The programme includes classes such as "Data Cyborg Stories: Investigative Storytelling for Liberation using Data and AI", "Creating Alt-Ctrl Games as Feminist Practice", "Performative Media as Art Practice, Research and Public Action."
Posts by Régine Debatty
Maen Hammad’s work, including his more recent work of Palestinian steadfastness amidst a worsening repression in the West Bank, offers a powerful counternarrative to dominant representations of Palestine. www.1854.photography/2026/04/ones...
The book "A Soil Turn" offers a survey of creative practices that engage with soil. From a floating food forest to hidden soil soundscapes, decomposing SUVs, experiences within damaged soil ecosystems, etc. we-make-money-not-art.com/soil-turn-a-...
Pro-Israel group CRIF attacked Yto Barrada, because she, along with hundreds of artists and art workers, called for the ejection of Israel from the Venice Biennale. Fortunately, the Institut français told CRIF to sod off inferno-magazine.com/2026/04/06/b...
The Milan @machinima_fest has opened the call for submissions for its 2027 edition, marking 10 years of curatorial engagement with machinima, game-engine cinema and moving-image practices shaped through virtual worlds. Deadline: 30 December 2026 www.gamescenes.org/milan-machin...
With only the slightest apology for my language:
Who the fuck actually wants these damned data centres?
The @BozarBrussels show examines the consequences of our drive to self-optimise, the role of technology in enforcing standardised ideals and the creativity of those who promote less mainstream ways of being an interesting human being we-make-money-not-art.com/picture-perf...
The call for entries for Share Prize, Italy’s award dedicated to the most innovative artistic proposals within the international tech art scene, is now open. Deadline to apply: 22nd of May 2026 toshareproject.com/SHARE-PRIZE-...
Once again, the magazine makes me realise just how much I still have to learn about digital arts!
Support The Palestinian Independent Film Festival (PIFF), a grassroots, non-profit cultural initiative dedicated to Palestinian cinema. PIFF was created to reclaim Palestinian images and narratives at a time when they are continuously censored, erased or distorted 4fund.com/n5847t
Counteract: Practices of Artistic Resistance, Dissidence and Furtivity, the current Issue of the Journal of Science and Technology of the Arts is now free for reading and sharing revistas.ucp.pt/index.php/js...
Interview with #KaterinaGkoutziouli & #DaphneDragona about an art show that examines the role of technology in the intensifying state of crisis shaping our world we-make-money-not-art.com/collapse-dat...
What a brilliant theme! Error 417 Expectation Failed is looking for projects that reject the longing for a mythic “old internet” and confront the politics of net nostalgia head-on. The internet is broken, but was it ever whole? error417.expectation.fail/406/netstalg...
Interview with historian Naghmeh Sohrabi who has been sourcing and translating texts published inside wartime Iran — in local newspapers, online platforms, and Telegram channels — and offering thoughtful contextual introductions. bidoun.org/articles/the...
AI is not neutral, it is a terrain of power. And progressive grassroots organizers need to wield its ability to build people power instead of only panic. Disengagement does not protect us. It just reinforces the systems we are trying to dismantle. forgeorganizing.org/article/powe...
"We remind you that Israeli violence also targets the art and culture supposedly held sacrosanct by the Biennale" A letter signed by 178 artists, curators & workers in the 2026 Venice Art Biennale calls for Israel to be excluded from the event anga.live via @Exibart
OnCurating ignores the instrumentalization of women’s and LGBTQ+ rights as a tool to promote Islamophobic agendas... “queer” and “feminist” identities are used to mark migrants as the carriers of an atavistic hatred of difference hyperallergic.com/on-curating-... Thanks @hyperallergic !
This is shocking reporting.
We are led to believe that data centres building their own massive, fossil fuelled energy plants is a positive step.
How is increasing dependency on gas, higher emissions and privately owned energy infrastructure positive?
www.rte.ie/news/busines...
The campaign is plastered on billboards and bus stop posters, carrying messages like “The Youth Mental Health Crisis – Sponsored by Meta”, “Misery starts on TikTok”, and “We’re more lonely with Meta” www.huckmag.com/article/acti...
Farmers, experts in multi-species justice, indigenous design researchers, professors of anthropology, researchers in storytelling and other thinkers look at what a more-than-human perspective can look like we-make-money-not-art.com/design-beyon... @bloomsburybooksuk.bsky.social
Michelangelo's masterpiece has been coated with a "cataract" of dried sweat from its many visitors.... With tourism reaching record highs and the city heating up due to climate change, this process has only been accelerated in recent years. news.artnet.com/art-world/si...
Farmers are at risk of being locked into a globalised system where, instead of growing locally adapted crops, they are forced to buy seeds manufactured by industrial companies that come bundled with machinery & chemical inputs from other parts of the world www.theguardian.com/global-devel...
OPEN CALL for artists, cultural practitioners and collectives working with communities affected by human rights violations. Apply to the Transitional Justice with Artists program for a €10,000 grant and a six-month fellowship afield.org/tja-2026-ope...
Call for artist collectives under 35 working in data-driven sound and visual practices. The residency will take place from 15 to 30 May 2026, at Palazzo Ducale Genova, within the port and at sea aboard cargo vessels www.u-boot.it/blog/npoe/
"Echoes of Tumult proved that art about violence doesn't have to shout. Precise, disquieting, and at moments genuinely moving, it was the exhibition the moment demanded." www.refresh.art/reviews/echo... @refreshmagazine.bsky.social
The voice of the audience is dispersed by the system, encouraging them to listen to what surrounds them rather than to themselves. The artist has designed this system to use interaction as a pretext to cultivate contemplation and silence rather than self-affirmation.
“Americans are very fortunate, because wherever they go to export freedom... they find oil.” www.tiktok.com/@chetempoche...
The book argues that buildings based on fear of bacteria, which is to say fear of life itself, must give way to buildings that learn from models of coexistence based on bacteria themselves. @LarsMullerBooks we-make-money-not-art.com/we-the-bacte...
Disruption Network Lab, a non-profit organisation exploring technology and social injustice, needs to raise a further €400 to complete the challenge grant and receive $10,000 from the Logan Foundation. The deadline to reach the total is tomorrow evening (28 Feb) www.disruptionlab.org/donate