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Vendredi 17 avril à 18h30 au Forum des images à Paris, j’aurai le plaisir de parler de l’œuvre romanesque de Jane Austen et de son contexte, dans la cadre du programme « Jane Austen for ever » : www.forumdesimages.fr/langleterre-...

Affiche annonçant la tournée de Sarah Schulman

[Annonce]

Rencontres avec Sarah Schulman.

L'essayiste et romancière étatsunienne sera à Paris, Montreuil et Strasbourg entre le 16 et 21 avril afin de présenter Let the Record Show. Une histoire politique d'ACT UP-New York (1987-1993).

Un livre immense.

editionslibertalia.com/catalogue/ho...

Réalisée par l'équipe du projet et les étudiants du séminaire de Master 2 d’études anglophones "Frontiers of Literature: Global Female Mobilities", découvrez jusqu'au 17 avril la nouvelle exposition "Early Global Female Mobilities" à la BU Grands Moulins.

Plus d'infos ➡️ https://swll.to/NA04XSq

Du côté du CERILAC ⬇️

UNDISCIPLINE, DECOLONISE, REPAIR CITÉ DU GENRE PARIS BOOK LAUNCH PAOLA BACCHETTA Co-Motion: Re-Thinking Power, Subjects, and Feminist and Queer Alliances FRIDAY, 3RD APRIL 2026, 16.30-18.30, ROOM 153 OLYMPE DE GOUGES UNIVERSITÉ PARIS CITÉ, PLACE PAUL RICOEUR, 75013 PARIS In Co-Motion, theorist Paola Bacchetta proposes a new lexicon for analyzing power, subjects and alliances. Employing what she calls apd Feminist and Queer Alliances theory-assemblages' to describe how diverse theoretical and political approaches inspire movements and produce different kinds of alliances, Bacchetta engages the inseparability of power relations-such as colonialism, capitalism, racism, caste, misogyny, and speciesism-and how their combinations, operability, and the analyses they require, shift in different contexts and lives of subjects. Focusing on France, India, Italy, and the US from the 1970s to the CO-MOTION Paola Bacchetta present, Co-Motion addresses a wide activist, artivist, and social movement archive group statements, banners, pamphlets, graffiti, posters, poetry, sit-ins, films, art exhibitsto think and feel with the many ways that people, historically and today, come together to act. Through her expansive engagement with varied bodies of scholarship, sites of analysis, and kinds of reading, Bacchetta offers new approaches to analyze, confront, and transforming power, and to enact freedom. Paola Bacchetta is Professor and the Chair of the Department of Gender and Women's Studies at University of California, Berkeley. She is a critical theorist whose research focuses on gender, sexuality, colonialism, race, religion, capitalism, Empire, and other relations of power, along with local, translocal to transnational feminist and queer activism. She also works on right-wing movements, gender and sexuality. Her areas of specialization are India, France, the U.S., Brazil and Italy. Transnationally she is Co-Director of Decolonizing Sexualities Network.

🔊This Friday
Undiscipline, Decolonise, Repair
In person; Paris Book Launch 3rd April, 16.30 Paris time. Prof Paola Bacchetta (UC Berkeley), Co-Motion: Re-Thinking Power, Subjects, and Feminist and Queer Alliances (Duke UP, 2026).
Read intro here assets-us-01.kc-usercontent.com/f7ca9afb-82c...
Info👇🏽

C'est aujourd'hui!

Quand la fiction rencontre l’histoire. Comment écrire sur Hitler ? Photogramme du film Le Dictateur de Charles Chaplin. À l’occasion de la parution de Doppelgänger de Gerard Guix aux éditions Aux Forges de Vulcain, David Meulemans s’entretient avec l’historien Patr...

Publier une fiction sur le nazisme impose de veiller à éviter obscénité et révisionnisme. Comment travailler avec les historiens et historiennes?
Un entretien avec Patrick Farges, professeur à l'université de Paris.

Lien : auxforgesdevulcain.fr/blog/quand-l...

Together with Sarah Albientz, Claire Aniel-Buchheit, Thomas Beugniet, Thomas Caubet, Léo Grillet and Léo Laglenne, I'm putting together a conference on Anarchist Spaces from c. 1870 to today.

The CFP is here: echelles.u-pariscite.fr/events/event...

Abstracts expected by 26 June!

Couverture du livre

Résumé

À paraître chez @libertalialivre.bsky.social

« Let the record show. Une histoire politique d’ACT UP-New York 1987-1993 » par Sarah Schulman :
www.editionslibertalia.com/catalogue/ho...

Histoire du LARCA: 11 ans qui marquèrent les études anglophones ! Notice par C. Bernard, JC. Vinel et C. Roudeau.
doi.org/10.71909/5bt...
@saesfrance.org @afea.bsky.social @lerma.bsky.social @echelles-umr8264.bsky.social
#étudesanglophones #littérature #civilisation #arts

⭐ « Du sang et de la terre : la mémoire de la guerre d’Indépendance américaine dans l’Ouest (1800-1830) », séminaire W19 #Agrégation
➡️ cle.ens-lyon.fr/anglais/agen...
🗓️ 01/04 à 14h
📍 Paris & en ligne (lien sur demande)
@mroyupc.bsky.social @echelles-umr8264.bsky.social @creananterre.bsky.social

The Paris Commune remains alive The Paris Commune was established 155 years ago, on March 18th, 1871. In Quentin Deluermoz's newly translated history of the commune, he shows how the Paris Commune reverberated around the globe, as a...

The Paris Commune was established 155 years ago today.

We're marking the occasion by offering 30% off books on the commune - including preorders on Quentin Deluermoz's upcoming book, The Paris Commune: A Global History.

Et c'est en salle 105-106 que ça se passe 🧑‍💻

Le 13 mars, c'est la journée d'étude des doctorant.e.s d'ECHELLES !

La campagne de recrutement des enseignant.e.s-chercheur.e.s est ouverte. 4 postes de professeur.e et 2 postes de maître.sse de conférences sont à pourvoir au sein du laboratoire ECHELLES ⬇️

Tous les détails sont disponibles sur la plateforme Odyssée ⛵️

odyssee.enseignementsup-recherche.gouv.fr

🟢 MCF Arts, esthétique, études visuelles. Aire anglophone (20e/21e siècles)
🟢 MCF Histoire des médias / journalisme (la personne recrutée rejoindra ECHELLES ou le CERILAC en fonction de sa section CNU)

🔵 PR Histoire contemporaine de l'Amérique latine (19e-21e siècles)
🔵 PR Histoire et civilisation des mondes britanniques ; genre, classe, race (19e-20e siècles)
🔵 PR Littérature britannique et arts visuels du long 18e siècle (1660-1830)
🔵 PR Littérature britannique / études romantiques

La campagne de recrutement des enseignant.e.s-chercheur.e.s est ouverte. 4 postes de professeur.e et 2 postes de maître.sse de conférences sont à pourvoir au sein du laboratoire ECHELLES ⬇️

📌Coll. 📍Rareté, exploitation et subsistance: savoirs et pratiques dans les mondes impériaux (XVIIe–XIXe siècles) 📍
🫂org. par Lavinia Maddaluno, R. Morera , François Zanetti
🗓️26/3/26
▶️ bit.ly/4qZ9RWl

CJLS CENTRE FOR JUSTICE. Jindal Global Law School LAW AND SOCIETY India's First Global Law School Queer Theory Research Cluster and Centre for Justice, Law and Society in collaboration with Elective Courses on Decolonising Sexualities and Queer Studies: Foundations and Contexts Present GUEST LECTURE ON QUEER VIOLENCE AND COLONIALITY OF SEXUALITY Dr. Sandeep Bakshi Associate Professor of Decolonial, Postcolonial and Queer Studies ECHELLES/Université Paris Cité Tuesday, February 24th, 2026 3:30 PM F-18, Prithviraj Jindal Academic Block (T1) Speaker Profile Sandeep Bakshi (he/they) researches on transnational queer and decolonial enunciation of knowledges.

Reporting from Delhi. Invited to guest lecture at Jindal Uni. My first in-person talk in India.
It’s 25º outside - I should be rejoicing but know that it’s the result of global climate change. The last time I was around in February-March in 2007, it was between 12 and 15º.

Sauvez la date!
citedugenre.fr/2026/01/16/j...

Séminaire – Book Launch and Workshop- Lauren Mancia, Embodied Epistemology as Rigorous Historical Method (Cambridge Elements, 2025) Le laboratoire ECHELLES (Axe Savoirs et Axe Imaginaires) et CERILAC (Axe Thélème) vous convie au book launch de l’ouvrage Embodied Epistemology as Rigorous Historical Method (suivi d’un pot) de Lau…

Séminaire – Book Launch and Workshop- Lauren Mancia, Embodied Epistemology as Rigorous Historical Method (Cambridge Elements, 2025)

rmblf.be/2026/02/17/s...

[SEM] 19.02.26 17h-19h Bât. Olympe de Gouges, Salle 830, Campus Grands Moulins Paris.

Lecture collective de l'ouvrage coordonné par Anthony Cordingley et Céline Frigau-Manning, "Collaborative Translation. From the Renaissance to the Digital Age" (Bloomsbury, 2017).

@echelles-umr8264.bsky.social

Cover of Routledge Handbook of Punjab Studies

Contents List of Illustrations Preface and Acknowledgements Notes on Contributors Introduction PRITAM SINGH AND MEENA DHANDA PART I Punjab, Partition and Beyond 2 Towards an Ecologically Sustainable Present and Future for Punjab PRITAM SINGH From a Border Region to the Power Engine: Punjab as the Centrefold of the Pakistani State IFTIKHAR MALIK 4 Partition and the Search for a Sikh State: From Azad Punjab to Punjabi Suba TAN TAI YONG 5 Microhistory and Memory: A Pioneer's Life Story of Migration and Home KARAMJIT SINGH 6 Memorialising Sikh and Punjab History in the Public Realm RANVEER (RAV) SINGH 7 Hindutva in Punjab: Appropriation and Resistance CHRISTINE MOLINER 8 The Anti-colonialism of Bhagat Singh SATVINDER S. JUSS

41 Decolonial Queer Politics of Punjabi Diasporas Sandeep Bakshi ยช้อให่ อิน I live in Cali belong to Doaba When we come to Punjab We eat in a desi dhaba -Jasmine Sandlas, "Sip Sip' (Sandlas 2018) Queer and diasporic Punjabi artists enact their world-making - 'a doing for and toward the future' (Muñoz 2009: 1) - through rendering interlinguistic epistemes visible in a manner that confounds rules governing language and, concurrently, subtending the adherence to grammatical categories in both languages. In her song titled Sip, Sip' (Sandlas 2018), the California-raised Punjabi singer Jasmine Sandlas inexorably mixes English and Punjabi to create meaning for the world she inhabits, underscoring "multiple forms of belonging-in-difference' (Munoz 2009: 20). Assimilating the English verb "belong' in a Punjabi song, the singer adapts it to the overall Punjabi cadence to offer a revised word, 'belongiyaan,' serving the grammatical grouping in Punjabi - a contraction of "belong kardi haan' ('I belong to'). In a single movement, English appears as a minor formation of Punjabi - a sublated presence - despite referencing the singer's life in California in the preceding verse (I live in Cali"). For Punjabi and South Asian diasporic artists, English operates both as the 'over-permeating linguistic, colonial signifier" (Bakshi 2016: 92) and as a hierarchically positioned language performing linguistic and epis-temic erasure of other South Asian languages. In this repard, the emphatic emplacement of the word "belong' evokes a simultaneous inclusion and subversion of normative language interrela-tions, signalling towards a practice of "epistemological reconstitution' (Quijano 2007: 177). In recursive interspersing of English-language words in the song, including in the titular phrase *Sip. Sip." illustrates the implication of fractal categories of migration. nation, diaspora and language into aesthetic formulations of diasporic artists. DOI: 10.4324/9780429277580-47

Back cover of the Handbook

Publication alert! The language that was denied to me is becoming mine, queerly mine. I’m thrilled to have contributed a chapter to the first-ever comprehensive handbook on Punjab Studies and share space with so many wonderful scholars.
Thank you to Profs Meena Dhanda & Pritam Singh for the invite.

📖 Parution : Guillaume Carnino, Liliane Hilaire-Pérez, Sébastien Pautet (dir.), "Techniques et religions
Cultures techniques, croyances, circulations de l’Antiquité à nos jours", Brepols, janvier 2026.

🔎 Lien éditeur ➡️ www.brepols.net/products/IS-...