Same - every footnote I've ever written was done (and checked) manually. This should not be unusual!

Huge thanks to @juditbodor.bsky.social for curating and making all this possible!

“We Are Making A Film About Mark Fisher” is coming to @edincollegeofart.bsky.social.
Delighted to welcome co-director Simon Poulter for this screening on 20 March - all welcome. Book your tickets here: www.eventbrite.co.uk/e/we-are-mak...

Edinburgh Uni bosses spent more than £110,000 on travel last year During this time period, bosses spoke publicly about the need to slash as much as £140 million, including £90m in staff costs, from the…

Remember, ‘everyone has a part to play in making the university more financially resilient’ www.heraldscotland.com/news/2577015...

Just think what trips were sacrificed because the likes of us couldn't rein in our out-of-control printing costs.

Edinburgh University to pay extra £8m for controversial finance system Edinburgh University's contract with its supplier Inoapps will rise from £25m to £33.5m.

And this comes after the People and Money fiasco (although - this is still ongoing... it still doesn't work properly!). The same management team were in charge of that, too. But never any mention of overspending on rubbish database software when it comes to rising costs. www.bbc.com/news/uk-scot...

Hundreds of staff leave Edinburgh University amid cuts drive According to the university, 345 of these departures were the result of a targeted voluntary severance (VS) scheme run by the institution in 2025.

Missing from the coverage of redundancies at Edinburgh: this was done in such a haphazard, uncoordinated way, there are now core teams who have gone from 5 people to 1 with no change in workload or pressure and huge loss in knowledge of institutional process. www.heraldscotland.com/news/2576321...

Every. Single. Day.

"Edinburgh held 12 contracts and received 26 documents from Nous or related entities between January 2022 and September 2025.
As early as February 2022, it had provided the university with a “draft vision” and a “strategy and roadmap” report."

one of the coolest things about ChatGPT is how you can actually just never use it. you can fill your whole entire life with simply not once using it. it's incredible.

Best of luck, Bryony!

10. What Moves Them: The Global History of Modern Dance

🔉 Listen in! Dr @lucygweir.bsky.social - What Moves Them - The Global History of Modern Dance - is episode 4 of series 2 of Artful Inquiry, the ECA research podcast.

Discover how migration, protest, and chance encounters shaped the language of movement.

open.spotify.com/episode/3ct8...

A collage of images representing each of the seminars, on a blue rectangle. Text reads History of Art Seminar Series 25/26

Our History of Art Research Seminars are back!

The first is on 18 Sep with Dr Kuang-Yi Ku, '2025 Spotlight Taiwan Project - Challenging Biomedical Paradigm through Art and Design'

Events are free & open to all, with a variety of in person/online/hybrid events: www.eventbrite.co.uk/cc/history-o...

In very good company here - many thanks to James for this chat about my forthcoming global history of modern dance.

A glorious evening at Pacific Quay last night - I sneaked on to the final five minutes of Radio 4's Front Row to talk about Soviet ballet and Yuri Grigorovich's complex legacy. You can listen here:
www.bbc.co.uk/sounds/play/...

We are disappointed but not surprised that Meta has used millions of pirated books to develop its AI systems.

As a matter of urgency, Meta needs to compensate the rightsholders of all the works it has been exploiting.

But what can authors do? Read here:
societyofauthors.org/2025/03/21/t...

I think the extra ears are a reference to Stelarc, but the stitched eyes/lips also crop up in Ch 6 of this book (which focuses on Pyotr Pavlensky). It looks like Cronenberg went for a smorgasbord of performance art reference points, which is no bad thing!

History of Art Research Seminar Series | Dr Lucy Weir Playing the Hard Man: André Stitt’s Confrontational Engagement with the Legacy of the Troubles

Tonight @edincollegeofart.bsky.social! Exploring the work of artist André Stitt and his persona of the 'hard man', an archetype used to interrogate feelings of guilt, complicity and posttraumatic suffering in the wake of the Troubles. 5.15pm, in person and online
www.eventbrite.co.uk/e/history-of...

He's such a hero.

A crowd of people on a busy street corner. One is kneeling in front of another, who is wearing a suit. The crowd behind are looking on.

Join us for ‘Playing the Hard Man: André Stitt’s Confrontational Engagement with the Legacy of the Troubles’ with Dr Lucy Weir @lucygweir.bsky.social

5.15pm, Thursday 27 February, Hunter Lecture Theatre – free and open to all, in person and online:
www.eca.ed.ac.uk/event/playin...

I love this guy.

Microsoft Virtual Events Powered by Teams Microsoft Virtual Events Powered by Teams

Very much looking forward to sharing some of the details of my new book, a global history of modern dance, courtesy of
@rcsofficial.bsky.social
Exchange Talks next week.
Monday 24 Feb at 6pm (GMT), online and all welcome!
events.teams.microsoft.com/event/a0bd2f...

You must be very proud.

A yellow square graphic. In the lower left corner there is a circle of white dots, in a pattern similar to that seen on a loudspeaker. There's a UNESCO week of sound logo in the bottom right.

UNESCO Week of Sound – Concert – ‘Stolen voices and parameters for uncertainty’ @weekofsound.bsky.social

A concert of electroacoustic music and sound art from projects by the late Rebecca Collins.

7pm, Tue 18 Feb, West Court. Free and open to all. Book now: digital.eca.ed.ac.uk/weekofsound/...

Theatre Studies at University of Glasgow is launching a pilot, SCOTTISH THEATRE ARCHIVES PRACTITIONER RESIDENCY, offering a fee of £2000. Applications are invited from self-employed arts practitioners. Deadline 21 Feb. Full details in link.

www.gla.ac.uk/subjects/the...

‘People don’t want choreography – they want human beings’: Pina Bausch’s son on her legacy Salomon Bausch, head of the foundation set up in his mother’s name, talks about the enduring, visceral appeal of the dance pioneer’s work and preserving the sense of potential in her work

“Pina’s work is so accessible because you don’t really need to know anything; you can just experience it."
www.theguardian.com/stage/2025/f...

Bureaucratic hell = photographs of performances. Photographer's permission, artist's permission, sometimes the dancers' permission(s) 🫠

a man carrying a bag in a living room with a clock in the background ALT: a man carrying a bag in a living room with a clock in the background

Since submitting my book manuscript last month, I don't think I've ever sent so many emails every single day as I have while trying to source all the image permissions. At this rate, if I manage to label them correctly, it will be nothing short of a miracle.

It really brings home the vital role played by *human beings* in providing accurate, sensitive, thoughtful translation, something we should be thinking about as AI threatens to erase so many livelihoods and skillsets...

Sorina Chiper, the translator of my book on Pina Bausch, has written an article reflecting on the process, and it offers such an interesting insight into the linguistic and technical challenges she encountered:
www.feaa.uaic.ro/LSP/no5_2024...