Currently on an eastbound train. Literally stopping every couple stations for minutes at a time.

I haven’t noticed it on my commutes, thankfully!

As far as I’m concerned, there are two big takeaways here. The first is that OpenAI, Altman, and the generative AI industry more widely needs to start feeling the pressure. They’ve had a pretty easy ride these past three years, as they made big promises, caused hundreds of billions of dollars to flow in their direction, and generated a slew of social harms they haven’t had to properly account for. This technology is being pushed by people who not only disregard human life, but seek to subsume it to computers, and it’s time they’re not only reined in but seriously questioned and held to account for what they’re doing. But beyond that is to question what our governments are doing by not just welcoming the industry, but often actively pushing generative AI throughout the public sector and into the private sector too. In response to the Journal’s revelations, Canada’s AI minister said he was “deeply disturbed” and reached out to OpenAI for answers. But he’s more of an AI evangelist than someone seeking to really understand the impacts of the technologies and take action to rein them in. His response to the recent Grok deepfake scandal was little more than a secular version of “thoughts and prayers.”

Companies like OpenAI need to be held to account for the social harms caused by their products, especially when they’re run by executives who are so open about placing such little value on the wellbeing of humanity. But that also requires governments to wake up.

disconnect.blog/sam-altmans-...

Sam Altman’s anti-human worldview OpenAI CEO downgrades humanity in pursuit of goal to merge with computers

OpenAI is a menace. Two recent stories make that clearer than ever.

One day you have Sam Altman denigrating humanity to defend AI. The next, WSJ reveals OpenAI could have alerted Canadian police of a potential mass shooter, but refused pressure from employees. That person went on to kill 8 people.

I Cut the 'Big Five' Tech Giants From My Life. It Was Hell Week 6: Blocking them all A couple of months ago, I set out to answer the question of whether it’s possible to avoid the tech giants. Over the course of

Six years ago, Kashmir Hill of Gizmodo attempted to block the usage of and exposure to Big Tech.

Over the course of five weeks, she blocked Amazon, Facebook, Google, Microsoft, and Apple one at a time, to find out how to live in the modern age without each one.

gizmodo.com/i-cut-the-bi...

Getting off US tech: a guide I’m in the process of dropping US tech services. Here’s how I did it, and options you should consider.

Silicon Valley’s alliance with Donald Trump was a mask off moment and showed the world we can’t depend on US tech companies.

For the past few months, I’ve been trying to get off US tech and I put together a guide so you find alternatives too. I hope you find it helpful!

This is a mezzotint etching by Japanese artist Koichi Sakamoto. The work is titled "Late at Night." It depicts a serene winter landscape with traditional farmhouses with thatched roofs covered in a thick layer of snow.

Japanese printmaker Koichi Sakamoto (b. 1932) is known for his detailed intaglio prints, specifically using the mezzotint etching technique.
His work often focuses on serene, snow-covered landscapes and traditional Japanese winter village scenes, characterized by a muted, monochromatic palette.

How can I become one of the cool people who conduct the LRT trains? I wanna be one of them!

Image of my Galway shawl print (with some of the lyrics to the song of the same name) overlaid on a background of a photograph showing two women wearing Galway shawls. #Art #BlueSkyArt #SpéirGhorm #SpéirGorm #Galway #Ireland

Galway shawls were a type of heavy-weight shawl once worn by Irish women. Firmly believe we lost our way as a nation when we stopped wearing items that doubled as cosy blankets and would like to propose a return to the wearable bed.

Galway shawl (and lyric) prints: www.ciaraioch.com/artprints/p/...

A fractured effort isn’t as strong as a combined effort.

But I’m crushing it with my 548 day streak and THAT’S what’s really important.

Time to divest from major social platforms and join the indie web! (This is my plan.)

I remember being so excited when I planned a new site, putting up the “under construction” gif until it was ready.

I bet he’s just going to get super cozy with them both and sell Ontario, and Canada, out. I have no faith in a man that’s called himself a republican and a supporter of Trump. Those who voted for him should be ashamed of themselves.

Hell yeah! 👏

I can’t get over the colours!

Red wool felt cloche hat, embroidered with flowers & leaves in brightly coloured silk & wool yarn. Label Madeleine Panizon, Paris, c1925, KCI

Red wool felt cloche, silk yarn & wool yarn embroidery, Madeleine Panizon (Paris), c1925. Via KCI, photo by Masayuki Hayashi.

Extremely excited we got to revisit the Mr Mustard cinematic universe

One of my absolute favourites!

I know. My mouth would be too full of bile to respond.

They are all good babies just living their lives the best they know how, within the conditions they were born into.

Portrait of Japanese American artist Miné Okubo, made using water soluble graphites, watercolour, and paint marker. February 2025.

#mixedmedia #portrait

Digital collage of a little girl with her bird protector on her shoulder.

#digitalcollage #digitalart

Digital collage I made a while ago made images I believe I pilfered from the public domain library website.

#digitalcollage #digitalart

So happy you’re here, Cheddar 🖤

And then a HUGE influx of people showed up that stressed their systems? Cuz there’s a huge difference between those two scenarios.

Is it that she doesn’t know how to run it or that she couldn’t anticipate unprecedented user growth after Meta announced it would be scraping their users data to train their LLM?

Give Cara a try! The gal who runs it seems like a genuinely decent person.

This is a VERY GOOD mug collection.

This is honestly one of the reasons I’ve contemplated leaving IG. All my creative sessions were peppered with thoughts of how whether anyone there would like it. It prevented me from following my ideas and trying new things. I’m trying to push past that to just create for the sake of creating.