How terribly sad to hear that Robert Redford has left the studio. I've adored him nearly all of my life. RIP.
🥺❤️

Geared up to knock a self-tape on the head! 😃

My latest launch.... and it is proving to be of great interest! #casting #actorslife

There's another excellent opportunity available for a costume trainee at Bad Wolf. No previous experience or specific qualifications necessary and as the role is intended as an entry-level position into the industry.
www.screenalliancewales.com/vacancies

Love it! Bags of variety and personality. 👏👏

OT Under 30 - Orange Tree Theatre OT Under 30 is a brand new scheme  for people between the ages of 18-29. Join us for an unforgettable night at the OT. If you’re under 30, grab a £15 ticket to any show at the Orange Tree. Plus, on OT...

If youre under 30 you can see my play Ben and Imo on May 2 for £15 plus free drink ! If youre an oldie please tell a youngster. Thank you orangetreetheatre.co.uk/ot-under-30/

I'm looking forward to working on a new piece of theatre in 2025. '47. A Ghost Story'. Hope it's scary!! 👻😱

I would like to wish my friends, both old and new, a very happy Christmas. I hope that 2025 is a corker! The picture is of a friendly Robin today, in my garden. 🥰

Please note this advice from Equity.

Congratulations! It was a big field. 👏👏

Good idea! x

I must admit that there are a lot of people coming over to Bsky (like lemmings), who are nothing to do with my interests, or who haven't posted. I'm not following them back.....

Here we are! Follow this one Wayne. x

Oh I loved that. Well, anything with Bill Travers in, after Ring Of Bright Water....🥰🥰

Fake blood!! Anyone??

We’ve laid down multiple tracks for @JosieDuncanSong’s song “In the wee hours” for Faithful. With fiddle & violin to be added in Monday. Now you can help us raise funds for our PR campaign. Find out more at igg.me/at/faithfult... #indiemusic #scottish #gaelic #supportindiefilm

Origins — Headlong

Artist development programme with @headlongtheatre.bsky.social for early career directors from outside of London. Includes £5000 bursary and 12 months of development support.
Deadline for applications 10am 27th November.

www.headlong.co.uk/origins

Also: ‘All writers should be made to visit the venue where their play is to be performed and sit in the seats with a stopwatch. When your arse and spine start to sing, check the watch. That's your running time. Exceed it at your peril.’

Totally sage advice.

Paid assistant director opportunity - looking for directors with strong links to / experiences of the east midlands for this one.

To assist Adam Penford on Punch at the Young Vic.

£3600 fee plus some expenses.

Deadline for apps 3rd December.

creatorsprogram.youngvic.org/opportunitie...

Brilliant! They're great baked in a sticky, sweet tart too....mmmmm

We’re off to the beautiful Isle of Lewis tomorrow in Scotland with Josie Duncan, to record her beautiful song, “In the Wee Hours” for our end credits song. We also want to release the song far & wide so if we can raise an extra £1000 at kck.st/4bF6Qmo we can hire PR to do so!

Hopefully 'Eating Quinces'. Delicious!

And you're a lover of wildlife!! Me too. Keeps me sane. So you're ticking all the right boxes for success.....

If you want to see Bluesky add editing and bookmarking posts.

Give this a RT.

Maybe they will hear us!

HOW DO I GET MY PLAY ON? Twelve Playwrights answer. We chatted to some brilliant playwrights, asking them to share their experiences of getting plays to production, and what advice they would give to others. Here's what they said!

HOW DO YOU GET YOUR PLAY ON? This was the top question when Support Playwrights ran a #NoSillyQuestions initiative. We spoke to 12 brilliant playwrights & here's what they had to say! Writers incl #ChrisBush, @tommortonsmith.bsky.social, @hannykha.bsky.social .....

open.substack.com/pub/supportp...

Woman in hallway with magic 8 ball and spooky smoke

The ‘pilot’ episode of Frightseers has winged its way to Horror on Sea in time for January.
Getting spooky soon.
More eps to come.

We are back LIVE in 2025!

Stay tuned for more details!