This INSANELY good site has catalogued the signage from 115 of Europe's underground stations. So much typographic eye candy, not to mention tiles and colours.
ubahn.photos

Just had the kick off call for a project unlike anything we’ve done before: designing the external charging display for an electric vehicle. 🪫🔋

#informationdesign

Classic Detroit proto-techno track! So ahead of its time.

The typeface on that original 1981 release is rather proto-techno too.

Manfred Mohr, P.453 AD/4, 1990

Aurelie Nemours, Sans titre (V 145), 1997

It's forcing me to get creative (ha!) with what and how I share. It requires redesigning products to be more generic, or focusing on specific areas of a UI or display that help communicate the design solution without giving anything away. But there are still whole projects that can never be shared.

Remi, you are certainly not alone in the portfoliophobia – it's something many of us more reserved designers and creatives face. And I love the openness behind the random sharing of process snapshots.

An "M a day" is my attempt to share 'something' while wrestling with portfoliophobia (and NDAs).

Excellent LP! Way ahead of its time.

Robert Büchler, Poster, 1960. Featured in Transition of Modern Typography - Europe & America 1950s - '60s, 1996 #posterdesign #typography

Illustrations by Tadashi Ohashi, 1961. Scanned from Graphic Design 08, 1962 designreviewed.com/tadashi-ohas...

Otl Aicher's Isny showcases the graphic identity that the modernist graphic designer and typographer – best known for creating the Munich Olympics identity in 1972 – developed for the town around the same time.
www.dezeen.com/2017/09/23/o...