my isopods LIVE!!!

hahaha yes i feel the way same 100%! it's a powerhouse! happy vacuuming!

oooooohhhh yes very good idea....ty!!

oh yeah i saw this feature! yeah slightly different than what i'm looking for :( i guess i could have a track send named a/b/c and access the wildcard $trackname, it would sort of accomplish that

reaper nerds!! is there something that can render regions with an alphabetical sequence added to the name?

for example: my region is named "mix"
i want to then render the same region as "mixA", "mixB", etc on subsequent passes

that way i can still use the $region wildcard. any ideas????

LFG!!!

seeing an institutional game audio service team begin to dissolve...is insane. never thought i'd see this kind of shakeup lol

eric's game was #3 on twitch today, so insane

do i know anyone in london?? will be there for a couple days next month

ironmouse is playing this rn and it's crazy lol

Save 15% on Content King on Steam Build your audience as a content creator in this streaming simulator roleplaying game. Riskier moves bring more viewers to your channel but raise notoriety. Push the edgy content too much and you’ll b...

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my partner released this degen IRL streamer game and it's been so fun to watch people play this live

him and his friend howeh worked on this for 1.5 years and it's finally out, doing numbers, big streamers playing this. theres been hilarious moments like xqc discovering himself in-game

my moss is thriving and i attached my first mini orchid today

this industry and this year is getting so much shittier. i dont even have anything meaningfully spicy to say

I LOVE RENDER QUEUE

wow im joining the Reaper cult

please consider helping my bestie and her partner, two beautiful people that i'd do anything for. any donation or share is super appreciated 💗

most likely there was a directive to cut costs, and outsourcing the music was an easy task. sony also has the infrastructure to lay off the entire audio team if they decide to!

that central sound team is licking their lips and would shift to support bungie as a main client if needed. parasitic

someone should put a playlist together!

Tin: Temen Oblak - "Dark Clouds" YouTube video by Christopher Tin - Topic

LOL i recognize one of the first songs sampled/remixed, from christopher tin's song cycle www.youtube.com/watch?v=YbV6...

great album btw. but also even this would be so fucking cool as a menu theme

Inner Universe (full song) YouTube video by NirvashFan

the most on the nose reference is ghost in the shell right? why not just lean into it. it's so weird lol

www.youtube.com/watch?v=EIVg...

plus when you think about the aesthetic references of grunge-y, cyberpunk apocalypse with graphic realism, you could get SO weird with that. music could literally sound like ANYTHING

it's a really good opportunity music to get really fucking weird

yeah plus it would give so much room for the rest of the audio palette to shine. having more weird, organic/acoustic textures in the music would help differentiate the game-y scifi sfx

the two are too similar rn imo

that was a giant rant but how blessed i feel to have ✌️'d the fuck out. that's a company that did not even have room for any of my potential and pushes people down.

im doing way better, making way more impact, and i have no doubt i'm gonna help w some fucking good music

sony exclusively hires external composers! it's their thing

that or like, having mike salvatori writing a really weird Fifth Element style aria.

cmon man. that'd be so fucking weird and strange and HOT. would you not dig that???

A Vast Expanse YouTube video by RamonPang - Topic

anyways if i were to decide what marathon music would sound like, it'd be closer to this. i've listened to this track so much over the years and consider it a cornerstone of the type of IDM i'd want in a game like Marathon

www.youtube.com/watch?v=6RFj...

that's an investment that i don't think a lot of film composers will understand out of the game. a lot of game companies have no business hiring these rando big name composers if they're not going to put in the work

i was not impressed with anything i heard, im also a generational hater tho

well, a video game composer that understands that context can certainly write loops that way

i'm not saying VGM is this complicated thing and only certain people can do it. but it definitely requires coaching and time to get the best result and dynamics/structure

what's an alien world? well i dont fucking know but i think otherworldly, alien MUSIC should sound weird. unsettling. out of context.

and it should still hit all the things that an extraction shooter needs: the anticipation, the load in, the reward, the success/payoff

can you do that w loops?