Today’s Editor’s Pick is 'Inside LACMA’s Eye-Popping New Home, How Do You Find the Art?' by Holland Cotter for @nytimes.com. Cotter agues that LACMA’s new David Geffen Galleries dazzles architecturally but complicates how its collection is displayed.
Posts by Art Spell
Today’s Editor’s Pick is 'There Has Never Been an Apolitical Venice Biennale' by @olibasciano.bsky.social for @artreview.bsky.social. More than a century after its founding, the Venice Biennale remains a stage where art and national propaganda operate as tools of soft power.
Today’s Editor’s Pick is 'Art Galleries Are Quietly Embracing A.I. But Most Have No Guardrails in Place' by Elisa Carollo for Observer. A report finds most galleries now use A.I. but lack clear policies or safeguards, raising concerns about data security and accuracy.
Two critics engage in a lively written debate over the merits and shortcomings of the new MoMA PS1 show.
Today’s Editor’s Pick is 'Our Critics Disagree on MoMA PS1’s Greater New York, a Wide-Ranging Survey Defined by a Fascination with Fragility' by Maximilíano Durón and Alex Greenberger for @artnews.com.web.brid.gy.
Andrew Wolff says Beowolff’s combined ownership of Artnet and Artsy is establishing the foundation for a new AI-powered art ecosystem while keeping the platforms distinct.
Today’s Editor’s Pick is 'With Artnet and Artsy, Andrew Wolff Is Laying the Groundwork for a New Kind of Art-World Ecosystem' by Elisa Carollo for Observer.
Today’s Editor’s Pick is 'Fair Enough' by Phin Jennings for @ocula.com. Jennings argues that art fairs now dominate the global art market, but their rapid expansion is straining galleries and undermining local art scenes.
Today’s Editor’s Pick is 'A Data Analysis of the 2026 Venice Biennale Signals a Shift to the Present' by Jo Lawson Tancred for @artnet.bsky.social. Koyo Kouoh’s 2026 Venice Biennale marks a return to contemporary art, spotlighting living mid-career artists from a globally balanced roster.
A legal settlement preserves the Institute of Museum and Library Services, halting efforts to dismantle the federal agency that supports museums and libraries nationwide.
Today’s Editor’s Pick is 'Institute of Museum and Library Services Saved from Defunding After Legal Challenge' by Tessa Solomon for @artnews.com.web.brid.gy.
Today’s Editor’s Pick is 'Comment | The market grew in 2025 but ‘interest in art is waning’' by Melanie Gerlis for @theartnewspaper.bsky.social. Melanie Gerlis shares her thoughts on cautious optimism in the face of art market uncertainties.
Today’s Editor’s Pick is 'The art of technology jostles for position in venues both new and historic' by Dale Berning Sawa for @theartnewspaper.bsky.social. Digital and time-based art is pushing museums to rethink conservation, storage, and collecting priorities.
Today’s Editor’s Pick is 'Unlike Josh Kline, I Choose New York' by @arunadsouza.bsky.social for @hyperallergic.com. A response to Josh Kline’s essay argues New York’s art crisis is rooted in structural inequality, not generations, and worth fighting to change.
Josh Kline shares more about his viral essay, which argues that soaring New York rents and art-world power imbalances are making contemporary art increasingly unsustainable.
Today’s Editor’s Pick is 'How Josh Kline Wrote the Essay That the Art World Can’t Stop Talking About' by Alex Greenberger for @artnews.com.web.brid.gy.
Today’s Editor’s Pick is 'Biennials and the Environmental Cost of Global Art' by Manuela Moscoso for @artforum.com. A defense of biennials that calls for reframing ecological criticism to focus on reciprocity and stewardship rather than mobility alone.
UNESCO expanded top-level protections to 39 more Lebanese heritage sites, reflecting the international community’s recognition that safeguarding cultural heritage is a global priority.
Today’s Editor’s Pick is 'Unesco grants enhanced protection to 39 Lebanese heritage sites as war escalates' by Sarvy Geranpayeh for @theartnewspaper.bsky.social.
Today’s Editor’s Pick is 'Whither Biennials? On the Crisis of Global Art' by @tinariversryan.bsky.social for @artforum.com. Art world veterans reflect on the evolving role of biennials, offering both critique and ideas for how the format can better serve the future.
Today’s Editor’s Pick is 'Venice Biennale Artists Push to Ban U.S., Israel, and Russia From Exhibition' by Jo Lawson-Tancred for @artnet.bsky.social. A new open letter increases pressure on the 2026 Venice Biennale’s neutrality.
Today’s Editor’s Pick is 'Exclusive | The world’s 100 most visited museums in 2025: new venues a big hit with visitors' by Lee Cheshire and Elena Goukassian for @theartnewspaper.bsky.social. New museums drove 2025’s biggest museum attendance gains.
Today’s Editor’s Pick is 'Comment | A generational moment for Nazi-looted art claims in the US' by Frank Lord for @theartnewspaper.bsky.social. A new expansion of the HEAR Act permanently extends restitution claims for Nazi-looted art.
Today’s Editor’s Pick is 'Comment | Museums must be the leaders in a moral revolution' by @johnpaulstonard.com for @theartnewspaper.bsky.social. Examining how museums can lead a moral shift by confronting societal issues through art.
Today’s Editor’s Pick is 'Social Malpractice in the Age of Cultural Compliance' by Ed Woodham for @hyperallergic.com. Exploring how socially engaged art can be selectively co-opted by institutions, while still leaving room for creative resistance.
Today’s Editor’s Pick is 'Introducing the Intelligence Report: The Year Ahead 2026' by The Editors of @artnet.bsky.social. Artnet’s 2026 Intelligence Report finds the art market stabilizing, with auction sales rebounding and demand shifting toward established artists.
Today’s Editor’s Pick is 'Is There an Ethical Path for AI Art?' by Julia Curl for @hyperallergic.com. Curl argues that ethical AI art requires transparency, consent, and fair compensation for artists.
Today’s Editor’s Pick is 'New Report Suggests AI is Widely Used in Commercial Galleries, But Mostly Without Oversight' by George Nelson for @artnews.com.web.brid.gy. A new report finds 84% of galleries use AI for operations, though its creative role and market value remains uncertain.