Photos of a small painted clay antlered horse figure. It is a dark brown paint horse with a white blaze, pink nose, and blue eyes. Standing in a neutral pose with head slightly lowered. The anlters are cream coloured with three prongs. Each photo shows a different angle.

Photos of a small painted clay antlered horse figure. It is a dark brown paint horse with a white blaze, pink nose, and blue eyes. Standing in a neutral pose with head slightly lowered. The anlters are cream coloured with three prongs. Each photo shows a different angle.

Photos of a small painted clay antlered horse figure. It is a dark brown paint horse with a white blaze, pink nose, and blue eyes. Standing in a neutral pose with head slightly lowered. The anlters are cream coloured with three prongs. Each photo shows a different angle.

Custom Horse Commission. June 2025.

Photos of a painted clay horse with simplified features, standing in a neutral pose. It is grey with four pointed shoulder stripes and black lower legs. Each photo shows a different angle.

Photos of a painted clay horse with simplified features, standing in a neutral pose. It is grey with four pointed shoulder stripes and black lower legs. Each photo shows a different angle.

Photos of a painted clay horse with simplified features, standing in a neutral pose. It is grey with four pointed shoulder stripes and black lower legs. Each photo shows a different angle.

Custom Horse Commission. May 2025.

Painting of group of three red deer walking to the right among trees.

Painting of two deer walking to the right, one with its head lowered, one deer is hidden behind the other.

Painting of deer stood neutrally with its head raised watching the viewer indirectly.

May 2025. 2 hours for the first, 1 hour for the others. Studies from my own photos.

Painting of two European Bison butting heads shown from the side. They both have winter coats, one has shedded much more than the other.

May 2025. 2 hour study from my own photos.

Painting of a European bison walking to the left with front leg bent midstep, head turned slightly to viewer.

Painting of a European bison walking to the right with head lowered.

Painting of a European bison standing neutrally, facing left.

May 2025. 1 hour studies from my own photos.

Photos of an unpainted white clay sculpture of two simplified bison, leaning against a rocky outcrop. One is towards the front nearer the ground, the second is further back on top of the rock. They are somwhat flat, with only two legs shown. Each photo shows a different angle.

Photos of an unpainted white clay sculpture of two simplified bison, leaning against a rocky outcrop. One is towards the front nearer the ground, the second is further back on top of the rock. They are somwhat flat, with only two legs shown. Each photo shows a different angle.

Photos of an unpainted white clay sculpture of two simplified bison, leaning against a rocky outcrop. One is towards the front nearer the ground, the second is further back on top of the rock. They are somwhat flat, with only two legs shown. Each photo shows a different angle.

Photos of an unpainted white clay sculpture of two simplified bison, leaning against a rocky outcrop. One is towards the front nearer the ground, the second is further back on top of the rock. They are somwhat flat, with only two legs shown. Each photo shows a different angle.

Small study piece of the Tuc d'Audoubert cave clay bison. I mainly used photos from the book Images of the Ice Age by Paul Bahn and Jean Vertut as references (available on Internet Archive).

Photos of a framed relief sculpture of a horse based on one of the painted horses of the Axial gallery of the Lascaux cave. The horse is yellow, with an orange neck/face. It starts on the left/hindquarters as a cave painting and then becomes more three dimensional to the right/front. The background of the relief is textured to look rock-like. There are various painted lines around the horse including two that look like feathers, and 4 parallel lines. Each photo shows a different angle.

Photos of a framed relief sculpture of a horse based on one of the painted horses of the Axial gallery of the Lascaux cave. The horse is yellow, with an orange neck/face. It starts on the left/hindquarters as a cave painting and then becomes more three dimensional to the right/front. The background of the relief is textured to look rock-like. There are various painted lines around the horse including two that look like feathers, and 4 parallel lines. Each photo shows a different angle.

Photos of a framed relief sculpture of a horse based on one of the painted horses of the Axial gallery of the Lascaux cave. The horse is yellow, with an orange neck/face. It starts on the left/hindquarters as a cave painting and then becomes more three dimensional to the right/front. The background of the relief is textured to look rock-like. There are various painted lines around the horse including two that look like feathers, and 4 parallel lines. Each photo shows a different angle.

Lascaux axial horse. Spring 2025.

Photos of a framed relief sculpture of a horse based on one of the painted horses of the Axial gallery of the Lascaux cave. The horse is yellow, with five black stripes on the shoulders/back, and has a dark head and neck. It starts on the left/hindquarters as a cave painting and then becomes more three dimensional to the right/front. The background of the relief is textured to look rock-like, there is a black painted line extending out of the horse’s back that looks like a feather or an arrow, and a painted red line running vertically in front of the horse, with a horizontal section that overlaps the horse’s chest. Each photo shows a different angle.

Photos of a framed relief sculpture of a horse based on one of the painted horses of the Axial gallery of the Lascaux cave. The horse is yellow, with five black stripes on the shoulders/back, and has a dark head and neck. It starts on the left/hindquarters as a cave painting and then becomes more three dimensional to the right/front. The background of the relief is textured to look rock-like, there is a black painted line extending out of the horse’s back that looks like a feather or an arrow, and a painted red line running vertically in front of the horse, with a horizontal section that overlaps the horse’s chest. Each photo shows a different angle.

Photos of a framed relief sculpture of a horse based on one of the painted horses of the Axial gallery of the Lascaux cave. The horse is yellow, with five black stripes on the shoulders/back, and has a dark head and neck. It starts on the left/hindquarters as a cave painting and then becomes more three dimensional to the right/front. The background of the relief is textured to look rock-like, there is a black painted line extending out of the horse’s back that looks like a feather or an arrow, and a painted red line running vertically in front of the horse, with a horizontal section that overlaps the horse’s chest. Each photo shows a different angle.

Lascaux axial horse. Spring 2025.

Photos of a framed relief sculpture of a red horse based on the red horse of Lascaux. It starts on the left/hindquarters as a cave painting and then becomes more three dimensional to the right/front. The background of the relief includes yellow indents where there are indents/crevices in the wall, and parts of other nearby paintings, including a grey horse below, the nose of a bison to the left, the back line and ear of a bison at the top. Each photo shows a different angle.

Photos of a framed relief sculpture of a red horse based on the red horse of Lascaux. It starts on the left/hindquarters as a cave painting and then becomes more three dimensional to the right/front. The background of the relief includes yellow indents where there are indents/crevices in the wall, and parts of other nearby paintings, including a grey horse below, the nose of a bison to the left, the back line and ear of a bison at the top. Each photo shows a different angle.

Photos of a framed relief sculpture of a red horse based on the red horse of Lascaux. It starts on the left/hindquarters as a cave painting and then becomes more three dimensional to the right/front. The background of the relief includes yellow indents where there are indents/crevices in the wall, and parts of other nearby paintings, including a grey horse below, the nose of a bison to the left, the back line and ear of a bison at the top. Each photo shows a different angle.

Lascaux red horse relief. Spring 2025.

Photos of a framed clay rectangular relief sculpture of a bison inspired by the Palaeolithic paintings of Lascaux. It starts on the right/hindquarters as a cave painting and then becomes more realistic and higher relief to the left/front. Each photo shows a different angle.

Photos of a framed clay rectangular relief sculpture of a bison inspired by the Palaeolithic paintings of Lascaux. It starts on the right/hindquarters as a cave painting and then becomes more realistic and higher relief to the left/front. Each photo shows a different angle.

Photos of a framed clay rectangular relief sculpture of a bison inspired by the Palaeolithic paintings of Lascaux. It starts on the right/hindquarters as a cave painting and then becomes more realistic and higher relief to the left/front. Each photo shows a different angle.

Lascaux bison relief. Spring 2025.

Photos of a framed relief sculpture of an orange horse with a striped neck, based on the Ekain cave paintings. It starts on the right/hindquarters as a cave painting and then becomes more realistic and higher relief to the left/front. The background of the relief includes a vertical crevice on the left, with red paint dabbed on the widest section, and the lines from other paintings of bison. Each photo shows a different angle.

Photos of a framed relief sculpture of an orange horse with a striped neck, based on the Ekain cave paintings. It starts on the right/hindquarters as a cave painting and then becomes more realistic and higher relief to the left/front. The background of the relief includes a vertical crevice on the left, with red paint dabbed on the widest section, and the lines from other paintings of bison. Each photo shows a different angle.

Photos of a framed relief sculpture of an orange horse with a striped neck, based on the Ekain cave paintings. It starts on the right/hindquarters as a cave painting and then becomes more realistic and higher relief to the left/front. The background of the relief includes a vertical crevice on the left, with red paint dabbed on the widest section, and the lines from other paintings of bison. Each photo shows a different angle.

Photos of a framed relief sculpture of an orange horse with a striped neck, based on the Ekain cave paintings. It starts on the right/hindquarters as a cave painting and then becomes more realistic and higher relief to the left/front. The background of the relief includes a vertical crevice on the left, with red paint dabbed on the widest section, and the lines from other paintings of bison. Each photo shows a different angle.

Ekain relief horse. Spring 2025.

Photos of a framed low-relief sculpture of a Red Deer, based on the Lascaux cave paintings. The deer is facing left in a leaping pose. The rear is in the style of a cave painting, blending towards a more realistic/detailed look at the front of the deer. The antlers are ralistic at the base, and become two-dimensional returning to a cave painting towards the top. The left ear is three dimensional, the right ear is painted.

Photos of a framed low-relief sculpture of a Red Deer, based on the Lascaux cave paintings. The deer is facing left in a leaping pose. The rear is in the style of a cave painting, blending towards a more realistic/detailed look at the front of the deer. The antlers are ralistic at the base, and become two-dimensional returning to a cave painting towards the top. The left ear is three dimensional, the right ear is painted.

Photos of a framed low-relief sculpture of a Red Deer, based on the Lascaux cave paintings. The deer is facing left in a leaping pose. The rear is in the style of a cave painting, blending towards a more realistic/detailed look at the front of the deer. The antlers are ralistic at the base, and become two-dimensional returning to a cave painting towards the top. The left ear is three dimensional, the right ear is painted.

Lascaux deer framed reflief. Spring 2025.

Close up photo of a clay figure of a Pzrwalski’s horse made up of brown and white clay with details painted in black. It is in a simplified style and standing in a neutral pose with it’s head turned to the left.

Close up photo of a clay figure of a Pzrwalski’s horse made up of brown and white clay with details painted in black. It is in a simplified style and standing in a neutral pose with it’s head turned to the left.

Photo of a clay figure of a Pzrwalski’s horse made up of brown and white clay with details painted in black. It is in a simplified style and standing in a neutral pose with it’s head turned to the left. Shown from a high angle.

Photo of a clay figure of a Pzrwalski’s horse made up of brown and white clay with details painted in black. It is in a simplified style and standing in a neutral pose with it’s head turned to the left.

Przewalski's horse, using white and brown clay for colour, plus black paint for details. Spring 2025.

Photo of a black and white clay sculpture based on the Panel of the Horses of Chauvet Cave. The sculpture is rock shaped, taller than it is wide. There are four painted horse heads arranged one above the other, the highest is in high relief, then the lower ones are flatter, the lowest is on a concave surface. There are also two rhinos, a bison, and two aurochs painted around the sides of the sculpture.

Close up of the sculpture showing the horses.

Close up of the sculpture showing the horses from a higher angle.

Close up of the sculpture showing the aurochs, bison, and rhino on the reverse.

Chauvet cave piece. Spring 2025.

Relief sculpture based on the Upside Down Horse of Lascaux Cave. It is a rectangular clay slab with rocky features extending out of it. The yellow and black horse is painted on upside down, curving around the surface of the rock.

Relief sculpture based on the Upside Down Horse of Lascaux Cave. It is a rectangular clay slab with rocky features extending out of it. The yellow and black horse is painted on upside down, curving around the surface of the rock. Shown from the side.

Lascaux upside down horse study piece. Spring 2025.

Photo of a relief sculpture of a horse, inspired by the Lascaux cave paintings. The horse starts as a painting at the rear and is completely three-dimensional from the shoulders, so it appears to be emerging from the block of clay, but it is turned to look back at the painted half.

Photo of a relief sculpture of a horse, inspired by the Lascaux cave paintings. The horse starts as a painting at the rear and is completely three-dimensional from the shoulders, so it appears to be emerging from the block of clay, but it is turned to look back at the painted half.

Photo of a relief sculpture of a horse, inspired by the Lascaux cave paintings. The horse starts as a painting at the rear and is completely three-dimensional from the shoulders, so it appears to be emerging from the block of clay, but it is turned to look back at the painted half.

Photo of a relief sculpture of a horse, inspired by the Lascaux cave paintings. The horse starts as a painting at the rear and is completely three-dimensional from the shoulders, so it appears to be emerging from the block of clay, but it is turned to look back at the painted half.

Relief horse from Spring 2025.

Photo of a relief sculpture of a leaping horse, inspired by the palaeolithic cave paintings of Lascaux. The horse starts as a painting at the rear and is completely three-dimensional from the shoulders, so it appears to be emerging from the block of clay. Following behind the horse and wrapping around the back of the block is a painting of another horse.

Photo of a relief sculpture of a leaping horse, inspired by the palaeolithic cave paintings of Lascaux. The horse starts as a painting at the rear and is completely three-dimensional from the shoulders, so it appears to be emerging from the block of clay. Following behind the horse and wrapping around the back of the block is a painting of another horse.

Photo of a relief sculpture of a leaping horse, inspired by the palaeolithic cave paintings of Lascaux. The horse starts as a painting at the rear and is completely three-dimensional from the shoulders, so it appears to be emerging from the block of clay. Following behind the horse and wrapping around the back of the block is a painting of another horse.

Photo of a relief sculpture of a leaping horse, inspired by the palaeolithic cave paintings of Lascaux. The horse starts as a painting at the rear and is completely three-dimensional from the shoulders, so it appears to be emerging from the block of clay. Following behind the horse and wrapping around the back of the block is a painting of another horse.

Relief horse from Spring 2025.

Close ups and other angles of each figure:

Saiga Antelope figures from Spring 2025.

[ID: Photo of 4 painted clay figures of Saiga Antelope with winter coats/colouring. Three are stood up, with their heads either neutral, lowered, raised. The other is lying down with it’s head alert. End ID.]

Bison study figure from Spring 2025.

[ID: Photos of a painted clay figure of a resting European bison. It is dark reddish-brown on the back and black on the underside, legs, horns and tail. Each photo shows a different angle. End ID.]

Photos of a painted clay figure of a bison, inspired by the Lascaux cave paintings. It is red-orange on the back and black on the underside, lower legs, horns and tail. It is midstep.

Bison figure from Spring 2025.

[ID: Photos of a painted clay figure of a bison, inspired by the Lascaux cave paintings. It is red-orange on the back and black on the underside, lower legs, horns and tail. It is midstep. Each photo shows a different angle. End ID.]

Photo of two similar painted clay horses inspired by the Lascaux cave paintings. The main body is yellow ochre, with a white underside. The mane, dorsal stripe, two shoulder stripes, and lower legs are black. One has a black head and the other has a dark orange head. The colours are solid and do not blend. Each photo shows a different angle.

Photo of two similar painted clay horses inspired by the Lascaux cave paintings. The main body is yellow ochre, with a white underside. The mane, dorsal stripe, two shoulder stripes, and lower legs are black. One has a black head and the other has a dark orange head. The colours are solid and do not blend. Each photo shows a different angle.

Two larger horses from Spring 2025.

Before painting.

Przewalski's Horse from Spring 2025

[ID: Photos of a painted clay figure of a Przewalski’s horse standing in a neutral pose. Each photo shows a different angle. End ID.]

Tidied the design of my “Palaeolithic Embrace” lino so that it is easier to print.
[ID: Lino print design of two stylised przewalski’s horses seen from the side resting their heads on each others backs. Shown in a stack of three, printed in yellow, brown, and black. End ID.]

Final piece and initial sketch.

[ID: Photos of a small horse figure. It is light brown with white dapples, a cream mane and tail with dark ends, black ears, muzzle, and legs with white socks on the left legs. Each photo shows a different angle. End ID.]

Custom Horse Commission March 2025
[ID: Photos of a small horse figure. It is light brown with white dapples, a cream mane and tail with dark ends, black ears, muzzle, and legs with white socks on the left legs. Each photo shows a different angle. End ID.]

Details/other angles of the Unicorn relief:

Details/other angles of Red Bull and Unicorn relief:

Two framed relief sculptures based on the film The Last Unicorn. One shows the Unicorn and the Red Bull fighting on the edge of the sea. The other shows the Unicorn on her own.

Photo of a framed relief sculpture based on the film The Last Unicorn. It shows the final fight between the Unicorn and the Red Bull at the edge of the sea, with the Bull in the sea and the Unicorn on the sand. They are arranged in a circular form with the Bull on the left facing downwards turned to the right and the Unicorn vice versa. Their heads are three dimensional. It is in a black frame with a silver criss-cross pattern around the edge.

A framed relief sculpture of the unicorn from the Last Unicorn. She is stood facing the right with her head lowered and turned back. She is stood at the edge of a pond, against a dark blue background with small clumps of grass extending into the darkness. Her ears, head, horn, and tip of her tail are three dimensional. The frame is grey metal, rectangular, and made up of small metal flowers and leaves with rhinestones in the centre of each flower. The outer and inner edges have a twisted design

The Last Unicorn relief commission from early 2025 for @sidetrek.bsky.social Thanks again! :D