A painting of a severe-looking brown-haired, white-skinned woman wearing black or very dark blue, and a white head scarf, seated at a table. In front of her are four blue and white porcelain teacups with gold trim in bowl-like saucers; a cream pitcher; and another porcelain vessel with a rectangular bottom, a rounded top, and a cap (maybe for holding loose tea leaves?). Her right hand, with a darkish stoned (sapphire?) ring on the ring finger, grasps the handle of the teapot.
Posts by Erika Gaffney
The visual description on the museum’s object page for this work reads, in part: “Two women with pale, peachy skin sit next to a table holding a silver tray and royal-blue tea cups and saucers in this colored, vertical etching and aquatint. Faint black lines outline the women, their features, clothing, and objects in the room, and each area is filled in a flat color. The women face each other and take up most of the composition. Both have oval faces, rounded noses, pale pink lips, and their hair is pulled up and back. The woman to our right has brown hair and leans forward as she holds up a blue plate with her right hand, closer to us. The other hand rests on the arm of her tawny-brown chair. Her dress has a petal pink bodice and long skirt with fog-white long sleeves and white fabric covering her chest and tucked into the low, rounded neckline. The other woman wears a blue cap over black hair. The hat has a celery-green feather and is tied in a bow under the chin. She wears a hip-length, charcoal-gray cloak over a pale, sage-green dress. She looks down at the plate and holds what might be a cookie or biscuit with one hand and a cup and a dish-like saucer with the other. ... She sits upright in another brown chair. In the lower right corner of the sheet, the round gray table is barely bigger than the round gray tray it holds. On it are two more cups and saucers and a silver jug, presumably holding milk. … The artist signed and inscribed the sheet under the lower right corner, ‘Imprimée par l'artiste et M. Leroy, Mary Cassatt (25 épreuves).’ A tiny dark blue stamp with a short, wide C overlaid on a capital letter M is inked along the bottom edge of the image.”
Afternoon #Tea Party, 1890-91, by #MaryCassatt (American, 1844-1926). Held by the National Gallery of Art, www.nga.gov/artworks/333...
Thru Aug 30, the museum is hosting the show “Mary Cassatt: An American in Paris,” www.nga.gov/exhibitions/...
#artherstory #womenartists #NationalTeaDay
Professor Lyndal Roper describes study of the humanities as ‘crucial’ in the age of artificial intelligence as she is named the 2026 Holberg Laureate
www.oriel.ox.ac.uk/news/holberg...
Coming up May 5 -
Female Prophecy in Early Modern European Religion
Speaker: Eleonora Cappuccilli
Organizer: The Norwegian Institute in Rome, University of Oslo
www.hf.uio.no/dnir/english...
In a project on milling in Sweden, we still find hand mills to be very common in the 17t c, used in parallell with primarily water mills, and wind mills were rare and required more capital investments. Do you have any references on Dutch early modern handmills? Would be interesting to compare.
What are you working on these days? What are you reading? Come chat with us at this month's online colloquium. #MedievalSky #MedievalHistory #Medieval #Skystorians #AcademicSky #HistorySky #EarlyModernSky #EarlyModernHistory #EarlyModern #MaterialCulture #Bodies #WhatsHistory
Join us in July for the SHARPIES (a global, book history festival!). The program is now live and features interviews, conversations, social events, author talks, book clubs, and more!
sharpweb.org/conferences/...
Book cover for 'Fat Bodies in Early Modern Europe' edited by Holly Fletcher, Christine Ott and Jill Burke, showing the title and editors' names on a maroon, floral background.
It seems that books are a bit like buses...
'Fat Bodies in Early Modern Europe' edited by Christine Ott, @jillburke.bsky.social and me is out now!! #EarlyModern
Also including contributions from Alex Pyrges, Andrea Baldan, @scarlettgauthor.bsky.social, Pablo García Piñar, and Roberta Colbertaldo
This year's iteration of the Sixteenth Century Society (SCS) annual conference takes place Oct 29-31, 2026 at the Palmer House Hilton in Chicago.
The CFP deadline for individual presentations, panels, and roundtables has been extended to May 10, 2026.
sixteenthcentury.org/call-for-pro...
A wood framed portrait of a woman on an outdoor terrace, standing with her right arm draped over some kind of stone frieze, her left elbow bent so that her left forearm is parallel with the floor, palm held up and out. Her face it turned slightly toward her right shoulder, but she directs her gaze at the viewer.
Portrait of an Unknown Woman, 1687, by #AleidaGreve (Dutch, 1670–1742), who was baptized #otd, Apr 21. Held by Het Vrouwenhuis; source, @rkdnl.bsky.social, research.rkd.nl/nl/detail/ht... #artherstory #womenartists
A framed painting of a small girl in an aqua-colored dress with white trim, standing on a terrace with trees visible beyond. Her right hand is at her side; her left arm is extended, and she holds a basket of something (fruit? flowers?) in her left hand.
Portrait of a Young Girl, n.d., by #MariaMargarethaLaFargue (Dutch, 1743-1813), who died #otd, Apr 21. Held by Haags Historisches Museum; source, awarewomenartists.com/en/artiste/m... #womenartists #artherstory
Please check out this *fascinating* programme for next week. I'm really looking forward to attending online as much as I can. There are some really neat talks that are going to be there, and lots of friends of @globalmarhist.bsky.social like Meaghan Walker and Seth LeJacq
Front cover of a journal - it depicts an oval self-portrait of the young Sofonisba Anguissola holding a gold medallion with a monogram. The background is black.
Sofonisba Anguissola Lined Hardcover Journal etsy.me/3OREZtO via @Etsy
What Did Brides Wear in the Middle Ages? A Guide to Medieval Wedding Dresses www.medievalists.net/2025/04/brid... #brides
A 16th-century portrait of a richly dressed brown-haired white woman seated in a wooden chair. Her forearms sit on the armrests; her hands curl around the ends of each armrest. Her body faces toward the left edge of the painting; she turns her face slightly to the left so as to look toward (though not exactly at) the viewer.
Portrait of Livia de Lanchi, 1550-75, by #EuropaAnguissola (Italian, c. 1542-1578). Held by Pinacoteca del Castello Sforzesco; source, commons.wikimedia.org/wiki/File:Eu... #womenartists #artherstory
This lecture is organized in conjunction with the exhibition A Life in Bloom: The Floral Paintings of Julia McEntee Dillon, on view through July 26, 2026 at the Albany Institute of History & Art -
www.albanyinstitute.org/exhibition/j...
Image: Julia McEntee Dillon (1834–1919), Morning Glories, oil on canvas, c. 1900. The Old Dutch Church of Kingston, New York
Coming up May 31 -
Lecture: Julia McEntee Dillon, Exhibitor at the Chicago World’s Columbian Exposition, Women’s Pavilion, 1893
Speaker: Jennifer C. Krieger
Venue: Albany Institute of History & Art
Cost: Free with museum admission
www.albanyinstitute.org/event/lectur...
Meet Susan H. Bradley, Trailblazing Watercolor Artist
by Andrea Sluder West for the #ArtHerstory blog
artherstory.net/meet-susan-h...
An Introduction to Minnie Jane Hardman
by Hannah Lyons for the #ArtHerstory blog
artherstory.net/an-introduct...
Laura Seymour Hasbrouck, A Painter of the Hudson River School
by Lili R. Ott for the #ArtHerstory blog
artherstory.net/laura-seymou...
An oil painting depicting at left bottom an angel in gold and white, pointing upward toward a white dove in about the center of the work. At bottom right is a kneeling woman in a red dress looking demurely downward, holding up her left palm as though in assent. At the top right, surrounded by clouds, the viewer sees the head, shoulders and arms of a richly dressed man with white hair and beard, lifting a right hand in benediction and draping a left hand over a globe. He is surrounded by cherubim.
The Annunciation, n.d., by #AngelaTeresaMuratori (Italian, c. 1662-c. 1709), who died #otd, Apr 19. Held in S. Maria di Galliera; source, www.parrocchiadellatrinita.it/node/109 #womenartists #artherstory
Pray for the Paintress
"Plautilla Nelli didn’t begin as Suor Plautilla..."
Stories from the Art, gksihat.com/plautilla-ne...
Includes an essay on Thornton by Anu Korhonen: 'Alice Thornton’s torments: Experiencing pain in seventeenth-century England'. #EarlyModern
Congratulations to the volume editors, contributors and series editors on the publication of -
Cultural Perceptions of Health, Illness and the Body in Medieval and Early Modern Europe
Edited by Anni Hella, Anu Korhonen
Blurb and table of contents: www.routledge.com/Cultural-Per...
A portrait of a richly dressed white woman with jewels in her long hair (and on her one visible ear), wearing a gold gown over a lacy white underblouse, and a red cloak. Her right elbow is bent; her right hand holds up her cloak. Her left forearm crosses her body; her left hand holds a rose. Just under that hand, and the bottom middle of the painting, the top of a teapot (or similar object) is visible.
Portrait of Isabella Medici, n.d., by #GiovannaFratellini (Italian, 1666-1731), who died #otd, Apr 18. Private collection? Source, commons.wikimedia.org/wiki/File:Gi... #womenartists #artherstory
A painting of a dark haired young lady in a white gown, seated in a red-draped chair. Her right arm curls around a cat - maybe a tortoiseshell - sleeping in her lap. Her left elbow is bent and her left hand rests on her mid-section, under the cat's left cheek.
Portrait of a Young Girl Holding her Cat, early C19th, by #JeanneÉlisabethChaudet (née Gabiou; French, 1761-1832), who died #otd, Apr 18. Private collection? Source, commons.wikimedia.org/wiki/File:Je... #womenartists #artherstory #JeanneElisabethChaudet
A gold framed painting of a white woman with longish curled brown hair, richly dressed in a red gown with gold trim, wearing a bead (pearl?) necklace close against her throat. Her body is turned toward the left edge of the painting but she turns her head toward her left shoulder so that she gazes directly (and a little archly) at the viewer. Her right elbow is bent and she holds one end of her gauzy gold scarf in the thumb and first two fingers of her right hand; her ring finger and pinky stick straight up in the air.
Self-portrait (after Gerard van Honthorst), c. 1650-55, by #LouiseHollandine, Princess of the Palatine (German, 1622-1709), who was born #otd, Apr 18. Private collection; source, commons.wikimedia.org/wiki/File:Se...
#womenartists #artherstory
Three rows of books with decorative bindings, titles indistinguishable, on library shelves.
Friends, the Society for the Study of Early Modern Women & Gender is now accepting announcements for book-length works published in the 2nd half of 2025 & early 2026 for the next installment of the SSEMWG New Book Digest.
Deadline: April 30th
Submissions & questions: email jgoethals@ua.edu.
A nice Easter present: a hard copy of the Oxford Handbook of Mary Magdalene finally arrived in the mail!
The cover of the book shows various textiles in bright colors from the medieval period on a blue background.
If you don't have any plans for this weekend, how about a trip to the Berlinale?
If you'd rather stay at home, we recommend the recently published book ‘Textiles in Manuscripts’, which offers a burst of colour to brighten the grey winter
www.degruyterbrill.com/document/doi...
#berlinale #medievalsky