It’s also helped with my wife’s Crohn’s symptoms *and* reduced her anxiety. It’s mind blowing how many things it can help with!

Layoffs suck, but there's something about comic industry layoffs that just really guts me. These are dream jobs for people. Often childhood dreams that against all odds have actually come true. And then poof! You're on your own. It's just crushing.

Right, because it doesn’t get tired or thirsty or cramped.

I've built a socioeconomic system that depends on everyone to do useful work and act ethically except the people at the top, who get unimaginable rewards for being antisocial frauds and criminals. And I think it will stand the test of time

I’ll never forget watching The Wicker Man with my outer Hebridean mum. “I just don’t know where there got all that wicker from”

Artist Ulla Thynell

Mood

Sign me up!

From the very little (thankfully) I understand about both, I sense that prologue/epilogue is bait but there are a lot of people who prefer first person POV for whatever reason and recently started talking about it and found their people online.

Caption from a comic book that says Next: Things Get Worse

Another fantastic @explodinghye.bsky.social production!

The first volume of REAL HERO SHIT posed nicely with the second volume. They look cute together

The spines of the books next to each other

My beautiful children looking so sharp..... you can still preorder the second one also bookshop.org/p/books/hard...

I think if I worry about it a little bit more it'll solve everything

Watercolored drawing of the four turtles astral communicating with Splinter from a campfire, from the 1990 live-action movie

1990 TMNT movie farmhouse convalescence Splinter seance scene:

Hell yeah

Jughead causes a pie-fight apocalypse in new Archie one-shot from Supergirl: Woman of Tomorrow writer Tom King and Dan Parent are back together for Jughead: Piemageddon

Breaking news about pies!

a four panel comic in yellow and brown about the first thing I did with my new car

She’s red!

Feels, fittingly and ironically, very Jack Kirby-esque but on a much larger scale

I switched to @libro.fm for all my audio books (and @bookshop.org for my ebook and physical books) and can now sleep the sleep of the just.

Rectangular comic panel showing an old timey urban street at night, lit by multiple lamps. A barricade has been erected across the middle of a street, and armed folks mill around. A teenager with a basket is calling out "Got more arrows!"

Friends! My new fantasy adventure comic, OUTLAW'S APPRENTICE, has begun, with new episodes releasing each Wednesday.

Read it on webtoons:
www.webtoons.com/en/canvas/ou...

Or read it on my Patreon:
www.patreon.com/c/ChrisSchwe...

Shares and word-spreading very much appreciated!

Who do I gotta talk to about getting more cover illustrations gigs???
@heavymetalofficial.bsky.social
@marvelcomicshqs.bsky.social @dccomics2023.bsky.social

when you love blorbo but blorbo is owned by one of the most evil conglomerates on earth but also the stuff made for blorbo is made by real people putting love and work into it but also they're probably underpaid but also they probably still wanna keep their jobs 😔

Every incoming CEO, instead of cutting their own salary and/or figuring out how to use the humans they already employ in a more efficient way, instead says "alas, nothing to be done, must fire a random number of people and ruin their lives."

Two colour illustration of Barad Dûr, with Sauron's eye at the top. surrounded with the ring inscription in elvish. the sky is red with sparks and ash floating in the air, the tower is above a fiery chasm. The front doors are glowing red with silhouettes of chains and armouries. A cloud of ash conceals the horizon. This will be a banner and riso print first. Digital prints coming later this year.

Illustration of a paperback copy of Frank Herbert's Dune. It's a 3 colour riso setup using teal, red and yellow overlapping. The title is in white with D and E mirrored and the lowercase u and n flipped. Center image is a big worm with a big blue hallucinating eye at the centre of its mouth with some rocks with Fremen Holding flags and knives in the foreground. it is particularly difficult to draw Shai Hulud without it's mouth looking like a giant butt-hole.

Digital illustration of a The Lord OF The Rings cover. A Nazgûl sits astride its horse between 2 red trees that make a circle. Int he background is Weathertop, the Misty Mountains and Orodruin. Overlapping risk colours - red, teal and yellow. Some mushrooms in the foreground.

Illustration of a cover for THE HOBBIT. View from inside the halls of the woodland elves. A ramp is dropping some barrels. The trees make a circle. In the trees are some elves and spiders. Inside the circle from the bottom is a river flowing through forest. Barrels in the river. The river joins a lake with a floating town, above it the Lonely Mountain, with its reflection/shadow over the town.

Hi #PortfolioDay

Im Bruce, an illustrator, creative director, printmaker & sculptor. Big fan of risography, old goofy SFF covers, forced perspective & experimentation. Nice to meet you :)

WEB: www.badmanifesto.co.za
IG: www.instagram.com/bad_manifesto
PRINTS: www.inprnt.com/profile/brucemackay

The A cover of IDW Crime's FIXATION. Cover art by Suspiria Vilchez. Cover credits: Amy Chase (writer), Savanna Mayer (interior artist). A frightened young woman (stylistically colored in red) has her hair held by a mystery figure's hand (stylistically colored in purple) while they hold a knife to her throat. She clutches a copy of a book titled BLOOD MOUNTAIN.

The cover for ABUZZ from Maverick OGNs. Art by Stelladia, cover credits: Amy Chase (writer), Stelladia (inker), Ellie Wright (colorist), Taylor Esposito (letterer). Four high school teens wearing domino masks and dressed in formalwear are attending a homecoming dance. Beatriz whispers to her cousin Hero while Ben shows Claudio his phone. Claudio and Hero are shyly looking over their shoulder towards one another, back to back, while fingertips almost touch. There are vibrant bee-shaped balloons above them.

The Andrea Dailey variant cover for White Ash Annual #2, featuring Vivian standing on top of a sign that reads PITT OF HELL, the entrance to a haunted corn maze. A smoke monster rises out of the field behind her.

A lifestyle shot of Critical Role: A Decade of Destiny, a book published from a collaboration between Sideshow and Critical Role, detailing 5 years of collectibles partnership making statues and fine art prints based on all three Critical Role campaigns from their first 10 years. The book is on a wooden table with dice, jars, and a tankard nearby. The graphic design on the cover was done by Jordyn Torrence. Foreword by Travis Willingham, written by Amy Chase.

Hi #PortfolioDay! I'm Amy Chase, writer of 🐝ABUZZ, a queer teenage Shakespeare retelling OGN, and the upcoming IDW Crime series🩸FIXATION. I've also written for White Ash, D&D, Critical Role, tarot decks and more.

Open to work for Summer/Fall 2026! 💖

💌amythunderjam@gmail.com
🕸️www.amythunderjam.com

I love it when it turns out OK in the end, but what a ride! I double counted a 1099 at one point and had an excruciating half hour or so there. 😅

It's me, @zackquaintance.bsky.social, I'm the freelancers!

“Why are you having a panic attack, Post? Oh you’re trying to do your taxes without having eaten lunch? Hmmm”

I always felt this way about Molecule Man, too.

Like, you can express your opinion, but don’t get it in your head that creators owe you something in terms of delivering a product you’ve requested.