A month ago, we gathered as enthusiasts to celebrate Eddie Sotto's vision through a guided tour. That journey is now available online, yours to explore at your own pace.
Link: www.mainstory.fr/en/guide
Thanks again to everyone who joined us for this tribute.
Reminiscences of Eddie Sotto's Tribute. Thanks everyone for your trust, and for participating with such enthusiasm in this gathering.
Probably the first time (thanks to InsidEars) we can finally see this artwork of MS Motors by Dan Goozée in such quality.
It’s time to suit up and celebrate Eddie’s vision on his birthday #HBSotto! Also, thinking of those close to him.
Merci pour ton message, je corrige ça!
The full kit for the tribute to Eddie Sotto is now complete. I couldn’t do more in such a short time, but I believe I’ve put together something thoughtful and complete, with careful attention to detail.
I hope you enjoy it!
We may never know for sure, but it is quite possible that the rear façade of Disney Clothiers at DLP was inspired by the Carson House, also known as the Pink Lady.
Promotion of Walt Disney’s Sleeping Beauty in Paris in 1959. The installation alternates between the French title of the film (La Belle au Bois Dormant) and a luminous, electrifying tribute to Maleficent’s fiery transformations.
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Source: Hyperion Historical Alliance
The barbershop was actually in the same location as well. Same exterior, but a different atmosphere inside for Euro Disney.
Picture from History@Disney. Illustration of the former west center street of Magic Kingdom and its flower market.
Picture by touringplans. Illustration of the former west center street of Magic Kingdom and its flower market.
We often forget that WDW and EDL (DLP) were almost exact copies of each other. If we compare Flower Street in France and the former West Center Street in Orlando, only the buildings at the far end were changed to accommodate the arcades.
One moment that stayed with me after #DisneylandHandcrafted is Walt explaining his view on money, a vision still carried on by his great-niece and one some should take inspiration from.
Growing Castle in Marne-la-Vallée, photo by Sean Kelly
Based on your interest, here it is. A tribute to Eddie Sotto’s vision through Main Steet, USA (France) on 14 March 2026, with a guided walk using a booklet, followed by a possible Town Square gathering
🎟️ Registration required, limited spots
👉 More info www.eventbrite.fr/e/1979888702406
here's the link www.facebook.com/mainstory.dlp
I searched your website for “Eddie Sotto.” I don’t know if all MSUSA content is attributed to him, but if so, that isn’t accurate.
I had already archived the photos on my Facebook account in albums to make them easier to browse. This might be useful to you.
Well done. I don’t know how you managed to extract all his documents, but I had the same thought. We should preserve his content.
As I am not very active on Bluesky, I did not share this here, however we have launched a poll on *Instagram* and *Twitter* to see whether people would be interested in gathering at DLP on Eddie’s birthday to honor his memory and the legacy he left behind.
Much remains untold, but what he shared already offers invaluable insight into the creative process behind the scenes, and his legacy speaks for itself.
My thoughts are with his family and all those who appreciated him.
As an admirer of his work, I experienced his generosity through the way he openly shared his stories and knowledge, making himself accessible in a rare way. I never had the chance to meet him, although he had hoped we would meet in Paris after the publication of the book dedicated to Main Street.
…despite everything that has been removed over time.
Eddie was far more than the creator of the French version of Main Street. He was a remarkably talented artist, involved in many other projects, and a true storyteller. Listening to him speak was always enlightening.
those responsible for the failure of Euro Disney after its opening. His work was described as too good, and he was accused of having wasted money unnecessarily.
Yet it is precisely this level of richness and attention to detail that gives Main Street its lasting depth today, …
Although Eddie was mostly known for his work on Main Street, U.S.A. at @disneylandparis, it was not always easy for him to accept that position. First, because he was unable to realize the #1920s version he had envisioned, and then because he was considered by some to be one of …
Ghery Archives Credit
After several designs were presented for the Festival Disney competition, the execs had to vote. Eisner raised his hand for Gehry. Someone said, “Well, I guess it’s unanimous.” And that’s how Gehry got the job.
Stories like this are why we work to preserve Euro Disney’s legacy
Just discovered this architectural gem, The J.D. McDonald House.
More on : rynersonobrien.blogspot.com
Moreover, we discovered many attractions that were considered for DLP. Frontierland ended up being the land with the fewest changes, while Discoveryland was the most modified.
And the Matterhorn was planned to replace the water tower?! 😱
😂
Overall, it's a good restoration of the place, there are definitely some nice things. But if we're being picky, the M&M’s stands kind of overwhelm the decor, the entrance counter looked better when it was angled, and the moving props were better where they used to be. Missing the ceiling painting 😊
What are your thoughts?
Having a small passion for models, I couldn't resist sharing with you this version created by the Ghery firm for the late Disney Festival
Festival Disney/Disney Village under construction
