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Posts by Christopher E Stacey

Princess Diana, Jill Dando, Centrepoint and Elm Guest House.

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This is brilliant.

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Field Articulation Theory. A Global‑First, Field‑Relational Account of Consciousness.

christopherstacey.com/f/field-arti...

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A Higher Order. Abstract Cognition as a Technology of Access.

christopherstacey.com/f/higher-order

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Always, already. On Grace, the Sublime and Transcendence.

christopherstacey.com/f/always-alr...

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On Not Knowing. The Misdiagnosis of Uncertainty.

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The Erotics of Anxiety On the Necessity of Anxiety and Why It Sits at the Threshold of Most Good Things (Featuring Freud! Lacan! Kierkegaard! Anaïs Nin!)

The exemplary Lauren Hall at The Phenomological Society.

open.substack.com/pub/thepheno...

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A sample solution in the Lorenz attractor when ρ = 28, σ = 10, and β = ⁠8/3.

A sample solution in the Lorenz attractor when ρ = 28, σ = 10, and β = ⁠8/3.

A sample solution in the Lorenz attractor when ρ = 28, σ = 10, and β = ⁠8/3. Demonstrates the relationship between two dimensions.

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Always, already. On Grace, the Sublime and Transcendence.

Wonderful. I wrote a little within a similar area: christopherstacey.com/f/always-alr...

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Brilliant. Margaret Lee’s “radical inclusion” feels distinct and necessary. Similarly, “Any conversation about New York City real estate and how it shapes the art of our time must confront class and race.” describes something febrile and colonial that undermines our ability to interpret the world.

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Nice. All Observable Possible Outcomes. I look forward to seeing it.

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Please do, James. I’m interested to see where you take it.

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Distributed Identity in Late Modernity: A Reading of DeLillo. “All plots tend to move deathward.”

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@backlisted.bsky.social @londonreviewbookshop.co.uk

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Field Ontology and The Rings of Saturn “We, the survivors, see everything from above, see everything at once, and still we do not know how it was.”

open.substack.com/pub/christop...

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Seamus Perry · Pluralism and the Modern Poet ‘Art arises,’ Auden writes, ‘out of our desire for both beauty and truth and our knowledge that they are not...

An exceptional essay on pluralism, poetics and experimental thought. www.lrb.co.uk/the-paper/v4...

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Scotland as Screen: Vexed Projections in I Know Where I’m Going! – The International Journal of Scottish Theatre and Screen

An exceptional essay on, among other things; place, other worlds and the transcendence of rear projection ijosts.glasgow.ac.uk/vol-8/scotla... #IKWIG #powellandpressburger

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Distributed Identity in Late Modernity: A Reading of DeLillo. “All plots tend to move deathward.”

christopherstacey.com/f/distribute...

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22. The Big Ships She appeared in his kitchen as something unequivocal, equal to the world around her and indifferent to its movements.

open.substack.com/pub/christop...

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God, I’d forgotten this. Glad you noted it.

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21. A Flat Earth He lay on his back on the edge of the woods, at the edge of his world waiting for the stars to stop still for long enough, to place himself as close as possible to a centre of sorts so that the univer...

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A Willing Machine The slate grey container had sat mute since he had installed, fitted and dressed it.

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19. A Prosthetic He wore a heavy blue waxed cotton jacket with five dull brass buttons.

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Christopher E Stacey | Substack Writer, essayist. Psychologist.

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The Invention of Reading Requiring a position in his resistance, in his distribution; he was meticulous, a microscopy seen in his microbiology, in what he gave his attention to; a ball of cells that forming early in developme...

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A Museum of Western Approaches She was intricately embroidered, her tattoos an account of ancient maritime histories and haunted isolations of an institutionalised life; large bitumen crosses on the heavily freckled concave of her ...

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English Electric St Anne’s Limehouse, a superposition collapsed into rigidity.

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Sebald, DeLillo, Ballard, Bachelard and Baudrillard. “When the image is new, the world is new.”

christopherstacey.com/f/sebald-bac...

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