours. Duvall, Fred Wiseman & now Jackson - feels like an alternative Mount Rushmore just collapsed
www.nytimes.com/2026/02/17/u...
So long to Frederick Wiseman, the dogged, quiet legend of documentary cinema, who found his films by making them
www.theguardian.com/film/2026/fe...
Argh rats, what a loss, like an enormous bank of lights just went out. Duvall seemed elemental, I kind of hoped he'd shine forever
www.theguardian.com/film/2026/fe...
This week's Indie column, on Taxi Driver, John Lindsay & the 'bad apple' genre of 70s movies that first stained & then saved New York
www.independent.co.uk/arts-enterta...
Trump’s ecocide squad: Russell Vought, Jeffrey B Clark, Mandy Gunasekara, Jonathan Brightbill & Myron Ebell. Knew the science & did it anyway www.nytimes.com/2026/02/09/c...
I was thoroughly absorbed by James Meek's Your Life Without Me, a family saga dressed up as a terrorist plot. It's about destruction & renewal, the need (or urge) to rip it up & start again
www.theguardian.com/books/2026/f...
I hadn't clocked the use of the Phantom Thread score in Melania, but the soundtrack also features [checks notes] Gimme Shelter, And Then He Kissed Me, Spandau Ballet's True & Everybody Wants to Rule the World. Were all of these properly cleared & approved?
www.theguardian.com/film/2026/fe...