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Posts by panke.gallery

A minimalist indoor scene shows four smartphones mounted on black stands at different heights, arranged in a loose cluster in front of a plain white wall and door. Each phone displays the same blue screen with a soft, circular, abstract waveform or ring pattern in the center. The stands have flexible arms and visible cables hanging down, giving a slightly technical, installation-like feel. The overall composition is clean and monochromatic, with the bright blue screens standing out against the neutral background.

A minimalist indoor scene shows four smartphones mounted on black stands at different heights, arranged in a loose cluster in front of a plain white wall and door. Each phone displays the same blue screen with a soft, circular, abstract waveform or ring pattern in the center. The stands have flexible arms and visible cables hanging down, giving a slightly technical, installation-like feel. The overall composition is clean and monochromatic, with the bright blue screens standing out against the neutral background.

∆ (delta) – an exhibition by Amanda E. Metzger

Opening: panke.gallery, Thursday, 23 April 2026, at 18:00 (guided tour of the exhibition with the artist at 19:30)

panke.gallery/exhibition/d...

Exhibition: 23–30 April 2026

Amanda E. Metzger: amandaemetzger.net

3 days ago 5 0 0 0

In exactly one week!

5 days ago 4 0 0 0
Abstract digital image in muted blue, gray, and beige tones, with soft blurred vertical and horizontal shapes suggesting depth or architectural forms. Small white petal- or snow-like marks are scattered across the image, floating inward toward the center and creating a sense of motion or drift.

Abstract digital image in muted blue, gray, and beige tones, with soft blurred vertical and horizontal shapes suggesting depth or architectural forms. Small white petal- or snow-like marks are scattered across the image, floating inward toward the center and creating a sense of motion or drift.

∆ (delta) – an exhibition by Amanda E. Metzger

Opening: panke.gallery, Thursday, 23 April 2026, at 18:00 (guided tour of the exhibition with the artist at 19:30)

panke.gallery/exhibition/d...

Exhibition: 23–30 April 2026
Open: Wed–Sat, 15:00–19:00

1 week ago 2 0 0 1

Netart repository – Wikibase entries in progress:
netart.wikibase.cloud/wiki/Wikibas...
[03/03/2026]

netart repository is an online knowledge and data base of Zentrum für Netzkunst in Berlin. The initiative explores the possibilities of archiving, contextualising and mediating net art.

1 month ago 6 3 0 0

Tonight! 💥 Welcome! 💛 #15

1 month ago 5 0 0 0
Hand-drawn poster designed like an old Windows “Paint” program interface. At the top, a title bar reads “untitled-paint” with menu items “File, Edit, View, Image, Colours, Help,” and a large pixelated heading: “DESKTOP DOCUMENTARIES.” Floating dialog windows contain event details: • “PANKE GALLERY, Gerichtstr. 23, 13347 Berlin Hof V” • “February 25th, 19:00–21:30” • “Free entry, no registration”. On the right, a list of works and artists: “My Mulholland” – Jessica McGoff, “TRANSFORMERS: THE PREMAKE” – Kevin B. Lee, “Watching the pain of others” – Léa Galibert-Laîné, “<<[…] craving for narrative >> lässt sich einfach nicht gut” – Max Grau. On the left is a vertical toolbar of drawing icons. In the center, a sketch of a desktop computer setup with tower, monitor, keyboard, speakers on a table. At the bottom are buttons labeled “OK,” “Cancel,” and “Apply.” The entire image is black pen on white paper, mimicking retro computer UI aesthetics.

Hand-drawn poster designed like an old Windows “Paint” program interface. At the top, a title bar reads “untitled-paint” with menu items “File, Edit, View, Image, Colours, Help,” and a large pixelated heading: “DESKTOP DOCUMENTARIES.” Floating dialog windows contain event details: • “PANKE GALLERY, Gerichtstr. 23, 13347 Berlin Hof V” • “February 25th, 19:00–21:30” • “Free entry, no registration”. On the right, a list of works and artists: “My Mulholland” – Jessica McGoff, “TRANSFORMERS: THE PREMAKE” – Kevin B. Lee, “Watching the pain of others” – Léa Galibert-Laîné, “<<[…] craving for narrative >> lässt sich einfach nicht gut” – Max Grau. On the left is a vertical toolbar of drawing icons. In the center, a sketch of a desktop computer setup with tower, monitor, keyboard, speakers on a table. At the bottom are buttons labeled “OK,” “Cancel,” and “Apply.” The entire image is black pen on white paper, mimicking retro computer UI aesthetics.

'desktop documentary' - screening 01
📍 panke.gallery
🗓️ Wednesday, 25 February 2026, 19:00 – 21:30

panke.gallery/event/panke-...

"Watching The Pain of Others" by Lého Galibert-Laîné
"Transformers: The Premake" by Kevin B. Lee
"My Mulholland" by Jessica McGoff

Curated by Mezzy Shivers

1 month ago 5 0 0 0
A vertical event poster with a green and blue printed-circuit-board background. Copper-colored circuit traces form a large stylized number “15” and the words “15 YEARS” at the top. In the center, inside a small circle, it reads “27.02.2011.” At the bottom, more circuit traces form blocky shapes, while white text in the lower corners lists details: “Gerichtstr. 23 – Hof 5, 13347 Berlin” and “Friday 27 Feb 2026, Free Entry from 20:00.” The overall design looks technological and celebratory, like electronics components turned into typography.

A vertical event poster with a green and blue printed-circuit-board background. Copper-colored circuit traces form a large stylized number “15” and the words “15 YEARS” at the top. In the center, inside a small circle, it reads “27.02.2011.” At the bottom, more circuit traces form blocky shapes, while white text in the lower corners lists details: “Gerichtstr. 23 – Hof 5, 13347 Berlin” and “Friday 27 Feb 2026, Free Entry from 20:00.” The overall design looks technological and celebratory, like electronics components turned into typography.

15 Years of Panke
pankeculture.com/programme
Friday, 27 February 2026

On February 27th, we celebrate 15 years of Panke. We warmly invite everyone who would like to join us for a special gathering.

Free entry for everyone!

Come by, bring your friends, and celebrate 15 years of Panke with us. 💛

1 month ago 7 1 0 1
A video still shows a quiet residential alley at sunset, a white wall covered with graffiti lit by warm light. Overlaid on top is a computer text-editor window with large serif text reading: “This was my first glimpse into how it often feels to be on the internet. Like being present in your body but not entirely in control of it.” The background behind the window appears as a blurred nighttime street.

A video still shows a quiet residential alley at sunset, a white wall covered with graffiti lit by warm light. Overlaid on top is a computer text-editor window with large serif text reading: “This was my first glimpse into how it often feels to be on the internet. Like being present in your body but not entirely in control of it.” The background behind the window appears as a blurred nighttime street.

A desktop screen recording shows multiple overlapping windows. On the left, a Vimeo page plays a video of a woman speaking indoors. On the right, a webcam view shows another woman with glasses resting her head on her hand. In front, an email draft addressed “Dear Penny Lane,” begins: “I am a French researcher and video essayist…” explaining discomfort while watching the film The Pain of Others. Browser tabs, icons, and interface controls are visible along the top and bottom edges.

A desktop screen recording shows multiple overlapping windows. On the left, a Vimeo page plays a video of a woman speaking indoors. On the right, a webcam view shows another woman with glasses resting her head on her hand. In front, an email draft addressed “Dear Penny Lane,” begins: “I am a French researcher and video essayist…” explaining discomfort while watching the film The Pain of Others. Browser tabs, icons, and interface controls are visible along the top and bottom edges.

A collage of overlapping video windows shows people on a Chicago street filming something in the sky with their phones. Signs reading “CHICAGO” and “REPORT ALIEN ACTIVITY” appear in separate frames. A large Starbucks logo hangs above a storefront. Buildings, traffic barriers, and pedestrians fill the urban background, while the layered windows resemble a computer desktop montage.

A collage of overlapping video windows shows people on a Chicago street filming something in the sky with their phones. Signs reading “CHICAGO” and “REPORT ALIEN ACTIVITY” appear in separate frames. A large Starbucks logo hangs above a storefront. Buildings, traffic barriers, and pedestrians fill the urban background, while the layered windows resemble a computer desktop montage.

desktop documentary - screening

📍 panke.gallery
🗓️ WED, 25 FEB 2026, 7 PM

panke.gallery/event/panke-...
Curated by Mezzy Shivers

Watching The Pain of Others by Lého Galibert-Laîné
Transformers: The Premake by Kevin B. Lee
My Mulholland by Jessica McGoff

2 months ago 5 0 0 0

Join us at the end of February for an evening dedicated to the desktop documentary, a form that draws footage directly from the internet and turns the computer screen into both camera and canvas.

– panke.gallery, 25 FEB 2026; curated by Mezzy Shivers
panke.gallery/event/panke-...

2 months ago 4 0 0 0
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Preview
Desire Paths for Wikipedia An extension that remembers the path of a cursor over the linked pages of Wikipedia, “wearing” them into the page.

I've just published a new userscript that remembers the path of your cursor over the linked pages of Wikipedia, averaging and wearing them into the page, showing your browsing history over time

Install at greasyfork.org/en/scripts/5... or read more about it everest-pipkin.com#projects/des...

2 months ago 365 123 7 4
an image of the browser extension running on a monitor in a room - it's open to the page "erosion" - it has been eroded. image taken by Fenja Cambeis

an image of the browser extension running on a monitor in a room - it's open to the page "erosion" - it has been eroded. image taken by Fenja Cambeis

I also made a version that ran live in @pankegallery.bsky.social for the duration of Hostile Platforms / Beloved Margins last October which was a real joy because you got to pick up and further a collective path, just like a real desire path in a public place

2 months ago 16 1 1 0
An exhibition space with people viewing digital works. In the foreground, printed images or artworks are laid out on a table. In the background, visitors sit on simple cube stools and stand near a window, looking at a laptop placed on a narrow table.

An exhibition space with people viewing digital works. In the foreground, printed images or artworks are laid out on a table. In the background, visitors sit on simple cube stools and stand near a window, looking at a laptop placed on a narrow table.

A person sits at a wooden table reading a folded exhibition leaflet. Two open laptops are on the table in front of them, showing folders and digital images on their screens. A white coffee cup stands nearby, and an exhibition poster with artists’ names and dates lies on the table.

A person sits at a wooden table reading a folded exhibition leaflet. Two open laptops are on the table in front of them, showing folders and digital images on their screens. A white coffee cup stands nearby, and an exhibition poster with artists’ names and dates lies on the table.

Two people sit on a brown leather sofa wearing VR headsets and holding handheld controllers. They smile and turn slightly toward each other, appearing engaged and amused. Behind them is a white brick wall decorated with dried flower arrangements.

Two people sit on a brown leather sofa wearing VR headsets and holding handheld controllers. They smile and turn slightly toward each other, appearing engaged and amused. Behind them is a white brick wall decorated with dried flower arrangements.

A crowded gallery opening with people standing close together and talking. In the foreground, two people in winter jackets and beanies face each other in conversation, one holding an empty glass. Behind them, more visitors fill the room, with a doorway glowing with warm light and a poster on the wall.

A crowded gallery opening with people standing close together and talking. In the foreground, two people in winter jackets and beanies face each other in conversation, one holding an empty glass. Behind them, more visitors fill the room, with a doorway glowing with warm light and a poster on the wall.

Thank you to everyone who joined us for the opening, and to both artists, @chiarapassa.bsky.social & Mikuláš Mahr!
#fullhouse
The energy was incredible, the place was packed, and the art absolutely delivered.

📍 /rosa
🗓️ Open: 1–3 & 9–10 February, 3–7 PM

stillllllife
vorspiel.berlin/events/still...

2 months ago 4 3 0 0
A wide shot of a crowded gallery space during a public talk. People sit closely together facing a speaker at a lectern. On the wall behind the speaker, a projected social media post shows a colorful cartoon figure with large eyes and the text “THERE IS NO MEME” and “GOD LOVES YOU.” Speakers and microphones frame the presentation area.

A wide shot of a crowded gallery space during a public talk. People sit closely together facing a speaker at a lectern. On the wall behind the speaker, a projected social media post shows a colorful cartoon figure with large eyes and the text “THERE IS NO MEME” and “GOD LOVES YOU.” Speakers and microphones frame the presentation area.

An audience watches a presentation in a gallery room. A large projection fills the wall, showing a purple background with a white heart outline and the word “CODE” in capital letters inside the heart. A speaker stands at a lectern on the left, while the seated audience is seen from behind.

An audience watches a presentation in a gallery room. A large projection fills the wall, showing a purple background with a white heart outline and the word “CODE” in capital letters inside the heart. A speaker stands at a lectern on the left, while the seated audience is seen from behind.

A close view of a woman standing at a lectern in a dimly lit gallery. She reads from a smartphone while speaking into a microphone, with a laptop open in front of her. A small reading light illuminates her face, and a speaker stands to the side against a plain wall.

A close view of a woman standing at a lectern in a dimly lit gallery. She reads from a smartphone while speaking into a microphone, with a laptop open in front of her. A small reading light illuminates her face, and a speaker stands to the side against a plain wall.

Two people sit on chairs on a small stage during a panel discussion. One person speaks into a handheld microphone while gesturing, the other listens attentively. Behind them, a brightly colored projected background with abstract shapes and partially visible text lights the scene.

Two people sit on chairs on a small stage during a panel discussion. One person speaks into a handheld microphone while gesturing, the other listens attentively. Behind them, a brightly colored projected background with abstract shapes and partially visible text lights the scene.

A big thank you to everyone who came to the presentation yesterday, and to all the presenters! #fullhouse
It was a fantastic event with a huge turnout and great talks.

@aksiomaorg.bsky.social at panke.gallery, 29 Jan 2026; Vorspiel

aksioma.org/aksioma-at-p...

Pics➠ www.instagram.com/p/DUJHWxOCMTw

2 months ago 7 2 0 0

Today at 19:00: @aksiomaorg.bsky.social at panke.gallery ➠ vorspiel.berlin/events/aksio...

2 months ago 6 1 0 0
Post image Post image

Berlin friends! First issue of 𝑚𝑢𝑙𝑡𝑖𝑡ℎ𝑟𝑒𝑎𝑑: 𝑇ℎ𝑒 𝐵𝑙𝑢𝑒 𝐹𝑙𝑜𝑤𝑒𝑟 𝑆𝑦𝑛𝑑𝑟𝑜𝑚𝑒 is now also available in 𝗣𝗿𝗼𝗾𝗺 bookstore 👀
> aksioma.org/the-blue-flo...

❋ ❋ ❋ Tomorrow evening you can also grab yours at the book presentation event in @pankegallery.bsky.social
> aksioma.org/aksioma-at-p...

2 months ago 1 1 0 0
Three book covers are shown side by side against a neutral background. On the left is a book with a bright yellow cover. In the center of the cover is a black-and-white, blurred photographic image of a human face, overlaid with dense text in Gothic-style Latin letters and Japanese characters. At the top, small black text on yellow reads Sophie Publig and Swiping Right on God. At the bottom left is PostScriptum #54, and at the bottom right the publisher name AKSIOMA. In the middle is a book with a highly saturated, abstract cover dominated by red, orange, and turquoise tones. The image resembles a large flower or organic form merging with a roadway and cars in the background. At the top, white text reads THE BLUE FLOWER SYNDROME with Benze De Ream below it. A small logo appears near the top left. At the bottom, white text reads: With an afterword by Metahaven. On the right is a minimalist black book cover set on a light gray background. The cover features two large white circular shapes resembling eyes. White text near the top left reads Are You a Software Update? and near the top right Reader. Below, smaller white text lists contributors: Wassim Z. Alsindi, Tega Brain & Sam Lavigne, Nora O'Murchú, Alex Quicho, Noura Tafeche, Alberto Toscano. The publisher name AKSIOMA appears below the book on the gray background.

Three book covers are shown side by side against a neutral background. On the left is a book with a bright yellow cover. In the center of the cover is a black-and-white, blurred photographic image of a human face, overlaid with dense text in Gothic-style Latin letters and Japanese characters. At the top, small black text on yellow reads Sophie Publig and Swiping Right on God. At the bottom left is PostScriptum #54, and at the bottom right the publisher name AKSIOMA. In the middle is a book with a highly saturated, abstract cover dominated by red, orange, and turquoise tones. The image resembles a large flower or organic form merging with a roadway and cars in the background. At the top, white text reads THE BLUE FLOWER SYNDROME with Benze De Ream below it. A small logo appears near the top left. At the bottom, white text reads: With an afterword by Metahaven. On the right is a minimalist black book cover set on a light gray background. The cover features two large white circular shapes resembling eyes. White text near the top left reads Are You a Software Update? and near the top right Reader. Below, smaller white text lists contributors: Wassim Z. Alsindi, Tega Brain & Sam Lavigne, Nora O'Murchú, Alex Quicho, Noura Tafeche, Alberto Toscano. The publisher name AKSIOMA appears below the book on the gray background.

Tomorrow 💥 @aksiomaorg.bsky.social at panke.gallery – launch of new publications and conversation with the authors; part of Vorspiel 2026
vorspiel.berlin/events/aksio...

📍 panke.gallery, Thursday, 29 January 2026 at 7 PM
panke.gallery/event/benze-...

Programme schedule:
aksioma.org/aksioma-at-p...

2 months ago 3 0 0 0
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Today at 7 PM. See you @pankegallery.bsky.social!

2 months ago 4 0 0 0

Tomorrow at @pankegallery.bsky.social!

Reverse Contradictionary – Dictionary of New Worlds by @vukcosic.bsky.social · @iocose.bsky.social · Vladan Joler: book launch event as part of Vorspiel 2026

📍 panke.gallery/event/revers..., TUE 27 JAN 2026, 7 PM; Gerichtstr. 23, Hof 5, 13347 Berlin

Welcome!

2 months ago 2 0 0 0
Screenshot of a desktop browser showing the website “TheWrong Returns.” On the right, large white text on a black background reads “TheWrong Returns,” with smaller text below: “Where art, pixels, AI and people meet. Everything blue is a link.” A bright blue and green highlighted banner says “Happening now. Join live stream.” Below are section headings like “I. Genesis” and blue link titles such as “Fragments of Nowhere” and “Anything But This.” On the left, a cinematic image shows two people in light-colored clothing walking down a misty street at dusk, with palm trees, power lines, and glowing rectangular light panels suspended overhead. At the bottom right, small video thumbnails show three people in a live-stream interface.

Screenshot of a desktop browser showing the website “TheWrong Returns.” On the right, large white text on a black background reads “TheWrong Returns,” with smaller text below: “Where art, pixels, AI and people meet. Everything blue is a link.” A bright blue and green highlighted banner says “Happening now. Join live stream.” Below are section headings like “I. Genesis” and blue link titles such as “Fragments of Nowhere” and “Anything But This.” On the left, a cinematic image shows two people in light-colored clothing walking down a misty street at dusk, with palm trees, power lines, and glowing rectangular light panels suspended overhead. At the bottom right, small video thumbnails show three people in a live-stream interface.

The Wrong Walkthrough: @thewrongbiennale.bsky.social (23 January 2026), Gallery Surfing Session with S()fia Braga, Matthias @pitscher.bsky.social and Sakrowski

Part 1:
youtu.be/jR4f3Sdcfb0
(1:07:46)

Part 2:
youtu.be/K2RVhlmraHk
(1:37:20)

Gallery Surfing:
youtube.com/@gallerysurf...

2 months ago 5 2 0 0
Black hardcover book shown at a slight angle against a dark background. The title reads “REVERSE CONTRADICTIONARY” with the subtitle “Dictionary of New Worlds.” In the center is a white laboratory beaker icon with the text “We hate used words.” At the bottom are the authors’ names: Vuc Ćosić, IOCOSE, and Vladan Joler. The spine also reads “Reverse Contradictionary.”

Black hardcover book shown at a slight angle against a dark background. The title reads “REVERSE CONTRADICTIONARY” with the subtitle “Dictionary of New Worlds.” In the center is a white laboratory beaker icon with the text “We hate used words.” At the bottom are the authors’ names: Vuc Ćosić, IOCOSE, and Vladan Joler. The spine also reads “Reverse Contradictionary.”

Open book spread on a black background. The left page is mostly blank, with “K” and “Keyote Presentation” at the top and the page number 104 at the bottom next to the title “Reverse Contradictionary.” The right page shows a black silhouette illustration of a drone holding a mobile with hanging icons, including a thumbs-up, a cloud, a ChatGPT-style knot logo, a Mickey Mouse–like shape, and a Bitcoin symbol. Below the illustration is a dictionary-style entry titled “Laissez Fairy Tale,” followed by phonetic spelling and a satirical definition about citizen-control propaganda, markets, and bailouts.

Open book spread on a black background. The left page is mostly blank, with “K” and “Keyote Presentation” at the top and the page number 104 at the bottom next to the title “Reverse Contradictionary.” The right page shows a black silhouette illustration of a drone holding a mobile with hanging icons, including a thumbs-up, a cloud, a ChatGPT-style knot logo, a Mickey Mouse–like shape, and a Bitcoin symbol. Below the illustration is a dictionary-style entry titled “Laissez Fairy Tale,” followed by phonetic spelling and a satirical definition about citizen-control propaganda, markets, and bailouts.

Reverse Contradictionary – Dictionary of New Worlds by @vukcosic.bsky.social · @iocose.bsky.social · Vladan Joler: Berlin book launch, part of Vorspiel 2026

panke.gallery/event/revers...

📍 panke.gallery, Tuesday, 27 January, 7 PM (Gerichtstr. 23, Hof 5, 13347 Berlin)

reverse-contradictionary.net

2 months ago 5 1 0 2
Post image

Hallo #Berlin, wie geht’s?
🎢 29 January 2026 | 🎡 19:00 | 🎠 panke.gallery, Berlin

Aksioma returns to @pankegallery.bsky.social to launch 𝑚𝑢𝑙𝑡𝑖𝑡ℎ𝑟𝑒𝑎𝑑, the latest issue of the PostScriptUM and celebrate the release of 𝐴𝑟𝑒 𝑌𝑜𝑢 𝐴 𝑆𝑜𝑓𝑡𝑤𝑎𝑟𝑒 𝑈𝑝𝑑𝑎𝑡𝑒?
> aksioma.org/aksioma-at-panke
> Part of Vorspiel 2026

2 months ago 4 2 0 0
Two people in light-colored clothing walk along a foggy street at dawn. Tall palm trees and utility poles line the road. Overhead, a large, irregular reflective surface or structure hangs above them, mirroring bright rectangular lights and fragments of the sky, creating a surreal, dreamlike scene in blue and gray tones.

Two people in light-colored clothing walk along a foggy street at dawn. Tall palm trees and utility poles line the road. Overhead, a large, irregular reflective surface or structure hangs above them, mirroring bright rectangular lights and fragments of the sky, creating a surreal, dreamlike scene in blue and gray tones.

A wet, brown horse stands still inside an arched interior space filled with dense red mist. The floor is wet and reflective. Through the archway, faint silhouettes of buildings are visible in the background, adding depth and an eerie, theatrical atmosphere dominated by red and orange hues.

A wet, brown horse stands still inside an arched interior space filled with dense red mist. The floor is wet and reflective. Through the archway, faint silhouettes of buildings are visible in the background, adding depth and an eerie, theatrical atmosphere dominated by red and orange hues.

Today! Live Gallery Surfing Session: The Wrong Walkthrough
panke.gallery/event/the-wr...

FRI 23 JAN, 1 PM Berlin Time
🔴 panke.gallery/streaming
🔴 twitch.tv/pankegallery

On the occasion of @thewrongbiennale.bsky.social:
thewrong.org/walkthrough

~ with S()fia Braga, @pitscher.bsky.social, Sakrowski

2 months ago 5 1 0 0
Book cover dominated by saturated orange and teal tones. A large close-up of a flower fills the left side, while the right side shows a road with cars, streetlights, and an urban background. At the top, the title reads “The Blue Flower Syndrome” with the subtitle “Benze De Ream.” At the bottom, smaller text states “With an afterword by Metahaven.”

Book cover dominated by saturated orange and teal tones. A large close-up of a flower fills the left side, while the right side shows a road with cars, streetlights, and an urban background. At the top, the title reads “The Blue Flower Syndrome” with the subtitle “Benze De Ream.” At the bottom, smaller text states “With an afterword by Metahaven.”

Book cover on a bright yellow background. In the center is a black-and-white, blurred collage of a human face layered with overlapping Gothic and Japanese characters, creating a dense, ghostly texture. At the top, small text reads “Sophie Publig” and the title “Swiping Right on God.” At the bottom left is “PostScript UM #54,” and at the bottom right the publisher name “AKSIOMA.”

Book cover on a bright yellow background. In the center is a black-and-white, blurred collage of a human face layered with overlapping Gothic and Japanese characters, creating a dense, ghostly texture. At the top, small text reads “Sophie Publig” and the title “Swiping Right on God.” At the bottom left is “PostScript UM #54,” and at the bottom right the publisher name “AKSIOMA.”

Minimalist black book cover shaped like a stylized face or mask with two white circular eye holes and a narrow cut at the bottom. White text on the left reads “Are You a Software Update?” and on the right “Reader.” Below, a list of contributors appears in white text, including Wassim Z. Alsindi, Tega Brain, Sam Lavigne, Nora O’ Murchú, Alex Quicho, Noura Tafeche, and Alberto Toscano. The publisher name “AKSIOMA” appears near the bottom.

Minimalist black book cover shaped like a stylized face or mask with two white circular eye holes and a narrow cut at the bottom. White text on the left reads “Are You a Software Update?” and on the right “Reader.” Below, a list of contributors appears in white text, including Wassim Z. Alsindi, Tega Brain, Sam Lavigne, Nora O’ Murchú, Alex Quicho, Noura Tafeche, and Alberto Toscano. The publisher name “AKSIOMA” appears near the bottom.

➠ @aksiomaorg.bsky.social at panke.gallery – launch of new publications & conversation with the authors; part of #Vorspiel 2026

Programme:
panke.gallery/event/benze-...

📍 panke.gallery, Thursday, 29 January 2026 at 7 PM (Gerichtstr. 23, Hof 5, 13347 Berlin)

aksioma.org/aksioma-at-p...

Welcome!

2 months ago 5 1 0 1
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Preview
Reverse Contradictionary Reverse Contradictionary

The new Dictionary of New Worlds presents selected confrontational neologisms that, with acute insight and subtle provocation, challenge and overturn the predatory, algorithmic logic embedded in statistical language.

reverse-contradictionary.net

3 months ago 4 0 0 0
A row of black hardcover books standing upright against a black background. The covers read “REVERSE CONTRADICTIONARY – Dictionary of New Worlds.” A white label on the front says “We hate used words.” The authors’ names appear at the bottom of the cover: Vuc Ćosić, IOCOSE, Vladan Joler.

A row of black hardcover books standing upright against a black background. The covers read “REVERSE CONTRADICTIONARY – Dictionary of New Worlds.” A white label on the front says “We hate used words.” The authors’ names appear at the bottom of the cover: Vuc Ćosić, IOCOSE, Vladan Joler.

An open book photographed from above on a black background. The right page shows a black silhouette of two human profiles facing away from each other, overlaid with semi-circular measuring arcs and arrows. Below is the entry titled “Dystopometry,” with a short dictionary-style definition. The left page is mostly blank, with page number and the book title at the bottom.

An open book photographed from above on a black background. The right page shows a black silhouette of two human profiles facing away from each other, overlaid with semi-circular measuring arcs and arrows. Below is the entry titled “Dystopometry,” with a short dictionary-style definition. The left page is mostly blank, with page number and the book title at the bottom.

Reverse Contradictionary – Dictionary of New Worlds by @vukcosic.bsky.social · @iocose.bsky.social · Vladan Joler: book launch event, part of Vorspiel 2026

panke.gallery/event/revers...

📍 panke.gallery, Tuesday, 27 January 2026, 7 PM (Gerichtstr. 23, Hof 5, 13347 Berlin)

3 months ago 6 0 1 1
A dark-background contact sheet showing a grid of dozens of small photographs from electronic music and media art events. The images depict DJs and live electronic musicians performing with mixers, synthesizers, modular gear, laptops, and custom electronics, as well as visual artists working with projections, screens, and installations. Some photos show close-ups of hands adjusting knobs and cables, others show performers on stage, small crowds in dimly lit venues, and experimental setups in gallery-like spaces. The overall impression is a curated overview of live performances, audiovisual experimentation, and underground club or art scenes.

A dark-background contact sheet showing a grid of dozens of small photographs from electronic music and media art events. The images depict DJs and live electronic musicians performing with mixers, synthesizers, modular gear, laptops, and custom electronics, as well as visual artists working with projections, screens, and installations. Some photos show close-ups of hands adjusting knobs and cables, others show performers on stage, small crowds in dimly lit venues, and experimental setups in gallery-like spaces. The overall impression is a curated overview of live performances, audiovisual experimentation, and underground club or art scenes.

💥 A big thank you to everyone who performed, presented, and had fun with us at the Vorspiel 2026 opening at panke.gallery & Club!

A selection of 40 pics by Galya Feierman is available at:
instagram.com/panke.gallery
+
facebook.com/panke.gallery

🗓️ 16 JAN 2026

Program:
panke.gallery/event/vorspi...

3 months ago 2 0 0 0
A dark, cinematic background with palm trees and a dimly lit street is partially covered by dozens of overlapping computer browser windows. Each window shows a single large letter or number on a white page, together forming the message “The Wrong Walkthrough January 23 13:00 CET.” The windows resemble Mozilla Firefox interfaces and are layered chaotically across the image, obscuring most of the background text and imagery.

A dark, cinematic background with palm trees and a dimly lit street is partially covered by dozens of overlapping computer browser windows. Each window shows a single large letter or number on a white page, together forming the message “The Wrong Walkthrough January 23 13:00 CET.” The windows resemble Mozilla Firefox interfaces and are layered chaotically across the image, obscuring most of the background text and imagery.

The Wrong Walkthrough
panke.gallery/event/the-wr...

On the occasion of @thewrongbiennale.bsky.social, we are hosting a Wrong Walkthrough.
thewrong.org/walkthrough

Friday, 23 January 2026, 13:00 - 16:00
📲 panke.gallery/live

– with S()fia Braga, Matthias @pitscher.bsky.social, Sakrowski

3 months ago 2 0 0 0
Close-up of gray archival boxes arranged on a dark tabletop. A printed document lies beside them, along with a round sticker showing a crossed-out camera symbol indicating no photography. The wooden floor is visible in the background, emphasizing the exhibition setting.

Close-up of gray archival boxes arranged on a dark tabletop. A printed document lies beside them, along with a round sticker showing a crossed-out camera symbol indicating no photography. The wooden floor is visible in the background, emphasizing the exhibition setting.

Wide view of a minimalist gallery room with a white textured wall. Small framed photographs are evenly spaced in a horizontal line. In the center stands a dark rectangular table on red trestle legs, holding several gray archival boxes and printed documents. Simple cardboard cube stools are placed around the table on a wooden floor.

Wide view of a minimalist gallery room with a white textured wall. Small framed photographs are evenly spaced in a horizontal line. In the center stands a dark rectangular table on red trestle legs, holding several gray archival boxes and printed documents. Simple cardboard cube stools are placed around the table on a wooden floor.

View through an open doorway into the gallery space. An arched transom window with frosted glass sits above the door. Inside the room, the same dark table with gray archival boxes is visible, surrounded by cardboard cube stools on a wooden floor. Framed photographs hang in a neat row on the far wall.

View through an open doorway into the gallery space. An arched transom window with frosted glass sits above the door. Inside the room, the same dark table with gray archival boxes is visible, surrounded by cardboard cube stools on a wooden floor. Framed photographs hang in a neat row on the far wall.

A person stands behind the table in the gallery, partially framed by two windows. They wear a light-colored knit beanie, glasses, a dark jacket, and light sweater, gesturing with one hand as if explaining something. In front of them are large gray archival boxes on the table, with cardboard cube stools placed on the wooden floor in the foreground.

A person stands behind the table in the gallery, partially framed by two windows. They wear a light-colored knit beanie, glasses, a dark jacket, and light sweater, gesturing with one hand as if explaining something. In front of them are large gray archival boxes on the table, with cardboard cube stools placed on the wooden floor in the foreground.

Holger Friese: unprompted
vorspiel.berlin/events/holge...

📍 /rosa, Zentrum für Netzkunst; part of Vorspiel 2026 (Heidelberger Str. 28, 12059 Berlin)

Exhibition: 20–22 January 2026, 3–7 PM

Artist talk + data entry session: Monday, 19 January 2026, 7–9 PM
vorspiel.berlin/events/holge...

3 months ago 4 1 0 1
Close-up of the performer playing a compact keyboard with both hands. The silver suit reflects strong light, emphasizing its crinkled texture. The performer’s masked face and dark round goggles are visible above the keyboard, with wires and sensors attached to the helmet and clothing, suggesting a cybernetic or experimental music setup.

Close-up of the performer playing a compact keyboard with both hands. The silver suit reflects strong light, emphasizing its crinkled texture. The performer’s masked face and dark round goggles are visible above the keyboard, with wires and sensors attached to the helmet and clothing, suggesting a cybernetic or experimental music setup.

A performer stands behind a keyboard and electronic setup, wearing a shiny silver protective suit, black boots, and a black electric guitar strapped across the body. The face is covered with a futuristic mask and round dark goggles, with small antenna-like devices attached to a helmet. Multiple cables hang from the instruments, and laptops and microphones surround the performer against a plain white wall.

A performer stands behind a keyboard and electronic setup, wearing a shiny silver protective suit, black boots, and a black electric guitar strapped across the body. The face is covered with a futuristic mask and round dark goggles, with small antenna-like devices attached to a helmet. Multiple cables hang from the instruments, and laptops and microphones surround the performer against a plain white wall.

Post image Close-up of the performer playing a black electric guitar. The left hand grips the fretboard while the right hand plucks the strings. The performer wears the same reflective silver suit, mask, and helmet with attached devices. A laptop with visible cables sits nearby, reinforcing the blend of live guitar and electronic performance.

Close-up of the performer playing a black electric guitar. The left hand grips the fretboard while the right hand plucks the strings. The performer wears the same reflective silver suit, mask, and helmet with attached devices. A laptop with visible cables sits nearby, reinforcing the blend of live guitar and electronic performance.

Berlin! ✚ 𝗽𝗹𝘂𝘀 💥 live post pseudo meta proto punk concert · · Vorspiel / transmediale & CTM 2026 Opening Night 📍 @pankegallery.bsky.social, 16 JAN 2026

Photo: Galya Feierman; more pics: instagram.com/p/DTn6AO3DAQR
✚
vorspiel.berlin/events/plusp...
✚
panke.gallery/event/pluspunk
✚
intima.org/plus
✚

3 months ago 2 1 0 0
Preview
The 24 greatest nights out in the world (and the most stylish places to sleep them off) From techno clubs in Kazakhstan to late-night thermal pools in Iceland

"Panke, in an old riverside factory building, takes the city's art scene from day to night: start with an opening at its gallery and then head down to its club for a reggae concert."

www.gq-magazine.co.uk/article/best...

— The 24 greatest nights out in the world; By Rebecca Dolan, 15 January 2026

3 months ago 2 0 0 0
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