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Posts by Rory Doherty (he/him)

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45 Years Ago, A Polarizing Director Revived His Career With An All-Time Fantasy Epic Classic John Boorman needed a career comeback. Along came 'Excalibur.'

Happy 45 years of John Boorman's erotic and exquisite Excalibur, which restages Arthurian legend in all its shimmering, clattering, sordid glory.

For @inverse.com, I wrote about the film as Boorman's aptly rebirth-centric career comeback. Enjoy!

www.inverse.com/entertainmen...

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So cool to see!

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As All the President’s Men turns 50, Rory Doherty reflects on the masterful direction, atmospheric impact and enduring resonance of Alan J. Pakula’s landmark political thriller. https://boxd.it/34S

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To mark the 50th anniversary of the faultless Watergate thriller All the President's Men, I dug deep into the film's incredible tension and texture – the corduroy suits, the non-denials, the piles of paper, the oceans of shadows – for
@letterboxd.social

A dream commission boxd.it/34S

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Quark chyron on the news with Quark speaking

Quark chyron on the news with Quark speaking

News used to be better

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@lffstubs.bsky.social I am now SELLING 1x ticket for Castration Movie iii on Monday 23 March 17:30 BFI Southbank #BFIFlare

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La Grazia, a Sentimental Political Drama from Paolo Sorrentino The director and lead actor Toni Servillo open up on their seventh collaboration for the screen, a wintry reflection on power, fragility and the importance of doubt

LA GRAZIA is out in UK cinemas today; the day after the film opened Venice Film Festival, I sat in with director Paolo Sorrentino and his seven-time leading man Toni Servillo about their humane presidential drama for @anothermag.com

www.anothermag.com/design-livin...

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@lffstubs.bsky.social looking to swap a BFI Flare ticket

I have x1 Castration Movie iii on Monday 23 March 17:30

looking for x1 Castration Movie iii on Sunday 22 March 20:25

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Peaky Blinders: The Immortal Man fast-forwards to WWII for a superfluous finale Introducing elements impossible to contain to a single film while repeating the show, Peaky Blinders: The Immortal Man can't have it all.

PEAKY BLINDERS: THE IMMORTAL MAN: Not good. A rehash of Tommy Shelby's late-stage battles with grief and mortality that rushes through a great premise without justifying getting the band back together after a solid end to the series.

Review for @avclub.com

www.avclub.com/peaky-blinde...

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You can see more images of that day in Kenmure Street, May 2021, here, in a new publication: www.jeremysuttonhibbert.com/photography-... #KenmureStreet #Glasgow

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God damnit

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Wagner Moura Is Making Oscars History with The Secret Agent The Oscar-nominated star is outstanding as a man marked for death in The Secret Agent, a simmering political thriller about historical crimes that nods to Brazil's current flirtation with the far-righ...

I spoke to Wagner Moura on his immense performance in The Secret Agent, the best in his Oscar field. He spoke of his love for director Kleber Mendonça Filho, anger, fatherhood, Carnival, and Brazil then and now. A true delight.

For @anothermag.com

www.anothermag.com/design-livin...

2 months ago 2 1 1 0
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Wagner Moura Is Making Oscars History with The Secret Agent The Oscar-nominated star is outstanding as a man marked for death in The Secret Agent, a simmering political thriller about historical crimes that nods to Brazil's current flirtation with the far-righ...

I spoke to Wagner Moura on his immense performance in The Secret Agent, the best in his Oscar field. He spoke of his love for director Kleber Mendonça Filho, anger, fatherhood, Carnival, and Brazil then and now. A true delight.

For @anothermag.com

www.anothermag.com/design-livin...

2 months ago 2 1 1 0
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Zi review: Kogonada’s return to indie filmmaking A Hong Kong violinist grapples with visions of her future self in a meandering drama where resonant moments are few and far between.

My reviews from the Sundance Film Festival are all up!

Thrilled to write for @sightsoundmag.bsky.social on Kogonada's perplexing but stylish zi

www.bfi.org.uk/sight-and-so...

2 months ago 2 1 1 0
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Ghost in the Machine — Valerie Veatch [Sundance '26 Review] | In Review Online A new film review of Ghost in the Machine, directed by Valerie Veatch, for film review site In Review Online.

Lastly, it was so difficult trying to figure out Ghost in the Machine, a doc about AI that worthily traces the history of eugenics in Silicon Valley and artificial intelligence spheres, but makes too many baffling narrative and formal choices to view as coherent

inreviewonline.com/2026/02/04/g...

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Everybody to Kenmure Street — Felipe Bustos Sierra [Sundance '26 Review] | In Review Online A new film review of Everybody to Kenmure Street, directed by Felipe Bustos Sierra, for film review site In Review Online.

Glasgow-centric documentary Everybody to Kenmure Street is a really compelling and emotional watch: a document of collective action against state violence, and how each side was a unique expression of the city's long, complex history. My first for In Review Online

inreviewonline.com/2026/02/10/e...

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Zi review: Kogonada’s return to indie filmmaking A Hong Kong violinist grapples with visions of her future self in a meandering drama where resonant moments are few and far between.

My reviews from the Sundance Film Festival are all up!

Thrilled to write for @sightsoundmag.bsky.social on Kogonada's perplexing but stylish zi

www.bfi.org.uk/sight-and-so...

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I'm assuming the Wizard of Oz sequels take on a very Dune-type of nuts, but I'm also learning they are more gay

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OBAA, The Secret Agent, Black Bag, Cloud in my top 10 eaaaasily

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Love this

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Does anyone have any favourite films/books/music about the nice and specific theme of "returning"? For the purposes of getting cool examples, let's say I am acquainted with "Twin Peaks" and "The Odyssey"

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Alex Proyas said in a Q+A for Dark City at Prince Charles a couple months ago he's been using AI for his new film. I guess if you have tons of hangups about an industry then it's easier to project life-saving benevolence on something stealing from thousands of artists, the people you care about (?)

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20 Frankensteins From (Nearly) a Century of Cinema, Ranked Guillermo del Toro’s take on the famous monster arrives nearly 100 years after Dr. Frankenstein’s creation first came alive onscreen.

IT'S ALIVE!

I ranked 20 of the most significant FRANKENSTEIN movies from the near-100 years of Frankenstein feature films for @vulture.com

www.vulture.com/article/best...

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current AV Club is great. if you think it’s still stuck in its Spanfeller-mandated wasteland era you should give it another shot.

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Jacob Elordi Is a Monster in 'Euphoria.' In 'Frankenstein,' He’s More Human Than Ever Elordi in Frankenstein demonstrates the clear difference between a territorial, self-obsessed narcissism and a messy, still-developing self-awareness.

I'm not crazy about Guillermo Del Toro's film, but I thought Jacob Elordi's performance was significant for an actor who's gotten comfortable playing similar shades of insidious hot men.

For @teenvogue.com, I wrote about the exorcism of Nate Jacobs in FRANKENSTEIN

www.teenvogue.com/story/jacob-...

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Ian Somerhalder is giving one of the worst performances I've ever seen. But it feels so right here

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It Was Just an Accident Is Jafar Panahi's Suspenseful and Human Search for Answers A procession of Iranian characters weigh both the value of vengeance and the pain of uncertainty in Jafar Panahi's It Was Just an Accident.

IT WAS JUST AN ACCIDENT is making its way to screens stateside (and just played LFF in the the UK), and I reviewed the film for @pastemagazine.bsky.social. A wry and moving film from Jafar Panahi, perhaps more about how life rolls on than actual revenge

www.pastemagazine.com/movies/it-wa...

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The cuts and coverage on an average episode are so frenetic and severe, gotta hit that 43 minute runtime OR ELSE

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Hundreds of episodes of this, working everybody to the bone up in Canada, drama and intrigue every fifteen minutes, the most furrowed, dyed brows I've ever seen. Bad TV used to mean something

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I've been irregularly watching The Vampire Diaries with Gabby as it's basically her favourite show. The CW was and is such a marvel

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