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Posts by marz valentine

A digital illustration in the style of a Tarot card. There is an off-white frame with curved corners and text at the bottom that reads “0. The Fool.” in all caps. Inside the frame is a drawing of a grey skinned humanoid wearing a dark jumpsuit floating in space. He has a blank, smiling expression, but purple lines come from his eyes, suggesting tears. Below the figure is a blocky cloud formation in shades of dark purple. There is a black cable coming from his back that floats in and out of the frame. Behind the figure is a neon green circle with a faint gradient from green to yellow. The background is a dark indigo scattered with pale purple stars.

A digital illustration in the style of a Tarot card. There is an off-white frame with curved corners and text at the bottom that reads “0. The Fool.” in all caps. Inside the frame is a drawing of a grey skinned humanoid wearing a dark jumpsuit floating in space. He has a blank, smiling expression, but purple lines come from his eyes, suggesting tears. Below the figure is a blocky cloud formation in shades of dark purple. There is a black cable coming from his back that floats in and out of the frame. Behind the figure is a neon green circle with a faint gradient from green to yellow. The background is a dark indigo scattered with pale purple stars.

tarot time

6 hours ago 3 1 0 0
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lancer pilot Nyx and her mech

3 days ago 958 216 11 0

Not silly at all!
I am happy for the reminder to bring this over from twit. 🧡
__
Let me show everyone who is completely at loss where to start drawing a background how you can beat the void; with super shitty 10 second doodles!

So you got your characters, right now they are free floating.. (1/6)

2 years ago 972 366 25 28
Manhole cover with a grid pattern. Some squares of the grid are filled with fallen cherry blossoms

Manhole cover with a grid pattern. Some squares of the grid are filled with fallen cherry blossoms

Found art

1 week ago 1567 307 15 9
knight oc Wreg holding his one-handed sword to his inner thigh, the blade almost ready to puncture the white fabric of his trousers. The blade is rusted and rotten. His outer layers, belt and armor pieces are falling off, and his upper torso is bare. Only half of his face can be seen, looking stern. Background is dark, with illustrated rose thorns and blood drops.

knight oc Wreg holding his one-handed sword to his inner thigh, the blade almost ready to puncture the white fabric of his trousers. The blade is rusted and rotten. His outer layers, belt and armor pieces are falling off, and his upper torso is bare. Only half of his face can be seen, looking stern. Background is dark, with illustrated rose thorns and blood drops.

Knight and the enemy within - rust and rot

[ #art | #oc | #knight ]

1 week ago 4417 1018 33 5
Support ShadeFish Support ShadeFish

I’ll be so for real: money is very scary rn with a lot of upcoming expenses leaving me unsure how I’m gonna juggle it all and come out the other side with rent.
It sucks I have to keep asking for help but, if you wanna toss me a little, also share around all my other posts plz ty
ko-fi.com/shadefish

1 week ago 49 73 0 1
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an rpg. 202█

www.backerkit.com/call_to_acti...

1 week ago 48 17 4 0
the Scrungaloid Foragers (melee) page. featuring such names as Privater Danser, Corporal Tori, and Comms Officer Enya.

the Scrungaloid Foragers (melee) page. featuring such names as Privater Danser, Corporal Tori, and Comms Officer Enya.

The Scrungaloid Soldier page, featuring such names as Cadet Crunch, Sergeant Slider, and Constable Creeps.

The Scrungaloid Soldier page, featuring such names as Cadet Crunch, Sergeant Slider, and Constable Creeps.

The Scrungaloid Forager (Launcher) page, featuring such names as Corporal Sprongg and PFC Betty Bloop.

The Scrungaloid Forager (Launcher) page, featuring such names as Corporal Sprongg and PFC Betty Bloop.

The Scrungaloid Nurses page, featuring such names as Doctor Noah and Mrs. Diagnosis (she got married)

The Scrungaloid Nurses page, featuring such names as Doctor Noah and Mrs. Diagnosis (she got married)

i'm just finalizing all the files and these will be going up in a few minutes, so here we go, Scrungaloids wave 2!

1 week ago 124 41 10 1
a medieval style digital drawing of an androgynous brown-skinned knight on horseback on a hill, stabbing a long gold spear into a blue dragon on the ground. the knight has a gold halo behind their head and wears a suit of silver armor with a nonbinary flag striped tunic and a trans flag as a cape. their horse is white, with blue tack with trans pride trim. there is black gothic text at the top and bottom of the image reading “A world without trans people has never existed and never will.” there’s an ornate pale blue border around the image, filled with pink and blue scrollwork, gold hearts filled with colorful flowers, a smiley bat, two smiley moles, and two smiling frogs holding up trans flags.

a medieval style digital drawing of an androgynous brown-skinned knight on horseback on a hill, stabbing a long gold spear into a blue dragon on the ground. the knight has a gold halo behind their head and wears a suit of silver armor with a nonbinary flag striped tunic and a trans flag as a cape. their horse is white, with blue tack with trans pride trim. there is black gothic text at the top and bottom of the image reading “A world without trans people has never existed and never will.” there’s an ornate pale blue border around the image, filled with pink and blue scrollwork, gold hearts filled with colorful flowers, a smiley bat, two smiley moles, and two smiling frogs holding up trans flags.

a world without trans people has never existed and never will

1 year ago 19787 9419 41 65
A loose digital illustration in shades of dark pink and orange. Two men staring at each other, one looming over the other on the left side of the image. The man on the left is wearing aviator shades, a light colored blazer with a dark v-neck shirt, and he has dark curly hair which goes to his shoulders. The man on the right is wearing a dark suit with a tie and white button up; his hair is short and dark, and he has large, circular glasses. The taller man is gripping the shorter man’s tie and grinning in his face. Handwritten black text in all caps with a yellow outline reads “What do you yearn for, Doctor?”

A loose digital illustration in shades of dark pink and orange. Two men staring at each other, one looming over the other on the left side of the image. The man on the left is wearing aviator shades, a light colored blazer with a dark v-neck shirt, and he has dark curly hair which goes to his shoulders. The man on the right is wearing a dark suit with a tie and white button up; his hair is short and dark, and he has large, circular glasses. The taller man is gripping the shorter man’s tie and grinning in his face. Handwritten black text in all caps with a yellow outline reads “What do you yearn for, Doctor?”

A loose digital illustration in shades of indigo and teal with pale yellow highlights. Two men staring at each other, one looming over the other on the right side of the image. He is wearing a dark suit with a sweater vest, and his hand is resting on the other man’s chest. His expression is cold. The other man is wearing a dark v neck shirt and light jeans. He has an angry, distressed expression. Scratchy, handwritten text along the top of the image reads “You must be starving.”

A loose digital illustration in shades of indigo and teal with pale yellow highlights. Two men staring at each other, one looming over the other on the right side of the image. He is wearing a dark suit with a sweater vest, and his hand is resting on the other man’s chest. His expression is cold. The other man is wearing a dark v neck shirt and light jeans. He has an angry, distressed expression. Scratchy, handwritten text along the top of the image reads “You must be starving.”

more savory than innocence, more intimate than love // i really want to hurt you, but that won’t be enough

3 weeks ago 3 2 0 0
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A digital drawing of a blue, white and red robot crab done for #MarchofRobots.

A digital drawing of a blue, white and red robot crab done for #MarchofRobots.

For this week's #MarchofRobots2026 piece, I realized I hadn't draw a robot crab in a while so I decided to correct that. 🦀

3 weeks ago 351 89 6 1
A sketchy digital illustration of a woman made of shadows. Her face and hands are made of greenish bronze, and the rest of her body is rendered with swirling black ink.

A sketchy digital illustration of a woman made of shadows. Her face and hands are made of greenish bronze, and the rest of her body is rendered with swirling black ink.

that’s Ms. The Caretaker to you

3 weeks ago 3 2 0 1
A digital illustration in shades of yellow and orange drawn with a sketchy, inky brush. A slim man with long curly hair is in the center of a yellow background. He’s holding both arms up on either side of his head, gesturing outwards to the viewer. He’s wearing a jacket with lapels and fringe on the sleeves, as well as a v-neck shirt that is riding up on his stomach.

A digital illustration in shades of yellow and orange drawn with a sketchy, inky brush. A slim man with long curly hair is in the center of a yellow background. He’s holding both arms up on either side of his head, gesturing outwards to the viewer. He’s wearing a jacket with lapels and fringe on the sleeves, as well as a v-neck shirt that is riding up on his stomach.

TTRPG art will continue until morale improves

3 weeks ago 3 0 0 0

I read every city building worldbuilding game on Itch, Here's some of my favorite mechanics from 5

3 weeks ago 72 24 1 4
A monochrome digital illustration in shades ranging from dark teal to white. The line work is rough and dynamic, as if drawn using ink. A short haired person leans on their elbow, seemingly crammed into a tight space. The leg closest to the viewer is lifted up, as if pressing against a wall. They have a somewhat distressed expression. The hand furthest from the viewer is raised, and in the act of tossing a small object into the person’s mouth. The object is circled by concentric white rings.

A monochrome digital illustration in shades ranging from dark teal to white. The line work is rough and dynamic, as if drawn using ink. A short haired person leans on their elbow, seemingly crammed into a tight space. The leg closest to the viewer is lifted up, as if pressing against a wall. They have a somewhat distressed expression. The hand furthest from the viewer is raised, and in the act of tossing a small object into the person’s mouth. The object is circled by concentric white rings.

found a new CSP brush and I’ve been going feral over it ngl

3 weeks ago 1 0 0 0

pose referenced from @trueref.bsky.social !

1 month ago 1 0 0 0
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snake knight 🐍⚔️

1 month ago 7734 2257 51 9
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reading is awesome

1 month ago 780 285 3 3
A digital illustration of a grey skinned, humanoid, androgynous alien wearing a dark grey bodysuit. He has oversized hands with long clawed fingers. The figure is kneeling, with one hand clutching his chest, and the other reaching out. He has a pained, too wide smile on his face. The figure is highlighted with saturated rim lighting in yellow-green and purple. The background has a large rectangle behind the figure in the same yellow-green. Behind the rectangle is an abstracted space illustration in shades of purple, blue, black, pink and teal. There are yellow-green stars dotted around the perimeter of the image.

A digital illustration of a grey skinned, humanoid, androgynous alien wearing a dark grey bodysuit. He has oversized hands with long clawed fingers. The figure is kneeling, with one hand clutching his chest, and the other reaching out. He has a pained, too wide smile on his face. The figure is highlighted with saturated rim lighting in yellow-green and purple. The background has a large rectangle behind the figure in the same yellow-green. Behind the rectangle is an abstracted space illustration in shades of purple, blue, black, pink and teal. There are yellow-green stars dotted around the perimeter of the image.

update: apocalypse keys session zero happened and i continued to be so normal about it

1 month ago 32 8 1 0

if you have the capacity, get involved with enabling and curating art you care about, be an advocate and critic for that niche genre or movement you're into. building participation in culture is important, otherwise your community is just kinda stuck in a rut of solipsistic isolated consumption.

3 months ago 104 26 1 0

NO NO NO YOU DON’T

GUYS LET ME PLEASE SPREAD THE GOSPEL OF FREE TAX USA

federal is free, state is $16, handles even my chaotic freelancer taxes just fine, same step-by-step “designed for normies” kind of interface as TurboTax but NOT EVIL

tell everyone you know

www.freetaxusa.com

1 month ago 12931 7816 12 3
a full page comic rendered in shades of grey with pops of orange. two men are having a heated conversation.

a full page comic rendered in shades of grey with pops of orange. two men are having a heated conversation.

my apocalypse keys session zero is right around the corner and i’m so normal about it

1 month ago 3 5 1 0
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March of Robots: Day 6
.
#marchofrobots #marchofrobots2026

1 month ago 38 9 1 0
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a group of soldiers are standing in a row wearing helmets and armor . ALT: a group of soldiers are standing in a row wearing helmets and armor .
1 month ago 1 0 0 0
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At the top, an illustration from the cover of Blade's 68 for Blades in the Dark. Various 60s-inspired characters appear in concentric rings of grey, blue, orange, and yellow. This is followed by a manifesto of player advice.

HOW TO PLAY HARD AND HAVE FUN IN '68

1. GO IN BOOTS AND ALL. The campaign will be shorter than you think. Make stuff happen now. Don't wait, pull the trigger.

2. DIG THE OTHER CHARACTERS. Dial in on the other player characters, pay attention to their narrative, and get your own character involved. Be their fan, or be their foil.

3. MAKE THE GM SWEAT. Think of the game like a physics toy, and push the levers you have as hard as you can, just to see what happens. Rattle the cage, jump out the window, don't look down. Move so fast the GM can't keep up.

4. SELL THE PUNCHES. Always choose the bigger reaction. Let your character be changed by the world and by other characters. Let them be upset, emotional, irrational.

5. FUCK AROUND AND FIND OUT. If your character dies, they can come back as an echo. If they have to retire, you can always make a new character. The crew cannot be stopped. Act first and think later, make bad decisions, let the chips fall where they may.

6. LEARN TO STOP WORRYING AND LOVE CONSEQUENCES. Most rolls are going to have consequences. Wouldn't it be boring to succeed all the time? Embrace consequences, and create consequences, then roll them up in a giant ball of chaos and surf on top.

Following this manifesto is an illustration in monotone orange, yellow, and black of a muscle car jumping in front of a speeding tractor-trailer. A woman brandishing a pistol leans out the window of the muscle car and fires toward the truck.

At the top, an illustration from the cover of Blade's 68 for Blades in the Dark. Various 60s-inspired characters appear in concentric rings of grey, blue, orange, and yellow. This is followed by a manifesto of player advice. HOW TO PLAY HARD AND HAVE FUN IN '68 1. GO IN BOOTS AND ALL. The campaign will be shorter than you think. Make stuff happen now. Don't wait, pull the trigger. 2. DIG THE OTHER CHARACTERS. Dial in on the other player characters, pay attention to their narrative, and get your own character involved. Be their fan, or be their foil. 3. MAKE THE GM SWEAT. Think of the game like a physics toy, and push the levers you have as hard as you can, just to see what happens. Rattle the cage, jump out the window, don't look down. Move so fast the GM can't keep up. 4. SELL THE PUNCHES. Always choose the bigger reaction. Let your character be changed by the world and by other characters. Let them be upset, emotional, irrational. 5. FUCK AROUND AND FIND OUT. If your character dies, they can come back as an echo. If they have to retire, you can always make a new character. The crew cannot be stopped. Act first and think later, make bad decisions, let the chips fall where they may. 6. LEARN TO STOP WORRYING AND LOVE CONSEQUENCES. Most rolls are going to have consequences. Wouldn't it be boring to succeed all the time? Embrace consequences, and create consequences, then roll them up in a giant ball of chaos and surf on top. Following this manifesto is an illustration in monotone orange, yellow, and black of a muscle car jumping in front of a speeding tractor-trailer. A woman brandishing a pistol leans out the window of the muscle car and fires toward the truck.

Listen, it wouldn't be the radical, swinging 60s if there wasn't a manifesto.
Blades '68.
Get in, buckle up, and lean forward.
www.backerkit.com/c/projects/e...

1 month ago 76 22 1 2

what if you were gay and your employee slash captive supervillain pissed you off real bad

1 month ago 1 0 1 0
a full page comic rendered in shades of grey with pops of orange. two men are having a heated conversation.

a full page comic rendered in shades of grey with pops of orange. two men are having a heated conversation.

my apocalypse keys session zero is right around the corner and i’m so normal about it

1 month ago 3 5 1 0
a painting of a man lifting a sylveon by the armpits

a painting of a man lifting a sylveon by the armpits

Long, firm, tubular body, DEEP blue eyes, really wonderful expression. he is so calm, confident, really in charge here. Big, bouncy ears, perfectly set, a slender, whippy tail, and of course, those smooth, vibrant ribbons. Best in show.

1 month ago 7257 2414 36 7
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ourselves a self

1 month ago 1324 512 6 4