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Posts by Robert C. Fried (Bob Fried)
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(Intro) Is this like Iraq? Or is this World War 3? War with Iran Just one more in the Middle East Open your eyes Look up to the skies and see F-22s and soldiers with M-16s Planes go up, bombs go down, Oil price up, markets down. Whoever the drones strike Doesn't really matter to me To me (Verse 1) Obama Just bombed Iran Put a missile in the sky, now that bunker is bye bye Melania My term had just begun But now I've gone and thrown it all away Melania, ooh Was supposed to be the peace president But now I'm just like George Bush number 3 Carry on, carry on, as if Goyim really matter (Verse 2) Donald, the time has come. Launch those missiles in the sky Make them hit their nuclear sites Goodbye Ayatollah, you’ve got to go Gotta leave Islam behind and install the Shah Donald, ooh... (Order all those drones strikes) Don't make me release Those tapes we got of you from Jeffrey Epstein. (Guitar Solo) (Verse 3) I see a heat signature-o of a drone, Khamenei, Khamenei, will you give up the enrichment? F-16s and spy planes, they're all trying to kill me! Ayatollah! (Ayatollah) Ayatollah! (Ayatollah) Ayatollah, give it up! (Your time has come...) I'm just a poor goy, nobody loves me He's just a poor goy from a poor country, Spare him his life from this catastrophe Jews will come, jews will go, Israel's 10 years old Hasbara! No, we are indigenous (You’re a Pole!) Hasbara! We are the chosen ones (You're a Pole!) Hasbara! God promised it to us (You're a Pole!) 3000 years ago (Let it go!) We'll never never never never never let it go! But you're a Pole, Pole, Pole, Pole, Pole, Pole, Pole! Oh Melania, Melania... What have I gotten into? Netanyahu is the devil come to life for me For me, for me, for me! ➡️
(Bridge) So you think you can sanction and drone strike the Ayatollah? So you think you can bomb me and take all our oil? Do ya? Oh, Bibi! Can't do this to me, Bibi! Just gotta get a, just gotta get a nuke for real. (Outro) Oy vey Oy vey Oy vey Goys don't really matter Anyone can see Goys don't really matter Goys don't really matter, to me Whoever the drones strike 🔚
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Military
This Big Tech Firm Wants To Reinstate the Draft
A look at Palantir’s bootlicking new manifesto.
Elizabeth Nolan Brown | 4.20.2026 12:00 PM
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John Heartfield War and Corpses – The Last Hope of the Rich 1932 Photomontage With his photomontages for the magazine AIZ (Arbeiter-Illustrierte-Zeitung), John Heartfield reacted to the reporting of nationalist newspapers that sought to stoke hatred toward the victorious powers of World War I. Heartfield viewed members of the economic elite as warmongers and portrayed them as the profiteers of a coming war: depicted as a teeth-baring hyena wearing a top hat and military decorations. John Heartfield (born Helmut Herzfeld; 1891–1968) was a pioneering German visual artist who transformed photomontage into a potent political weapon against the rise of fascism. A key figure in the Berlin Dada movement, he famously anglicized his name in 1916 as a defiant protest against the anti-British fervor of World War I. Heartfield is best known for his scathing, satirical covers for the leftist magazine Arbeiter-Illustrierte-Zeitung (AIZ), where he used meticulously cut-and-pasted imagery to subvert Nazi propaganda and ridicule Adolf Hitler. Forced to flee Germany in 1933 just steps ahead of the SS, he continued his work from exile in Prague and later London, eventually returning to East Germany in 1950. His innovative use of typography, 3D book jackets, and stage designs for collaborators like Bertolt Brecht solidified his legacy as one of the 20th century’s most courageous and influential graphic designers. Btw You can find a lot of his photomanges at the Getty Center in Los Angeles, at Getty Research Institute on the right hand to the Museum...
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