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Posts by Modern Languages Open

A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

NEW | 'Language and the Next Billion Users' is an interview with Payal Arora & @isabellezaugg-phd.bsky.social on language diversity in the digital sphere and cultivating the vitality of minoritized languages.
➡️ bit.ly/MLO-Arora-Zaugg
@mcmasterhum.bsky.social @reshapingwork.bsky.social

1 week ago 1 1 0 0
A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

NEW | 'Typography Beyond Latin: Cultivating Visual Culture at the Crossroads of Digital Access and Technical Policy': An interview with Kamal Mansour @artgriot.bsky.social & @isabellezaugg-phd.bsky.social.
➡️ bit.ly/MLO-Mansour-Zaugg
@politonaiz.bsky.social @typographica.org @arxiv-cs-cl.bsky.social

1 week ago 2 1 0 0
A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

NEW | 'Unsettled Scripts: Script Invention and the Bind of Digital Recognition' by Anushah Hossain investigates “neographies" in a digital age.
➡️ bit.ly/MLO-Hossain
@isabellezaugg-phd.bsky.social @politonaiz.bsky.social @stanfordsilicon.bsky.social @stanfordpacs.bsky.social @viewsproject.bsky.social

2 weeks ago 5 2 0 1
A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

NEW | 'Language Justice and Machine Translation on Social Media' by Amandalynne Paullada & Levon Haroutunian advocates for a language justice orientation in MT system development and design.
🔓️ Read it #OA: bit.ly/MLO-Paullada-Haroutunian
@isabellezaugg-phd.bsky.social @politonaiz.bsky.social

2 weeks ago 3 1 0 0
A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

NEW | '“No Language Left Behind?” Predictive Text, Generative AI and Dilemmas of Digital Inclusion for Marginalized Languages' by @petechonka.bsky.social, Stephanie Diepeveen & Yidnekachew Haile.
➡️ Read it #OA: bit.ly/MLO-Chonka
@isabellezaugg-phd.bsky.social @aiatkings.bsky.social

2 weeks ago 4 2 1 0
A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

NEW | In 'Language 4R: Discussing the Roots of Language Identity in the African American Community' Kyra Ann Dawkins presents language reparation, reappropriation, reclamation & restoration in African American identity.
➡️ bit.ly/MLO-Dawkins
@isabellezaugg-phd.bsky.social

3 weeks ago 3 1 0 0
A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

NEW | 'Harnessing AI to Build the Ecology of Indigenous Thoughts': An Interview with @runningwolf.bsky.social by @isabellezaugg-phd.bsky.social on accountability among AI researchers working on Indigenous languages.
Read it #OA: 🔗bit.ly/MLO-Wolf-Zaugg
@politonaiz.bsky.social @naswells.bsky.social

3 weeks ago 2 2 0 0
A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

NEW | 'Reconquering our Capacity to Dream in Revitalizing our Languages': A Conversation between HE Manssour Bin Mussallam and @isabellezaugg-phd.bsky.social. Read it #OpenAccess via MLO: ➡️ bit.ly/MLO-Mussallam-Zaugg
@politonaiz.bsky.social @naswells.bsky.social #mflbluesky

3 weeks ago 2 2 0 0
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A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

NEW | 'Technology Rewriting: Testimonio as a Methodology to Learn from People’s Stories' by Alvarez Malvido examines the dialectical tensions between people and digital tools.
➡️ bit.ly/MLO-Malvido
@isabellezaugg-phd.bsky.social @politonaiz.bsky.social @naswells.bsky.social

4 weeks ago 2 3 0 0
A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

A purple banner to the left which reads 'The Digital Lives of Greater South Languages' with the MLO logo in white. This is next to artwork of a translucent glass dome with tiny people below stood observing the orb surrounded by a black spiky cage. The artwork is by Abel Tilahun titled “Chrome” (2019). This image is available via Creative Commons license, and was originally commissioned for the chapter: Zaugg, Isabelle (2019). “Imagining a Multilingual Cyberspace: How the Internet damaged linguistic diversity and what you can do to fix it,” in Finding CTRL: Visions for the future internet.

NEW | 'The Digital Lives of Greater South Languages'
Edited by @isabellezaugg-phd.bsky.social, this collection considers how digital tools shape and are shaped by Greater South language communities. @politonaiz.bsky.social @naswells.bsky.social
🔗 bit.ly/Digital-Lives-Blog

1 month ago 3 2 0 1
'Multilingual Locals and Significant Geographies: For a Ground-up and Located Approach to World Literature' by Karima Laachir, Sara Marzagora, and Francesca Orsini.

'Multilingual Locals and Significant Geographies: For a Ground-up and Located Approach to World Literature' by Karima Laachir, Sara Marzagora, and Francesca Orsini.

MOST READ | 'Multilingual Locals and Significant Geographies: For a Ground-up and Located Approach to World Literature' by Karima Laachir, @saramarzagora.bsky.social & Francesca Orsini. Read it #OA: bit.ly/MLO-LMO @saraharens.bsky.social @ritorneropoeta.bsky.social @fmussgnug.bsky.social

3 months ago 2 1 0 0
'Planetary Figurations: Intensive Genre in World Literature' by Florian Mussgnug

'Planetary Figurations: Intensive Genre in World Literature' by Florian Mussgnug

MOST READ | 'Planetary Figurations: Intensive Genre in World Literature' by @fmussgnug.bsky.social. Read it #OA for free online at MLO: bit.ly/MLO-Mussgnug @saraharens.bsky.social‬ @ritorneropoeta.bsky.social‬ @saramarzagora.bsky.social‬ @hpartzsch.bsky.social‬ @fmussgnug.bsky.social‬

3 months ago 5 4 0 0
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Linguistic Blind Spots in Platform Content Moderation in Ethiopia: The Case of Facebook | Modern Languages Open

NEW paper out with @modlangopen.bsky.social published by @livunipress.bsky.social 🎉👇

modernlanguagesopen.org/articles/10....

5 months ago 4 1 0 0
The background is a pale illustrated image of ancient human figures assembling a classical building. The article title is overlaid on top of this in a large rectangular light blue coloured box which reads: 'Linguistic Blind Spots in Platform Content Moderation in Ethiopia: The Case of Facebook' by Yohannes Eneyew Ayalew. The MLO logo is on the bottom right alongside the orange OA lock logo.

The background is a pale illustrated image of ancient human figures assembling a classical building. The article title is overlaid on top of this in a large rectangular light blue coloured box which reads: 'Linguistic Blind Spots in Platform Content Moderation in Ethiopia: The Case of Facebook' by Yohannes Eneyew Ayalew. The MLO logo is on the bottom right alongside the orange OA lock logo.

NEW ARTICLE: 📣 'Linguistic Blind Spots in Platform Content Moderation in Ethiopia: The Case of Facebook' by @yohannes-ayalew.bsky.social @yaleisp.bsky.social
Read it freely, #OpenAccess online at MLO: bit.ly/MLO-Ayalew

5 months ago 1 1 0 0
The background is a pale illustrated image of ancient human figures assembling a classical building. The article title is overlaid on top of this in a large rectangular pink coloured box which reads: 'Pirates, Slave Traders or Patriots? Imperial Exceptionalism, Maritime Tensions and the Emergence of the Spanish Sea Novel, c. 1830-1870' by Kirsty Hooper. The MLO logo is on the bottom right alongside the orange OA lock logo.

The background is a pale illustrated image of ancient human figures assembling a classical building. The article title is overlaid on top of this in a large rectangular pink coloured box which reads: 'Pirates, Slave Traders or Patriots? Imperial Exceptionalism, Maritime Tensions and the Emergence of the Spanish Sea Novel, c. 1830-1870' by Kirsty Hooper. The MLO logo is on the bottom right alongside the orange OA lock logo.

NEW ARTICLE: 'Pirates, Slave Traders or Patriots? Imperial Exceptionalism, Maritime Tensions and the Emergence of the Spanish Sea Novel, c. 1830-1870' by @booksonspain.bsky.social @warwick-smlc.bsky.social
Read it #OA online: bit.ly/MLO-Hooper

5 months ago 2 2 0 0
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'MLO is one of the most important initiatives for modern language research in the past decades. It transforms the nature of publishing, explicitly encouraging interdisciplinarity, ensuring that high-quality and original work is published in a timely way...'

'MLO is one of the most important initiatives for modern language research in the past decades. It transforms the nature of publishing, explicitly encouraging interdisciplinarity, ensuring that high-quality and original work is published in a timely way...'

Celebrating #OpenAccessWeek: Who Owns Our Knowledge?
MLO is an #OA platform from @livunipress.bsky.social publishing leading peer-reviewed research from across the modern languages.
@copim.bsky.social @anna-r-hughes.bsky.social @eve.gd @oipassoc.bsky.social
Find out more: modernlanguagesopen.org/en

5 months ago 1 1 0 0
'La Sierra and La Costa: Socially Motivated Intra-Speaker Variation in Peruvian Vowel Spaces' by Alden McCollum

'La Sierra and La Costa: Socially Motivated Intra-Speaker Variation in Peruvian Vowel Spaces' by Alden McCollum

NEW ARTICLE: 'La Sierra and La Costa: Socially Motivated Intra-Speaker Variation in Peruvian Vowel Spaces' by Alden McCollum @nyulinguistics.bsky.social
Read it #OpenAccess at MLO: bit.ly/MLO-McCollum
@lingthusiasm.bsky.social @languageonthemove.bsky.social @becauselanguage.com

6 months ago 1 0 0 0

We're thrilled to share that we have partnered with the University of Liverpool to deliver a master’s degree in Publishing, commencing September 2026.
Read our full announcement: liverpooluniversitypress.blog/2025/10/09/l... @sotauol.bsky.social

6 months ago 11 6 0 0
'Odessa, Vienna and Jerusalem: Zionism, Performative Nationhood and Multinational Empires' by Alex Marshall written in white text on a series of light blue and mid blue banners atop the MLO grey transparent line drawing of classical human figures. The MLO logo is at the bottom right with an Open Access orange lock logo.

'Odessa, Vienna and Jerusalem: Zionism, Performative Nationhood and Multinational Empires' by Alex Marshall written in white text on a series of light blue and mid blue banners atop the MLO grey transparent line drawing of classical human figures. The MLO logo is at the bottom right with an Open Access orange lock logo.

📣 NEW: 'Odessa, Vienna and Jerusalem: Zionism, Performative Nationhood and Multinational Empires' by @ralexm.bsky.social examines Zionism within multinational empires and the performative nature of national demands within this economy.
Read it #OA: bit.ly/Marshall-MLO
@europeinthepub.bsky.social

6 months ago 2 2 0 1
'Minoritised Languages and Travel' written in white on a teal background with an image in black and white to the right - ATTRIBUTION for the illustration which introduces the collection: Llyfrgell Genedlaethol Cymru - The National Library of Wales . Title: Foreign correspondent that specializes in broadcasting visiting Caernarfon. Author: Charles, Geoff 1909-2002. License: http://creativecommons.org/licences/by-nc-nd/2.0/uk/.

'Minoritised Languages and Travel' written in white on a teal background with an image in black and white to the right - ATTRIBUTION for the illustration which introduces the collection: Llyfrgell Genedlaethol Cymru - The National Library of Wales . Title: Foreign correspondent that specializes in broadcasting visiting Caernarfon. Author: Charles, Geoff 1909-2002. License: http://creativecommons.org/licences/by-nc-nd/2.0/uk/.

Popular this week ⬇️
'“Everything Remains the Same”: Julio Camba Travelling Spain' by David Miranda-Barreiro @bangormodlangs.bsky.social
Read it #OpenAccess: bit.ly/Julio-Camba-Travelling-Spain
@benschofield.bsky.social @drmirnasolic.bsky.social @abilox.bsky.social

7 months ago 4 1 0 1
A purple gradient banner image with a hazy Open Access orange lock in the background with the written text 'Recommend MLO to your librarian' in white.

A purple gradient banner image with a hazy Open Access orange lock in the background with the written text 'Recommend MLO to your librarian' in white.

Institutions & libraries can become members of MLO for £3,000/$3,900, allowing scholars to publish 5 #OpenAccess articles for the price of 4 without time limit (subject to rigorous peer review). This equates to a saving of £750/$975! 💰
Find out more: bit.ly/MLO-Membership @ilcs.bsky.social

7 months ago 1 0 0 0
'Bodies of Evidence: The Depiction of Violence Against Female Characters in Late Imperial Russian Crime Fiction' written on a light blue banner with the authors names on a blue banner beneath: Claire Whitehead and Grace Docherty.

'Bodies of Evidence: The Depiction of Violence Against Female Characters in Late Imperial Russian Crime Fiction' written on a light blue banner with the authors names on a blue banner beneath: Claire Whitehead and Grace Docherty.

'Bodies of Evidence: The Depiction of Violence Against Female Characters in Late Imperial Russian Crime Fiction' by Claire Whitehead and Grace Docherty has also been popular this week.
Read it #OpenAccess via MLO: bit.ly/BodofEv
@sta-modlangs.bsky.social @lostdetectives.bsky.social

7 months ago 3 1 0 0
'Language and Education in the Lusophone Countries: Theory and Practice – Língua e educação nos países lusófonos: teoria e prática' written in white text on a blue background with a child's illustration of the alphabet featured to the right.

'Language and Education in the Lusophone Countries: Theory and Practice – Língua e educação nos países lusófonos: teoria e prática' written in white text on a blue background with a child's illustration of the alphabet featured to the right.

'Ideological and Theoretical Considerations to Postcolonial Education in the Lusophone Countries' by Nicola Bermingham and Paul O’Neill is popular this week.
➡️ Read it #OpenAccess: bit.ly/BerOn
@spanishinsoc.bsky.social @drmirnasolic.bsky.social @abilox.bsky.social

7 months ago 1 3 0 0
'Slavic Studies Goes Public: Who? What? Why? Where? When?' written in white overlaying a photograph of seven people stood on a cloudy beach.

'Slavic Studies Goes Public: Who? What? Why? Where? When?' written in white overlaying a photograph of seven people stood on a cloudy beach.

James Rann asks an important question this week from the special collection guest edited alongside @victoriadonovan.bsky.social & @daryatsymbalyuk.bsky.social.
He asks: 'Does Impact Reinforce the Boundary Between the Academy and the World?'
Read it #OpenAccess, only on MLO: bit.ly/MLO-Rann

7 months ago 2 0 0 0
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'Investigating the Canon: The Reader as Detective in Reworkings of Madame Bovary and Jane Eyre' by Katie Jones on a purple and lilac banner.

'Investigating the Canon: The Reader as Detective in Reworkings of Madame Bovary and Jane Eyre' by Katie Jones on a purple and lilac banner.

Popular article on MLO this week⬇️
'Investigating the Canon: The Reader as Detective in Reworkings of Madame Bovary and Jane Eyre' by Dr Katie Jones @standrewsenglish.bsky.social
Read it #OpenAccess: bit.ly/_Detective
@saraharens.bsky.social @ritorneropoeta.bsky.social @saramarzagora.bsky.social

7 months ago 3 1 0 0
UNMASKING THE RED DEATH: A special collection from Modern Languages Open written in white over a red tinted surrealist image of a girl floating on a theatre stage with red floating lampshades.

UNMASKING THE RED DEATH: A special collection from Modern Languages Open written in white over a red tinted surrealist image of a girl floating on a theatre stage with red floating lampshades.

Popular this week on #MLO 📣
'Black Skin, Red Masques: Reading Frantz Fanon and Audre Lorde in Tension with Edgar Allan Poe' by @xineyaophd.bsky.social @qucl.bsky.social
Read it #OpenAccess on MLO: bit.ly/BlackSkin-RedMasques
@timb-m.bsky.social @uclselcs.bsky.social @ucldiscovery.bsky.social

7 months ago 4 3 0 0

@hpartzsch.bsky.social @drmirnasolic.bsky.social @abilox.bsky.social @svshh.bsky.social @joannebrueton.bsky.social @politonaiz.bsky.social @naswells.bsky.social @benschofield.bsky.social @spanishinsoc.bsky.social

7 months ago 1 0 0 0
A membership tiered graphic in blue, lilac and pink titled 'MLO Membership Explained'

A membership tiered graphic in blue, lilac and pink titled 'MLO Membership Explained'

MLO Membership Explained 🔐
Once a library purchases an MLO membership (£3,000), this allows their scholars to publish 5 Open Access articles for the price of 4, saving £750!*

Find out more: bit.ly/MLO-Membership
*subject to rigorous peer review
@ilcs.bsky.social @cmlangs.bsky.social

7 months ago 1 0 1 0
Divergent: A Corpus-assisted Semantic/Semiotic Study of Eresia, “Heresy”, in Contemporary Written Italian' by Caterina Guardamagna is written in white text on top of a purple and blue set of horizontal banners.

Divergent: A Corpus-assisted Semantic/Semiotic Study of Eresia, “Heresy”, in Contemporary Written Italian' by Caterina Guardamagna is written in white text on top of a purple and blue set of horizontal banners.

'Divergent: A Corpus-assisted Semantic/Semiotic Study of Eresia, “Heresy”, in Contemporary Written Italian' by Caterina Guardamagna offers a corpus-assisted lexical semantic/semiotic analysis of the noun eresia “heresy":

@livunihss.bsky.social @livunienglish.bsky.social @sotauol.bsky.social

8 months ago 2 0 0 0
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Ethnography and Modern Languages | Modern Languages Open While rarely explicitly recognized in our disciplinary frameworks, the openness and curiosity on which Modern Languages in the UK is founded are, in many ways, ethnographic impulses. Ethnographic…

The article examines the use of ethnographic theories and practices as key lynchpins in a broader system of experiential and holistic approaches to language and cultural learning. Read the full article #OpenAccess, only on MLO: bit.ly/MLO-Ethnography

8 months ago 1 0 0 0