Image of text: “References There is not space in this article nor have I had the time to prepare a proper bibliography. Such a bibliography would refer to a number of papers”
I feel you, John McCarthy, I feel you.
Image of text: “References There is not space in this article nor have I had the time to prepare a proper bibliography. Such a bibliography would refer to a number of papers”
I feel you, John McCarthy, I feel you.
Photo of a woman seated looking at the camera, with a man seated behind her captured mid bite, fork in mouth.
Oh to dream of being that guy in the back of a NYTimes society photo.
An image with four people sitting on chairs on a low stage and overlayed text: "Poetry, AI, Ethics and Inclusion. Saturday 25 April, 11:00. Watershed. Lyra Bristol Poetry Festival."
I'll be moderating a conversation with Deanna Rodger, shakara, Vincent Baidoo, and Hannah Silva on questions of poetry, AI, ethics, and inclusion. 25 April in Bristol. Book now! www.lyrafest.com#e150159
Case closed!
Unless I'm confusing the shows, Ron mentions being there in this interview: www.thebeliever.net/logger/ron-p... (and Berkson was also there: www.aaa.si.edu/collections/...)
That’s another photo by Heyman that I found online taken from the same perspective, but with different people (I want to believe it’s Ron Padgett, on the left in this one, looking down, but that seems a stretch): 64.media.tumblr.com/tumblr_lt9oq...
It is the Stable, taken by Ken Heyman. It’s in the book from the 2020 Tate Warhol show.
A few people standing around Warhol's reproductions of boxes for Heinz tomato ketchup and Campbell's tomato juice.
Does anyone want to tell me that this is a picture of Joe Brainard looking confused by the Campbell's Tomato Juice boxes?
What’s really going to break our collective brains is when AI generated stuff starts coming for soi-disant quality lit. I can all but guarantee that there will be some Tao Lin or Kenny Goldsmith type who convinces a bunch of rubes that he’s being edgy & avantgarde by using LLMs to “write“ his work.
I followed the exact same path you described. It did teach me a valuable lesson: always ignore emails supposedly coming from IT!
For me, the original email was also mysteriously not prefaced with the "You don't often get email from . . . " header like 100% of other external emails I receive. . . .
Hand drawn poster that reads Poetry on Drugs
Then in London on Thursday for the Poetry on Drugs symposium: Hundred Years Gallery, 13 Pearson Street, E2 8JD w Jordan Savage, Alexandra Hamilton, Becky Wills, Jeff Hilson, @michaelmarcinkowski.org , Rebecca Kosick, Llew Watkins, Tim Atkins, Francis Gene-Rowe, Jared Stanley, Cat Chong, Frances Kruk
We have over 500 people already planning to join us for the Natalie Diaz Annual Reading later this month. But we booked the big (technically "Great") Hall, so don't worry, we have room for more. Book your place now. We can't wait to see you there! www.eventbrite.co.uk/e/bpi-annual...
New issue of PTR now available. Reviewed: Kulvert Press, Veer Books, If a Leaf Falls, The Fair Organ, Mouse Press, The Knives Forks and Spoons Press, The Last Books, Shearsman, Monitor, NYRB. www.michaelmarcinkowski.org/ptr
You know what time it is. consequence.net/2019/07/jugg...
This is an accurate review and corresponds to my own recent experience.
@brokensleepbooks.bsky.social
@monitorbooks.bsky.social
Black and white image of a printed magazine.
Black and white image of a printed magazine.
Black and white image of a printed magazine.
Black and white image of a printed magazine.
A blue book cover with the words "Poetry, Theory, Review 2025."
Poetry, Theory, Review 2025 Annual now available. Collects six issue. Includes reviews of releases from Face, Crater, Girasol, Veer2, Earthbound, Broken Sleep, Distance No Object, Winter Editions, Soberscove, Kulvert, Monitor, The Last Books, and more. Link to buy: www.michaelmarcinkowski.org/ptr
💡 Featuring Dr @michaelmarcinkowski.org @kingsdh.bsky.social, Dr Felix Kwihangana, Dr Sara Black @kingsecs.bsky.social, Mark Lester and Prof Dr @saradefreitas.bsky.social.
🔗 Register here: www.kcl.ac.uk/events/digit...
Now until January 6: 45% off sale on all WSUP titles, including preorders of Dispatches from the Avant-Garage with code RHOLIDAY. Only like $23 for all that research and over 100 (!!) full-color images, truly a steal wsupress.wayne.edu/9780814350249/
New (late) late Summer issue of Poetry Theory Review now available: www.michaelmarcinkowski.org/ptr
Early Summer issue of Poetry Theory Review now available. Featuring reviews of books from Kulvert, Broken Sleep, The Last Books, Monitor Books, Sad Press, and more. www.michaelmarcinkowski.org/ptr
Early Summer issue of Poetry Theory Review now available. Featuring reviews of books from Kulvert, Broken Sleep, The Last Books, Monitor Books, Sad Press, and more. www.michaelmarcinkowski.org/ptr
And someday there will be a more complete machine. One's thoughts or feelings during life—or while the machine is recording—will be like an alphabet with which the image will continue to comprehend all experience (as we can form all the words in our language with the letters of the alphabet). Then life will be a repository for death. But even then the image will not be alive; objects that are essentially new will not exist for it. It will know only what it has already thought or felt, or the possible transpositions of those thoughts or feelings. from Adolfo Bioy Casares's THE INVENTION OF MOREL (1940) translated from the Spanish by Ruth L.C. Simms
Bristoooool please join us on the 4th of July, a day of no other significance, to hear Michael Marcinkowski launching LIVES OF THE SAINTS with Yẽ Yẽ and John Phillips at Bristol’s most-best-poetry bookshop, East Bristol Books.
Friday 4 July at East Bristol Books! 7pm! Marcinkowski! Yě! Phillips! www.headfirstbristol.co.uk/whats-on/eas... @brokensleepbooks.bsky.social
The dream of AGI is amazingly limited.
YES I AM. See you there.