Really enjoyed this interview with Zarina Muhammad and Gabrielle de la Puente. Co authors of Poor Artists.
Love their writing, love the book.

Another great podcast by Daniel Curtis and Martha Lamont!

podcasts.apple.com/de/podcast/the…

Good Morning Blue Sky
⚡️ 📸

Wip

Disparate and disjointed elements that might not have made sense a while ago now seem to guide me in these works. Almost like I'm testing the fringes of my aesthetic connections.

I had a couple of great conversations with @_Evelyn_O_ about his practice of manipulating prompted AI images into these fascinating figurative works. At the end of July I asked him if he was interested in making a series collab together.

It's early days atm, but I am enjoying the discovery.

Pablo Picasso, Goat’s Skull, Bottle and Candle, 1952

''they they leontopodium nivale''

Thank you Danielle :)

I'm looking forward to minting them on Teia next month :)

It's moved closer to the way I interact with my digital paintings.
Everything is always up for grabs.

1 of 3 new digital sculptures. I have finally managed to re-define my 3D work flow. Breaking down the linear path of sculpt/retopo/unwrap/texture, and living more inside creativity in every stage. Any decision at any point can disrupt and deconstruct.

Two pieces from my collection 'TIME TRAVEL FOR DUMMIES'

The artworks present a landscape of the distant world where a human encounters an enormous pink creature. It telepathically says
'Hi, pal. I trade with you my mind.' and teaches the human time travel.

Avail on OBJKT
🔗here borya.xyz

Happy birthday dude :)

Another wip for this series.

Looking forward to showing all the works together next month in Arium.

❤️❤️❤️

Ty Jules, its always a good experience going through the works.

With "Wysh" I really tried to get a subtle a variation between the hues as possible.
It can be quite scary because you wonder if that translates when the digital medium likes striking boldness.
When I spend time with it though it seems to pulsate and hum.

WIP

Happy Christmas 😁

You can find my Exchange Art exhibition here. A great new feature, with so much potential to connect and converse.

https://exchange.art/Mical%20Noelson/exhibition

Here I show a selection of works from artists in my collection that I admire and respect next to pieces of my own. There is a hope that by their proximity they will bring out subtle moments in each other that might not be present when they stand alone.

A painting can speak to you. Paintings talk to each other. And like the best conversations the things they say may surprise and inform and move the orientation of their meaningfulness to new places.

It was really a wonderful experience using Exchange Art's new exhibition feature.

With ''A conversation'' I wanted to put my work in visual context with some of my contemporaries that I have had the pleasure of collecting their work.collecting their work.

Cecily Brown, Trouble in Paradise, 1999

Been looking at this and can't escape the connection to Kanagawa oki nami ura. There's a looming inevitability about a splash or a wave caught before it crashes. A form of stored energy, the moment can never be still.

Ty Danielle :)

The series is getting close to a resolution.

Was trying to catch a feeling of something erupting, or moving into a different state. A transient form baring all it's histories. The aftermath of a live volcano, a wave ,or a storm forming.

Gm!

My new work “A Natural Bridge to Pompano” will be exhibited in Rome. Curated by @letsglitchit.com for the Bad Glitches Only show.

My work was created using LiDAR scans of my surroundings, Blender and Pixel Sorting.