It’s super hot for sure (had this kink for more than a decade)

With Valentines cards like these, who cares about chocolates?

Breaking the default drone color protocol.
Foto by: @arcanetech.bsky.social

Celes spots a bunch of Cids at the grocery, or maybe they’re just Cid-likes?

Those Cids are special, they don’t grow on trees

Amazing! Please draw them with helmet on too 🙏🏻🥹❤️

Utena and Anthy break free, with a pink motorcycle no less! They wouldn’t have it any other way 🏍️

Utena & Anthy - New World🏎️
Returning to an old favorite, Revolutionary Girl Utena🌹
This only took me several years to cement what I wanted from it and complete! 💦 Why is it harder to draw your favorites 💕

Not a nice thing to say to someone who is dominating you

calendar progressing nicely

エナメル軍服✨

I love Graze legs the most tbh

A commission for LatexsklaveLT on X featuring their OC being subdued by Lieutenant Keiko.

Feedback and art tips are always welcome.
For those interested, My commissions are still open.

Hell yeah. She deserved to be tied up and they can play and control her air supply :)

[COM] Diving Couple Prep
www.pixiv.net/en/artworks/...

Make sure everything is air tight and water sealed!

Commissioned by: RedScarfDiving (www.deviantart.com/redscarfdiving )
Support me for exclusive content: www.patreon.com/posts/132310...

#Original #scuba #diving #mask#Tank #drysuit

Earlier that morning, Misty had made a call posing as a water safety inspector. She cited irregular chemical readings and fabricated a mandatory site evacuation.
It was enough to empty the pool, except for the one person in charge of the pool today, the person Misty was after.

A full comic page with 4 panels. The first panel shows a scuba diver in an orange wetsuit looking up at a whale tangled in what appears to be white fishing lines. The next panel shows the scuba diver's face - he's a young white man with blue eyes - looking down, as bubbles blow from his mask. The third panel shows the whale closer up, with two other scuba divers (in black suits) working to free the whale from the tangled lines. One of them gestures to the orange scuba diver to come over and help. The fourth panel shows the orange scuba diver turning away from the whale, diving down instead of up. The bottom of the comic shows a forest of speech bubbles, and the orange scuba diver breaks the fourth panel to swim into them. Each of them looks faded and they say things like "Come back you coward" and "I'm sorry momma."

A page of a comic with four panels. The first panel shows a teleportation pod with a young woman appearing in it, her atoms still convening. She has blue hair and pale skin. Text below reads "The teleporter is very safe." The second panel shows a sketchy cityscape with a Buddhist temple in the background. The teleporter from panel one is located in a small storefront on the right, and we see the woman emerge more fully formed. She is wearing a yellow shirt. The third panel shows the woman's face - she is drawn with some gaps between her color and lineart, and some extraneous lines, indicating she is not fully formed. Text reads, "There's less than 1 in one million chance that it will err in reassembling you correctly. I think I need to be that statistical anomaly." The fourth panel shows her hand, pressing a button to teleport once again. The bottom of the page shows her in white space, with pieces of her dissolving away. Even the narration text is fragmented here, and it says "To fix this. Just please fix this."

A comic page with seven panels, and a figure standing and overlaying the panels. The first six panels show alternating scenes - first green plants, then fire, then fire again, then a peaceful greenhouse, then a pond and waterfall, then a violent explosion. The figure standing in front of these panels is wearing a green jumpsuit with red patches on the knees and elbows. They have white skin (no pigment) and red hair and eyebrows. They are leaning on one panel, leaning their hand on another, looking down. They say, "I like sci-fi because it's the past and present, disguised as the future. It's a time dilation, a strange ripple where you can reach forward and back simultaneously. Maybe the bomb was never beautiful after all. Maybe we've done something unforgivable." The last panel shows the same figure, but trapped inside a panel this time. They are seen from the shoulders up, and are looking at the reader, against a black background. They say, "But we live here, now. And we always have."

I've done 3 Shortbox comics now, I feel like each one is so specific to the time and headspace I was in. Collect them all to psychoanalyze me