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Posts by Anton Bitel

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Like Father, Like Son? (Sådan Far, Sådan Son?) (2026) - Projected Figures Bound by blood: Josef Embring & Philip Sterner’s short LIKE FATHER LIKE SON? sees bickering kin on an alcohol-fuelled trip down a dark road

Bound by blood: Josef Embring and Philip Sterner’s short film LIKE FATHER, LIKE SON? (Sådan Far, Sådan Son?, 2026) "sees bickering male kin on an alcohol-fuelled journey down the same dark road". Available to stream in Online Short Showcase 1 at #PanicFest2026
projectedfigures.com/2026/04/14/l...

4 hours ago 0 0 0 0

Nope. Like his film, though.

5 hours ago 1 0 0 0

when, through sheer ubiquity, AI’s uncanny value ceases to appear uncanny, and it is the rare meat-based stuff that stands out and gives a frisson

17 hours ago 1 0 0 0

Drop some KITCHENS 🔪⏲️🖤🍽️🥢

17 hours ago 7 0 0 1

The effective federal corporate income tax rate:

1950: 50%
1990: 25%
2020: 13%

Stop asking "but how we will pay for it?" Restore the corporate tax rate.

That is how we will pay for it.

1 day ago 23304 8085 544 319

OMG WE HAVE A BOOK COVER FOR MY *checks notes* ELEVENTH BOOK OF FILM CRIT, WHICH TAKES ME BACK TO MY ROOTS IN BOTH MUSIC JOURNALISM AND SEEDY MISPENT GOTH YOUTH!

1 day ago 56 10 1 4
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Free Buffet (Buffet Libre) (2026) - Projected Figures Amour f(o)u: in Zoe Berriatúa’s dark post-romantic comedy FREE BUFFET, a couple cannibalises fellow marketeers for Chinese cuisine

Amour f(o)u: in Zoe Berriatúa’s dark post-romantic multi-cultural comedy FREE BUFFET (Buffet libre, 2026), "a middle-aged couple cannibalises fellow marketeers for Chinese cuisine". Screens 8.45pm tonight at #PanicFest2026. projectedfigures.com/2026/04/14/f...

18 hours ago 1 0 0 0

AMERICAN DOLLHOUSE re-screens 8.30pm tonight at @overlookfilmfest.bsky.social

19 hours ago 1 0 1 0
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AFFECTION re-screens 7pm tonight at @overlookfilmfest.bsky.social

19 hours ago 0 0 0 0
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We Put the World to Sleep (2025) - Projected Figures Adrian Țofei’s metafictive sort-of sequel WE PUT THE WORLD TO SLEEP disappears down its own rabbit-hole, and contains its own self-critique

F for Found Footage: Adrian Țofei’s sort-of sequel WE PUT THE WORLD TO SLEEP (2025) "is a metafictive poioumenon that disappears (twice!) down its own rabbit-hole, and contains its own self-critique." Screens 6pm today at #PanicFest2026. Review spoilerish. projectedfigures.com/2025/10/19/w...

19 hours ago 2 0 0 0
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Judex (1963) & Nuits rouges (Shadowman) (1974) - Projected Figures Judex & Nuits rouges (Shadowman) first published by Film International At first glance Judex (1963) and Nuits rouges (1974) might seem like chalk and cheese. One is in black and white with a marked in...

"knowing trash of the most impressively confounding kind, recalling not just the serial sensationalism of Feuillade but also the early, paranoia-inducing gialli of Dario Argento": Georges Franju's NUITS ROUGES (1974) screens 4pm/7pm today at L'Alliance New York. projectedfigures.com/2015/06/30/j...

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Thinestra - DMovies In this satirical body horror, a Los Angeles woman’s eating disorder births a monstrous, all-consuming doppelgänger - from Raindance

"In this satirical body horror, a Los Angeles woman’s eating disorder births a monstrous, all-consuming doppelgänger": Nathan Hertz's THINESTRA (2025) is now streaming in US via Breaking Glass Pictures. Review for @dmovies.bsky.social dmovies.org/2025/06/22/t...

19 hours ago 1 0 0 0
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Happy Halloween (2024) - Projected Figures In Brittney Greer's calendar slasher HAPPY HALLOWEEN, a traumatised teen must contend with her returning history

"a traumatised teen must contend with her returning history": Brittney Greer’s self-conscious calendar slasher HAPPY HALLOWEEN (2024) is on US digital platforms from today via Uncork'd Entertainment. projectedfigures.com/2024/08/22/h...

19 hours ago 1 0 0 0
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Don't Look Now (1973) - Projected Figures In DON'T LOOK NOW, Nic Roeg cuts compulsively like some manic slasher on the loose, severing the natural arteries between cause and effect to expose a more irrational kind of narrative continuum.

Chronicles of a death foretold: Nicolas Roeg's grief-haunted tale of off-season Venetian visions DON'T LOOK NOW (1973) can be streamed on @studiocanal.co.uk Plus. One of the all-time greatest. projectedfigures.com/2015/04/29/d...

19 hours ago 6 1 0 1

great!

(shit)

20 hours ago 1 0 0 0

Is he dead yet?

20 hours ago 7 0 1 0

(and an assumption, not always validated of course, that in art everything has its place)

20 hours ago 0 0 0 0
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One of the missing lines was subtitled in the trailer (I checked), and was absolutely key to the film (I even quoted it in my review). You're right, though: the rest was mere extrapolation on my part.

20 hours ago 0 0 1 0

"Redemption? Sure. But in the end, he's just another dead rat in a garbage pail behind a Chinese restaurant."

1 day ago 2 0 0 0

still looking forward to his departure

1 day ago 0 0 0 0

tfw you're watching a subtitled films, but the subtitles are not always there for the dialogue, and you don't speak Chinese, and lines are important...

1 day ago 2 0 2 0

he won't even have to turn up, or do anything in his constituents' interests

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post from Barack Obama: “The victory of the opposition in Hungary yesterday, like the Polish election in 2023, is a victory for democracy, not just in Europe but around the world. Most of all, it’s a testament to the resilience and determination of the Hungarian people – and a reminder to all of us to keep striving for fairness, equality and the rule of law.”

post from Barack Obama: “The victory of the opposition in Hungary yesterday, like the Polish election in 2023, is a victory for democracy, not just in Europe but around the world. Most of all, it’s a testament to the resilience and determination of the Hungarian people – and a reminder to all of us to keep striving for fairness, equality and the rule of law.”

both a great leader, and a spectacularly classy troll

1 day ago 4 0 1 0

yes, nice one

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Parasomnia (2025) - Projected Figures Forced perspectives: James Ross II's horror noire PARASOMNIA uses night terrors and repressed traumas to mask a horrifying truth

Forced perspectives: James Ross II’s horror noire debut feature PARASOMNIA (2025) “uses night terrors and repressed traumas to mask a horrifying truth”. Screens 8.30pm today at #PanicFest2026, and re-screens 9pm at @overlookfilmfest.bsky.social. projectedfigures.com/2025/08/22/p...

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wide shot of a woman standing in the dark by a parked police car, facing a misty desert cabin

wide shot of a woman standing in the dark by a parked police car, facing a misty desert cabin

Girls just want to have fun: Donnie Hobbie’s Seventies/Nineties-inflected feature debut JUMP SCARE (2025) "sees a heavy metal band drawn into a cannibalised horror scenario". Available to stream virtually from 7pm today at Panic Fest #PanicFest2026 projectedfigures.com/2026/04/12/j...

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NEVER AFTER DARK re-screens 7pm tonight at @overlookfilmfest.bsky.social

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wide shot of a female figure, running along a road at night and silhouetted by the headlights of a car behind her

wide shot of a female figure, running along a road at night and silhouetted by the headlights of a car behind her

It's all in the trailer: in writer/director Brock Bodell’s feature debut HELLCAT (2025), "damaged, lost souls must navigate the power of grief both to trap, and to transform." Screens 6.30pm at Panic Fest #PanicFest2026. Review for @scifinow.bsky.social www.scifinow.co.uk/reviews/hell...

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Pitfall (2025) - Projected Figures James Kondelik’s survival slasher makes damaged siblings the most dangerous game of an equally damaged hunter

A sylvan tale of two families: James Kondelik’s survival slasher PITFALL (2025) "makes damaged siblings the most dangerous game of an equally damaged hunter". Available to stream virtually from 6pm today at Panic Fest #PanicFest2026 projectedfigures.com/2026/04/12/p...

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Is he dead yet?

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