the tiniest changes in arrangement can add so much, shit's crazy.

the producer twitter community is filled with some of the most sensitive ass mfs i ever seen lmao.

808 slides are either cringe as hell or lit af, there’s literally no in between. 🙅‍♂️

definitely don't miss the view buying and follow4follow tactics days.

a little bit of automation can go a long way. 👌

idk how people can spend all day on social media. i can literally feel this shit rotting my brain every time i come on here lol.

the best drumkit is the one you curate yourself.

need to stop comparing my success to others.

if your friends are winning, support em. gtfo of here with that jealousy shit.

mfs be doing the same style of drums in every beat and wonder why they aren’t getting any better smh.

just want everyone to prosper doin what they love.

i think i have the most organized computer of any producer lmao. i have a serious addiction.

pro tip: go through all your old projects, archiving the sound design you did, and re-using it for future content.

yo shoutout to the artists who give credit to their producers. 🙌🏻

i don’t tune my 808s, my 808s tune me. 🧘

people always complain about other producers biting their sound but honestly id like to see you try to bite mine. 😂

french toast doesn’t get enough respect imo.

it’s always pancakes vs waffles.

is it weird that my introduction to drum n bass was toonami?

ever make a beat so hard you start getting cocky with your posture mid-playback?

me saving a preset i’ll never use again. “just in case”

success is literally just consistency + delusion.

ableton crashes build character fr.

building email lists and discord communities isn't sexy but it's how producers are making consistent income while everyone else is hoping for placements

mfs will call any beat with a different snare pattern "experimental" like bro you just put the snare on the 3 instead of the 2, you're not aphex twin.

we spend our whole careers trying to find our sound just to realize our sound was the friends we made along the way.

nothing more impressive than producers living in random cities making hits with the biggest artists remotely.

location doesn't matter anymore.

we be making the most emotionally complex beats while feeling absolutely nothing. the duality of producer

your first beat of the day is almost always trash and that's ok.

it's just warming up the engine

we're all just trying to make beats that make our own heads nod without conscious effort

nobody warned me that 90% of music production is just folder management and naming conventions