posting them on here as well bc i cry thinking about them

Image credits and acknowledgements
docs.google.com/document/d/1...

10/10

8/10

6/10

4/10

🌏☄️ 2/10

da woas.

heh

yanfei doodles

oh I never posted Efi here! But efi is also mostly done more or less

ostium sketches

THIS WAS SO CUTE AND AWESOME!!!!!!!!!!!!!!!!!!!!!

Dev for comic

Interlude

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14/24

10/24

6/24

2/24

Art Thou Troubled? - For The Devoured Year OCT ROUND 1

Gob vs Brutus 🍧🍊

#thedevouredyear #tdyoct

A4 full art page. Depicts the orange knight, now in different garb. He sports a helmet with a very humanoid mask, featuring a nose, prominent brow bone, cheek bones, he has the top part of a set of teeth. The jaw and mandible connect to where his ear should be. The connection is secured by a circular piece that loosk like an orange slice, then from that circular piece there is an antennae looking decorative piece that extends upward. The mask is connected to a generic helmet that is lighter in colour. From under the helmet there can be seen a chain mail hood. A sword extends from the left side and rests on his shoulder. Behind him is depicted a stain glass of bright yellow, the design is vaguely citrus-like. Dialogue: Top left in a bubble: They'll knight anyone these days.

11/11

A4 comic, 5 panels. Occupying the left-hand side are a stack of 4 square panels stacked on top of one another, they take up less than half the width of the page but span it vertically in full with the fourth panel being cut off halfway. The fifth panel is an art page which rests behind the four stack. The four stack depicts two previous figures placed in the juicer, it is a top-down view with the red long-haired person on the bottom, and the braided bread person resting on top of them. The sequence depicts their crushing in progressively mushing them together in gore and viscera. The fifth panel depicts a the orange knight looking at his juicer, the handle once again raised, from the spike and the dome there is a viscous substance which clings to it. Dialogue: First panel, top left in a box: again. Second panel, top left in a box: and again. Third panel, top right: and again. Fourth panel, in a box and depicting the text duplicating outside of the confines of the box: and again.

A4 comic, 2 panels. Top panel occupies the top fifth of the page, and the second panel is an art page. First panel depicts a low angle shot with the gore of the two soldiers closest to the camera. It is at a dutch angle, and we can see the orange knight walking away with two of the scouts looking toward him and the gore with shock and horror. The second panel depicts 4 figures at a table, three of them sit at one and, and another sits closer to us the viewer. The three figures on the far end going from left to right depict a dog person, a sausage person, and a french onion soup person. The table has a jug, several mugs of beer, and some breads in a bowl. The person in the foreground is a slightly toned woman with fettuccine fair worn in a bob with a bun. Dialogue: First panel Top left in a box: When we approached - Bottom left, in a bubble: he just...stood up, and walked back with us. Second panel, from left to right. Barkus: WHAT? (overlapping the previous dialogue slightly in a spiky bubble) there's no way you guys BROUGHT IT BACK WITH YOU? (in a regular bubble) Fettuccine: Calm yourself Barkus, he's back in vegetania. Barkus: Vegetania? Fettuccine: Yeah (in a separate bubble), getting knighted (in a separate bubble connected by a tail to the previous) Ambiguous, possibly Barkus: Bulb almighty. (in a bubble of its own)

9-10/11

A4 comic, single panel. A single square panel sits in the centre of the page leaving much white space. The white space is speckled with particles. The single panel depicts the orange soldier on the mound of bodies, the sky is clear and red.

A4, blank page with text: Then the handle came down.

7-8/11

A4 comic, two panels. a top panel which rests on top of the bottom panel which is another art page. The first is a red panel depicting a cloudy scene, an orange figure sits atop a mound of dead bodies. The second panel and art page depict two of the three scouts from the previous page. They are on horseback and have walked upon the battlefield again. Many dead bodies lay strewn about as they look toward the first panel. This panel is mostly oranges and muted reds. Dialogue: First panel Top right in boxes: We expected the carnage, Bottom left in boxes: we did not expect him. Second panel Bottom right in staggered connected boxes: Uncertain, we watched him for a moment.

A4 comic, 5 panels. The first one spans the first third of the page, another panel cuts into it on the top right. The third panel spans the second third of the page in full width, the fourth panel rests on the bottom left and is in half width, there is a borderless panel which sits behind the rest of the panels. First panel depicts the orange soldier sitting cross legged, he has a giant lemon juicer weapon placed in his lap with the left handle of the top part raised. The second panel depicts a dead humanoid figure with long red hair and infrequent stripe markings across their body. The Orange soldier's large hand is seen gracefully grasping the dead humanoid figure's neck and head. The third panel depicts the orange soldier placing the dead humanoid figure into the hollow part of the lemon juicer. The fourth panel depicts a braided bread person in the shape of a creature, also dead, being held gently by the orange knight. The final panel depicts a closeup of the lemon juicer and its sharp point at the centre of the dome. Dialogue: First panel Top left in a box: He picked up one of their men, gently Intersecting first and second panel Bottom right in a box: More gently than you'd think him capable of Third panel Bottom right, Then he put him in his lap - in that contraption. Fifth panel, centred on the art: Then the same with one of ours.

5-6/11