I can sit down and write a book ex nihilo from beginning to end in like three months, blammo.
Posts by Tegan O’Neil
Logan - Path of the Warlord, cover by John Paul Leon.
apropos of nothing, here’s Moebius reading KRAMERS ERGOT #4
Eric Burdon & War - Spill the Wine.
dunno why Grocery Outlet always has the jams I need to hear, but today they reminded me it’s never not a good time to listen to these jokers:
I guess I can pat myself on the back for this one huh
take all this in and tell me Diva has an equal under the sun, I dare you
when Byrne did Darkseid / Galactus (Bronze Age) and then Cap / Batman (Golden Age), I thought the perfect capper for an unofficial trilogy would be Spider-Man / Flash - a Silver Age period piece with the Rogues against the Sinister Six.
sadly they didn’t read my mind. 😢
and now you know…
…
…
the *rest* of the story.
in which we check in with Kansas City ca 1940 - a powerhouse region in the history of jazz, already ensconced here as an international movement:
so wait, this is just Final Night (1996) without Ferro Lad? why didn’t someone tell them before they spent all that money???
take all this in and tell me Diva has an equal under the sun, I dare you
This is a wonderful review that makes me want to read the book.
I guess I can pat myself on the back for this one huh
I am tickled to find I am also blocked by the Bluesky team - gratifying, but honestly a little bit confusing since I never even mention the subject (“AI”). maybe it’s just my general vibe.
it’s true, tho … some guys do be whack. still a problem.
in which we check in with Kansas City ca 1940 - a powerhouse region in the history of jazz, already ensconced here as an international movement:
and be sure to check out my book, Tomorrow is Always the Best Day of My Life, recently released by Past-Itch:
and for YouTube:
Today Tegan looks at Deep Cuts #3, from 2023 and Image Comics, by Kyle Higgins, Joe Clark, and Diego Greco!
this article sketches out the horror in Fallon’s machine, but honestly I think it misses a crucial piece here: the Roots deserve some share of opprobrium for having laundered generational respect into being part of this machine.
so wait, this is just Final Night (1996) without Ferro Lad? why didn’t someone tell them before they spent all that money???
this is perhaps truly the most tegan has ever been on her bullshit in a professionally published review for an (arguably) respectable journalistic outlet and it's incredible
I didn’t want this to compete with today’s review so we’re tentatively penning this in for release Tomorrow - trust me, you need
to
GET
H Y P E
Ticket to Project Hail Mary.
welp, I waited a month and it’s still kind of crowded on a discount Tuesday afternoon … just a hunch but I think people like this one? let’s give it a whirl and see what falls out of our pockets on the ride.