Moved to Bend just after the new year hit. Been chasing peace and found some here.
Life is good. π
Posts by Logan Lynn
π
πβπΌ βπΈπβ πΈβπ» πβπΌ βπππΌβ (2026)
Official Trailer: youtu.be/M3Rkoe_UlR4?...
πΈ π½πππ ππͺ βππ πππππ£πππ¦π£
Decades after a sixteen-year addiction to cocaine, alcohol, and crack nearly ended his life, a queer musician retraces his memory, music, and the wreckage left behind.
βπππβπΎ πππβ
Donate via Propeller to win: propeller.la/rewards/3646...
Oh haaaaayyy we are auctioning off the Marshmello x PORTUGAL. THE MAN, INC. customized Phoenix helmet in celebration of the song being released yesterday.
Itβs 1-of-1 and all the money goes to Cure DHDDS at the #FrancesChangedMyLife campaign.
The Red Light Clothing exchange licensed the work for their downtown Portland shop, wrapping the dressing rooms and display walls in a collage of these images; turning retail space into an archive of Old Portland queer youth street culture.
www.ThePainAndThePower.gay
Digital Evangelism blurred the line between commerce and confession, product and protest. And ultimately, the streets followed it indoors.
In a moment when even the suggestion of queerness β especially messy, unpolished, sexual queerness β was treated as something dangerous, or disposable, or meant to be hidden, this was a refusal. What some might call regressive now, read then as political; visibility in a culture trying to erase us.
Luxury retail shops in The Bay Area, Los Angeles, and New York also carried Digital Evangelism products.
This work was explicitly queer. It was about sex, desire, and survival.
You could find them plastered across town and eventually, years later, hanging in store windows and folded onto racks at Old Portland staples Retread Threads, Magpie, Retro Viva, Wham!, 3 Monkeys, Seaplane, and other stores from PDX days gone by.
It became a way of leaving something behind, even when there was nowhere to land. And at some point, it became a way to make money.
The messages spread fast. Xeroxed, reprinted, carried, stolen, copied, repeated.
At the time, Lynn was a homeless teenager in PDX and then a homeless young adult in San Francsico; moving through the same streets these messages had come to live on. Digital Evangelism became a way to stay connected to the city, to other queer people, and to himself.
In Portland and San Francisco, from the mid-β90s into the early 2000s, Logan Lynnβs street art was an eyesore by design, and eventually became a t-shirt and greeting card company, as well as the visual backdrop for his music from 1998-2008.
Digital Evangelism first showed up in fragments; stolen family photos with ransom note messaging wheatpasted to alley walls, printed onto handmade stickers, slipped into the margins of a city already talking too loud to hear itself.
You canβt tell a story about Old Portland without telling the story of The Dandy Warhols and, at some point in that story, youβre going to find a chapter about Logan Lynn.
The Dandy Warhols didnβt just share a music scene with Logan; they signed him to CAROLINE/EMI and helped guide the early years of his career, pulling him into a world where Portland music suddenly had a global stage.
What followed was an era of collaboration, chaos, songs, and friendship. Two very different Portland sounds. One very real piece of PDX history.
www.ThePainAndThePower.gay
Using unprecedented access to decades of archival footage, πβπΌ βπΈπβ πΈβπ» πβπΌ βπππΌβ opens a time capsule of music, memory, and survival.
Personal video, photographs, and recordings spanning more than three decades piece together a story of the long road back to life.
(π₯ Courtesy of Bystander Productions, 2008 @Berbatis Pan, Portland OR)
The original motion picture soundtrack to πβπΌ βπΈπβ πΈβπ» πβπΌ βπππΌβ is a reckoning. Written during a period of profound letting-go, the album captures Logan Lynn in the act of releasing people, beliefs, and identities that once felt inseparable.
ββπΌππΌβππΌπ» πΉπ βπβπππΎπΈπ πΈπ πβππ βπΌβπβπ»π
β
βπππβπΎ πππβ β
www.ThePainAndThePower.gay
Two nights of iLoveMakonnen, Portland! Come party July 17th and 18th at Star Theater.
ποΈ www.ticketweb.com/event/pride-...
Shout-out to all of the women and nonbinary artists on the Music in Demand roster, along with the agents and partners helping make this work possible.
Weβre surrounded by absolute badasses and feel lucky to be building community and creating opportunities together. π€
#InternationalWomensDay
Portland!!! We are thrilled to bring acclaimed comedian, writer, and actor #GuyBranum to PDX July 17th for #PrideInDemand: Queer Portland Takeover!
ποΈ www.ticketweb.com/event/pride-...
Presented by DotGay
Lesbian pop icon Gia Woods is coming to Star Theater Portland on July 18th to co-headline night 2 of #PrideInDemand: Portland Queer Takeover!
Tickets are on sale now: www.ticketweb.com/event/ilovem...
Happy album release day to #MORGXN!
MORGXN takes the Pride in Demand: Portland Queer Takeover! stage on 7/17. Tickets are on sale now. Early bird pricing will not last. π³οΈβππ³οΈββ§οΈ
www.ticketweb.com/event/pride-...
Presented by DotGay
π«‘