Posts by Lights Camera Austin
A24 hiring the director of the most A24-ish non-A24 horror release of the year makes sense.
Not sure how far you can go in re-imagining TCM, or how it will complement the Glen Powell-produced TV series. But Curry and A24 need to bring the film franchise home to Austin.
variety.com/2026/film/ne...
The KOOP Radio interview with MOTHER MARY writer/director David Lowery: www.lightscameraaustin.net/david-lowery...
#MotherMary opens Thursday in Austin.
@koopradio.bsky.social #DavidLowery #A24 #AnneHathaway #MichaelaCoel #CharliXCX
ICYMI, the KOOP Radio interview with $POSITIONS writer/director Brandon Daley: www.lightscameraaustin.net/brandon-dale...
The #SXSW 2025 comedy screens Sunday and Wednesday at the Alamo Drafthouse Mueller.
@koopradio.bsky.social @darkstarpics.bsky.social #$positions
The KOOP Radio preview of this year’s Indie Meme Film Festival with president Ananyaa Ravi and programming director Animon Jose: www.lightscameraaustin.net/ananyaa-ravi...
#IMFF 2026 runs 4/22-26 at the AFS Cinema. #IndieMemeFilmFestival #IMFF2026
@koopradio.bsky.social
I heard GREAT things about "Riverbend" (a 'lost' movie for decades!) when it screened at the Roxbury Festival in Boston, and "Avenging Force" is a legit antifascist classic dressed-up like just another B-movie. Check these out 👍
Part 2 of the KOOP Radio interview with RIVERBEND director Sam Firstenberg: www.lightscameraaustin.net/sam-firstenb...
Sam also discusses the films he directed for Cannon Films in the 1980s.
#Riverbend screens 4/29 as part of the Alamo Drafthouse’s Weird Wednesday series.
@koopradio.bsky.social
Nothing publicly announced as of yet.
SXSW 2027 dates: Monday, March 15 through Sunday, March 21.
Avoids Oscars Sunday on March 14.
Still thinking about the Amazon Prime Video originals that deserved a full theatrical run or release (Road House, Idea of You, Unstoppable, You're Cordially Invited, Brothers, Play Dirty, Hedda, Pretty Lethal) and the MGM awards contender dumped on Prime (Thirteen Lives).
variety.com/2026/film/ne...
BEAST: less-ripped Hugh Jackman doppelgänger vs. ‘roided-up Colin Farrell doppelgänger. Russell Crowe watches from a distance before crooning the closing song. Clichéd but effective underdog MMA drama.
KOOP 91.7 FM’s transmitter is back up, so join me 3-4:30 pm central today in your car or at koop.org for KOOP at the Movies.
RIVERBEND director Sam Firstenberg returns to chat about working for Cannon Films in the 1980s.
Plus a preview of the 2026 Indie Meme Film Festival.
@koopradio.bsky.social
Missed opportunity not to integrate any CLOCKWORK ORANGE iconography into the logo. Or even make it orange …
deadline.com/2026/04/warn...
No idea who should play Snake Plissken. But bring back Kurt Russell, this time as Hauk, and cast Paul Giamatti as the President.
www.hollywoodreporter.com/movies/movie...
Robert Rodríguez is directing the animated Christmas tale THE NAUGHTY LIST.
variety.com/2026/film/ne...
Laughed hard at THRASH. Not b/c it is CRAWL with sharks. But b/c it is made by people who apparently have never lived through a hurricane.
(BTW, knowing that programming director Annick Mahnert is a big fan of shark films, I would have loved to have watched this with a Fantastic Fest audience.)
7. THE BRAVE
(Fan of the Gregory McDonald novel. So I bought the U.K. DVD in the 2000s knowing Johnny Depp had decided against a U.S. release b/c of the film’s critical drubbing.)
Always a cause for celebration when a $200M non-IP film breaks even (at least on paper)—more so given current circumstances.
variety.com/2026/film/bo...
The KOOP Radio interview with Karen Kocher and Monica Flores, the directors of FOREVERLAND: THE STORY OF THE BARTON CREEK GREENBELT: www.lightscameraaustin.net/karen-kocher...
The documentary debuts Wednesday on Austin PBS.
@koopradio.bsky.social @austinpbs.bsky.social #Foreverland #LivingSprings
6. THE MAN WHO WASN’T THERE (in washed-out, migraine-inducing 3D)
5. WHO’LL STOP THE RAIN
Was this 1978 thriller the first Vietnam War-era film to employ the songs of Creedence Clearwater Revival to establish its time period/setting or for thematic purposes?
P.S. I appreciate IFC Films taking advantage of the current marketplace to become a leader in distributing low-budget genre fare. Its commitment to a pre-Shudder theatrical release should be applauded. But with FoD, it’s a case of knowing what you have and then spending a little more to make more.
Neon did generate significant late-minute interest in EXIT 8, and it’s paying off at the box office. But I do wonder how much more money FACES OF DEATH could make had IFC Films spent on a marketing campaign instead of relying on WoM. Heck, I didn’t even receive a single press release about the film.