Date/time: Wednesday, 18th March 2026, 3 pm

🔴C4DM Seminar (March 18 3pm) : Antonio Criscuolo: Intra- and inter-individual variability in body-brain-behavioral rhythms: an ongoing multimodal study with smart wearables. c4dm.eecs.qmul.ac.uk/news/2026-03...

🎶 [C4DM Seminar] Advancing Music Experience Through Music Information Research
🕒 3–4 PM, 5th November
📍 TBC
We’re excited to welcome Dr. Masataka Goto, Senior Principal Researcher at the National Institute of Advanced Industrial Science and Technology (AIST), Japan.

Björn Þór demoing http://phylogeny.synth.is/

It was a pleasure to present the synth.is project and demo the phylogeny.synth.is tool at the Communication Acoustics Lab in @c4dm.bsky.social during this summer’s Creative Audio Synthesis and Interfaces Workshop: www.c4dm.eecs.qmul.ac.uk/news/2025-09...

Photo courtesy of Vincenzo Madaghiele.

I'm working on a lovely side-project with @cs4fn.bsky.social & @c4dm.bsky.social at @qmuleecs.bsky.social to help create some classroom resources (for primary and secondary schools) based on the use of AI in analysing music (in particular underrepresented musical tradition).

our inventor @antorrisi.bsky.social with poster on #VocalEcho: Closed-loop system for vocal interactions #BioDCASE at 12:21 CET (11.21 UK time) 🐥 🔀 🤖🎈
Streaming dcase.community/workshop2025...
@c4dm.bsky.social @emmanouilb.bsky.social @preparedmindslab.bsky.social @elisabettaversace.bsky.social

OPEN CALL :DMRN+20 is hosted at KCL in collaboration with – but outside of – C4DM for the first time in many years, and takes the theme “Collaboration, Coordination, and Community”.

Tuesday 16th December 2025
🕚 10:00–17:00hrs
📍 King’s College London
More info: www.qmul.ac.uk/dmrn/dmrn20/

The AES AIMLA is proud to present Retreading the OSCar Synth with Ben Supper.
@aesaimla25.bsky.social
Sunday 7th of September in-person or online :)
Tickets free: www.eventbrite.co.uk/e/1574203247...

2025 AES International Conference on Artificial Intelligence and Machine Learning for Audio - AES Submissions Event Details For sponsorship opportunities, please click here. The Audio Engineering Society invites audio researchers and practitioners, from academia and industry to participate in the ...

The AES AIMLA is coming!
And we couldn't be happier to host this conference at QMUL.
Check the social events.
Register before the deadline.
aes2.org/events-calen...

AES 2022 International AVAR Conference The AES 2022 International Audio for Virtual and Augmented Reality Conference three-day conference program will focus around the dissemination of top-level research in the field of spatial audio for v...

🚢 Join us for an exclusive Thames River cruise!
As part of
@aesaimla25.bsky.social
, we're hosting a private evening event during the 2025 AES International Conference on AI & Machine Learning for Audio.
More information: aes2.org/event-extra/...

Grateful to collaborators Mark Sandler and @emmanouilb.bsky.social, and to all the brilliant people at @c4dm.bsky.social for making these past months fun and so inspiring! Special thanks go to Adi (Aditya Bhattacharjee)🔥, with whom it's been (and continues to be) an absolute pleasure to work with🌟

🎶 C4DM is heading to #NIME2025!
Catch our researchers in Canberra, 24–27 June, presenting at the New Interfaces for Musical Expression conference, hosted by ANU.
📝 Paper list below 👇 #MusicTech #NIME #C4DM

2025 AES International Conference on Artificial Intelligence and Machine Learning for Audio - AES Register Now, Early Bird Ends July 1st! Register Now Rates Early-Bird Registration – Ends July 1st: AES Members $350 AES Student Members $210 Non-Members $475 Advanced Registration: AES Members $550 A...

🎉 C4DM is proud to be organising the next @aesaimla25.bsky.social!
📢 Registration is now open!
Join us at the AES International Conference on Artificial Intelligence and Machine Learning for Audio — a leading event at the intersection of AI, ML, and sound.
aes2.org/event-extra/...

🚨 Submission Alert: LLM4MA Workshop (C4DM is co-organizing)
🗓 Deadline: 10 August 2025

LLM4MA: Large Language Models for Music & Audio
📍 Daejeon, Korea – Satellite event of ISMIR 2025

m-a-p.ai/LLM4Music/

🎓 C4DM Seminar Alert: Speech and Music AI
🗓 Tuesday, 24 June 2025
🕚 11:00 AM
📍 GC201, Graduate Centre, Mile End, QMUL

Join Prof. Ye Wang for a thought-provoking seminar on:
"Speech and Music AI: Connecting the Dots of AI and Human Potential"
www.c4dm.eecs.qmul.ac.uk/news/2025-06...

🚨 Last Day to Submit!
We’re proud that QMUL is hosting the next @aesaimla25.bsky.social! 🎉
Don’t miss your chance to be part of the "Querying by Vocal Imitation" challenge – submissions close today!
👉 qvim-aes.github.io

As in previous years, the Centre for Digital Music will have a strong presence at the conference. The following papers authored/co-authored by C4DM members will be presented at IJCNN 2025:

🚀 C4DM at IJCNN 2025
Researchers from the Centre for Digital Music (C4DM) will present their work at IJCNN 2025.
Browse the publications here: www.c4dm.eecs.qmul.ac.uk/news/2025-06...

#IJCNN2025 #NeuralNetworks #C4DM #MachineLearning #AI #MusicTech

THis year, C4DM PhD students Yinghao Ma and Huan Zhang introduced new tasks to the platform, including Multimodal Music QA, Expressive Piano Performance Rendering, alongside traditional MIR challenges and emerging understanding/generation tasks. Specifically we are coordinating the following tasks:

📢 C4DM News: Introducing MIREX 2025: a key platform for evaluating cutting-edge music information retrieval algorithms.
Researchers are invited to submit and get standardized benchmarking + present at ISMIR 2025 🎶
www.c4dm.eecs.qmul.ac.uk/news/2025-06...
#MIREX2025 #ISMIR2025 #C4DM

🎉 Congrats to Sungkyun Chang, Simon Dixon, and Emmanouil Benetos — their submission earned 2nd place at the 2025 Automatic Music Transcription Challenge! 🥈
ai4musicians.org/transcriptio...
#C4DM #MusicAI #AMTChallenge2025.

Join our Cloud HD Video Meeting Zoom is the leader in modern enterprise cloud communications.

🎙️ C4DM Seminar Series Presents: Domestic Data Streamers: Fighting Indifference Towards Data.
When: Wednesday, 21st May 2025, 12:30pm
Where: In-person and online
More info: www.c4dm.eecs.qmul.ac.uk/news/2025-05...

🎉 C4DM May Recap:
We were lucky to host Prof Ville Pulkki with a talk about: Superhearing, Laser Beams, and Windy Yelling: Spatial Audio Oddities Unleashed!
More information here:www.c4dm.eecs.qmul.ac.uk/news/2025-05-08.C4DM-Sem...

We are pleased to announce that the following paper authored by C4DM members received the best paper award!

🎉 C4DM May Recap:
We're thrilled to share that the paper “Yin-Yang: Developing Motifs With Long-Term Structure And Controllability” has won Best Paper at EvoMUSART 2025! 🏆

🧠 Keshav Bhandari, Geraint A. Wiggins and Simon Colton
More info at: www.c4dm.eecs.qmul.ac.uk/news/2025-05...

🎙️ C4DM Seminar Series Presents

Alberto Bernardini – Differentiable Physical Models of Acoustic Systems for Audio Signal Processing
🗓️ Date and time : 29/05/2025 at 11 am
📍 Location: Online and in-person.
More Details: www.c4dm.eecs.qmul.ac.uk/news/2025-05...

C4DM members will be presenting the following papers at the main track of ICLR 2025:

C4DM News: C4DM at ICLR 2025.
On 24-28 April, C4DM researchers will participate at the Thirteenth International Conference on Learning Representations (ICLR 2025), taking place in Singapore🤗.
🔎 Find out more here: www.c4dm.eecs.qmul.ac.uk/news/2025-04...

As in previous years, the Centre for Digital Music will have a strong presence at the conference, both in terms of numbers and overall impact. The below papers authored or co-authored by C4DM members will be presented at the main ICASSP 2025 track:

We are very thrilled to share our contributions to this year's ICASSP - 14 papers!
For a list of the articles, please refer to:

www.c4dm.eecs.qmul.ac.uk/news/2025-03...

An exciting novel contribution by our student @jinhua-liang.bsky.social, supervised by @emmanouilb.bsky.social

I'm running a paid study on guitar timbre transfer - it should take approximately 30min 🎸
If you're interested, please reach out via DM!

ANNOUNCEMENT: As part of the AIMLA Special Sessions, we’re launching the Querying Sound Effects by Vocal Imitation Challenge! 🎶

🔗 Details & Sign Up: qvim-aes.github.io#challenge

Coordinated by @qvimaes.bsky.social with organizers from @c4dm.bsky.social, @prosoundeffects.bsky.social, and JKU

The GigaMIDI Dataset with Features for Expressive Music Performance Detection | Transactions of the International Society for Music Information Retrieval The Transactions of the International Society for Music Information Retrieval publishes novel scientific research in the field of music information retrieval (MIR), an interdisciplinary research area concerned with processing, analysing, organising and accessing music information. We welcome submissions from a wide range of disciplines, including computer science, musicology, cognitive science, library & information science and electrical engineering.TISMIR was established to complement the widely cited ISMIR conference proceedings and provide a vehicle for the dissemination of the highest quality and most substantial scientific research in MIR. TISMIR retains the Open Access model of the ISMIR Conference proceedings, providing rapid access, free of charge, to all journal content. In order to encourage reproducibility of the published research papers, we provide facilities for archiving the software and data used in the research. To avoid excessive cost to the authors or their institutions, TISMIR is published in electronic-only format.

Very excited to share our latest work, the GigaMIDI dataset with > 1.4M files, published at #TISMIR 🤘 It was a huge pleasure to collaborate with such a team of titans

transactions.ismir.net/articles/10....

The following works were authored/coauthored by C4DM PhD students and academic staff:

From the 25th February to 4th March 2025, two C4DM researchers will participate at the 39th Annual AAAI Conference on Artificial Intelligence (AAAI 2025). More info at:
www.c4dm.eecs.qmul.ac.uk/news/2025-02...