For @ivnafr.bsky.social's newsletter forkert, I reviewed Valby Vokalgruppe's new album 'Solids For Voice', a stunning collection of "rhythmical architectures built almost solely from the voice" that sound like "trance without electronics".
Thx to @ivnafr.bsky.social for inviting me on her Forkert newsletter to write a piece on this year Roskilde : 🌧️ mud up to your knees
🙅♀️ greta literally refusing selfies
🎸 nine inch nails screaming into a drunk dead crowd
♻️ roma women scooping bottles for coins shorturl.at/MJJ9g
some Copenhagen event recommendations for the next two weeks >>
forkert.substack.com/p/two-weeks-...
Fall '24 highlights feat. Doris Dana, Zaumne, Secret Boyfriend, Civilistjävel! and others: forkert.substack.com/p/only-good-...
got to see Mary Lattimore and Death & Vanilla at Malmö's Inkonst recently 🫠👇
forkert.substack.com/p/saturday-n...
i brižna i ažurna majka
uz to što redovno primam mailove za drugu Ivnu F. (koji su btw jebeni - od Kuzme & Shaka Zulu do opravdanja djetetovog izostanka iz škole), sad su mi krenuli pristizati i mailovi za DJ Ivnu Ji 🫠
New review for @ivnafr.bsky.social's Forkert: I wrote about Karen Juhl's eclectic, stream of consciousness driven mixture of electronic styles on her debut Mother Tongue (out via inklingroom).
For @ivnafr.bsky.social's Forkert, I wrote about Pauline Hogstrand's transporting, mountainous new record Áhkká. Out now on warm winters ltd!
On last week's Matana Roberts show/improvised set at Alice: forkert.substack.com/p/the-power-...
