🧵3/4 ... explorer l’espace négatif tout autour avec des motifs génératifs. C’est un mélange vraiment trippant de logique atmosphérique et d’abstraction numérique. Voici un premier aperçu de résultats préliminaires.
mlo.art/art-journal/...
🧵2/3 at some of the early outputs from the collage. It’s still a work in progress, but I’m loving how the organic shapes are interacting with the code.
Je me suis plongé dans un nouveau script qui trace l’horizon pour identifier et isoler les nuages, puis j’ai utilisé ces données pour ...
Generative sketch tracing contours of clouds and replacing the negative space around the clouds with geometry
I’ve been diving into a new script that traces the horizon to identify and isolate clouds, using that data to explore the negative space around them with generative patterns. It’s a fun mix of atmospheric logic and digital abstraction. Here’s a first look ..
🧵1/3
I’m currently upgrading my tiling tools to work better with vectors for future pen plotter projects. It’s fascinating how vectors make it possible to harmonize scale and spacing, and how a few small parameters can shift placements just enough to change the whole composition.
mlo.art/art-journal/...
... comment les motifs peuvent fonctionner comme une matière, tandis que l’espace négatif devient une structure : il sépare, mais il relie aussi, en laissant l’œil compléter ce qui n’est pas là.
☁️💙☁️💙☁️💙☁️
mlo.art/art-journal/...
... letting the eye complete what isn’t there.
Aujourd’hui, j’ai terminé un nouveau collage, construit à partir de plusieurs études génératives superposées, recoupées et réalignées jusqu’à ce que les jointures commencent à disparaître. J’explore ...
🧵2/3
I wrapped up a new collage today, built from multiple generative studies layered, re-cut, and re-aligned until the seams began to disappear. I’ve been testing how patterns can function like material, while negative space becomes structure: it separates, but it also connects, ...
🧵1/3
🧵2/2 ... construit à partir de sous-produits des dernières années. J’ai l’impression que 2026 marquera un déplacement plus affirmé vers des projets génératifs intégrant l’électronique et la 3D. Certains de ces projets sont déjà en train de prendre forme.
☁️💙☁️💙☁️ #art #collage
mlo.art/art-journal/...
I just finished another collage built from by-products of the past few years. It feels like 2026 will shift my focus further toward generative work involving electronics and 3D. Some of these projects are already taking shape.
Je viens de terminer un autre collage, ...
🧵1/2
... found its language, urgency, and resistance to easy classification.
☁️💙☁️
mlo.art/art-journal/...
... on the role of art-world misfits in its early years, those who operated in the gaps between disciplines, institutions, and economies. Tracing these misalignments has become a way for me to better understand how crypto art ...
On Square Pegs and Round Holes
The holiday season and the end of the year are always good moments to pause and reflect, allowing patterns to surface across longer timelines. Over the past months, I’ve been thinking and writing extensively about contextualizing crypto art, with a particular focus ..
🧵2/2 ... Isadora 4 and IzzyCast, digital tools for exploring remote stage control, live broadcasting, and the transmission of video, audio, and data across locations.
Thanks to Eastern Bloc, SIT, TroikaTronix, and the Canada Council for the Arts for making this possible.
mlo.art/art-journal/...
I’m grateful to be among the artists and collectives selected for the Technological Support Grant by Eastern Bloc and Scènes Interactives Technologiques (SIT).
The grant supports experimentation with creative technology and teleperformance, providing access to ...
🧵1/2
2/2 ...
The video highlights a few iterations that led to the final aesthetic and concept featured in the finished piece.
☁️💙☁️💙☁️💙☁️
mlo.art/art-journal/...
#bitcoin #transaction #block #art #animation #clouds
A small behind-the-scenes glimpse into one element of my upcoming animated work. This sequence visualizes a Bitcoin transaction block coming together. I’ve long imagined these blocks as two clouds (one of senders, one of receivers) merging through their connections.
...
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...
The final layer was completed by the Cloudpainter plotter during our SOVRN.art popup with Pindar Van Arman, adding a tactile, hand-coded touch that bridges algorithmic precision and material presence.
Read more about Noctilucent Marfa:
mlo.art/news/exhibit...
☁️💙☁️💙☁️💙☁️
🧵2/2
Introducing Noctilucent Memento Marfa 2025, a new piece marking the second anniversary of the Noctilucent Mementi series. First shown in Marfa, Texas, this edition was gifted to collectors of the series, a gesture of gratitude and continuity.
...
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🧵2/2 ... with free prints for holders as a small token of appreciation, and certainly not the last.
I’ve started building a dedicated page for the series here: mlo.art/collections/...
Here’s to another year of luminous memories under shared skies.
☁️💙☁️💙☁️💙☁️
#art #generative #genart #codeart #cloud
Celebrating two years of Noctilucent Mementi, a generative series that continues to drift through memories, places, and shared experiences.
Grateful to all collectors, especially those who have held their pieces since mint. This week, I joined the first SOVRN.art activation ...
🧵 1/2
attendez-vous à une série de mises à jour dans les prochains jours, incluant quelques surprises spéciales pour les détenteurs de Noctilucent Mementi.
☁️💙☁️💙☁️💙☁️
mlo.art/art-journal/...
#art #photography #clouds #cloudcollector
Noctilucent Mementi holders.
Après une courte pause, je reviens avec une énergie renouvelée. J’ai pris le temps de me ressourcer et de rassembler de nombreuses photos et vidéos de nuages que je partagerai bientôt. Avec Marfa, au Texas, à l’horizon le week-end prochain, ...
🧵2/3
After a short hiatus, I’m returning with fresh energy. I’ve had time to recharge and to collect many cloud photos and videos that I’ll share soon. With Marfa, TX on the horizon next weekend, expect a series of updates in the coming days, including some special surprises for ...
🧵1/3
... the Art Ono fair in Seoul, South Korea and the Bitcoin Conference in Las Vegas, NV earlier this year.
Discover more about the PAC FA8Y Blue Variant:
mlo.art/artwork/pac-...
and the broader Plotting Against Centralization series:
mlo.art/news/blog-po...
☁️💙☁️💙☁️💙☁️
Another piece from my new Plotting Against Centralization (PAC) series is FA8Y, visualization of first-time cryptocurrency acquisitions as of 2025 by year as a percentage (cloud density per triangle) from 2017 to 2024. This work debuted at ...
... a été prise sur le traversier entre le Vieux-Port de Québec et Lévis. Il y a quelque chose de intemporel dans la lumière du soleil qui perce les nuages en rayons éclatants.
☁️💙☁️💙☁️💙☁️
mlo.art/art-journal/...
🧵 2/2
#photo #collage #photocollage #collageart #art
The photo for this sunset cloud collage was captured on the ferry between Quebec City’s Old Port and Lévis. There’s something timeless about sunlight breaking through clouds in radiant streaks.
La photo de ce collage nuageux au coucher du soleil ...
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...cette exploration en constante évolution.
mlo.art/art-journal/...
☁️💙☁️💙☁️💙☁️
#styletransfer #ai #longterm #projects
Il y a cinq ans, j’ai abordé cet ensemble de données avec des GANs et des transferts de style. Aujourd’hui, en y revenant avec des modèles de diffusion, j’observe non seulement les avancées technologiques, mais aussi l’évolution de mon propre regard. Cette œuvre est le plus récent chapitre...
🧵 2/3
Five years back, I approached this dataset with GANs and style transfers. Returning now with diffusion models, I find myself tracing not only the progress of technology but also the changes in my own way of seeing. This piece is the latest chapter in that unfolding exploration.
🧵 1/3
#art #sketch
