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Posts by Jonathan Gibbs

Five paperback books on a wooden table. Top row: Census by Jesse Ball (a lovely
Cover with the title and author in a kind of stringy line drawing plus also an adult and child holding hands in the same freewheeling style), then Maigret and The Ghost by Georges Simenon (photo of an array of Picasso-like paintings of naked women, stacked along a wall and on the floor). Bottom row: A Man’s Head by George’s Simenon (photo of the Seine at twilight with a bridge); Loitering with Intent by Muriel Spark (odd cutesy illustration of a woman wearing beret and a man sitting at a desk); and finally Memoirs of Hadrian by Marguerite Yourcenar (a Penguin Modern Classic with a black and white rather distressed photo of a man wearing some kind of outfit or uniform looking down to his right with a had to his breast.)

Five paperback books on a wooden table. Top row: Census by Jesse Ball (a lovely Cover with the title and author in a kind of stringy line drawing plus also an adult and child holding hands in the same freewheeling style), then Maigret and The Ghost by Georges Simenon (photo of an array of Picasso-like paintings of naked women, stacked along a wall and on the floor). Bottom row: A Man’s Head by George’s Simenon (photo of the Seine at twilight with a bridge); Loitering with Intent by Muriel Spark (odd cutesy illustration of a woman wearing beret and a man sitting at a desk); and finally Memoirs of Hadrian by Marguerite Yourcenar (a Penguin Modern Classic with a black and white rather distressed photo of a man wearing some kind of outfit or uniform looking down to his right with a had to his breast.)

Bought some old books.

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What’s a Spanish writer who’s reasonably easy to read for someone living in Spain and learning Spanish?

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The sound is a *bit* fuzzy at the start, but it seems to clear, and is an absolute mood. Second time around, and loving it still.

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Record sleeve in a now playing stand next to a turntable and with the LP being played. The cover is black with an offset rectangle
showing blue sky, a tree with a few autumn leaves, and an airplane. The title scrawled as if in sharpie, is 44:42.

Record sleeve in a now playing stand next to a turntable and with the LP being played. The cover is black with an offset rectangle showing blue sky, a tree with a few autumn leaves, and an airplane. The title scrawled as if in sharpie, is 44:42.

#NowPlaying I’m reliving last night’s playful, often intense Moment’s Notice improv jazz session by listening to this piece of merch I picked up: the sole released LP thus far of a previous session. Tamar Osborn (sax, clarinet, flute), Yohannes Kebede (keyboards) and Will Glaser (drums).

9 hours ago 1 0 1 0
a doodle of an artist kitty looking at an empty sheet of paper

a doodle of an artist kitty looking at an empty sheet of paper

the kitty bangs its head on the paper

the kitty bangs its head on the paper

there’s now a stamp of the kitty in the paper, and it has a bandage on the forehead

there’s now a stamp of the kitty in the paper, and it has a bandage on the forehead

creative process

10 hours ago 996 257 3 3
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MoNotice-Midori Jaeger,Hyelim Kim,Yusuf Ahmed,Marlon Hibbert,Josh Vadiveloo George Nelson's award-winning improv series is a London Jazz scene must-see having featured the likes of Saul Williams, Kae Tempest &Shabaka

You get a duo, then a trio, then everyone on stage for a finale set.

Last night was: duo of Julia Dos Reis (viola) + Donna Thompson (voice, drums, toy trumpet) then trio: Kwake Bass (drums), Oren Marshall (tuba), Cleveland Watkiss (voice).

I’ll definitely be going again. Next up: Weds 20 May.

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Last night was my first experience of #Moment’sNotice, a monthly improv jazz session at AMP Studios on the Old Kent Road that programmes musicians who have never played together - curated by photographer George Nelson. Great venue, intimate like Cafe Oto, with benches and food outside.

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Paperback book lying on a plush bed throw. The cover is beige with an illustration of a simple wooden chair (bottom right) and a suspended red heart which is attached by a long tube to a bag of blood hanging at the top left. As well as the title and author name it says "a novel" and has the quote "Compelling, eerie and dreamlike" from the New York Times Book Review.

Paperback book lying on a plush bed throw. The cover is beige with an illustration of a simple wooden chair (bottom right) and a suspended red heart which is attached by a long tube to a bag of blood hanging at the top left. As well as the title and author name it says "a novel" and has the quote "Compelling, eerie and dreamlike" from the New York Times Book Review.

2026 Reading 24: The Repeat Room by Jesse Ball. Hand-sold to my wife on a recent US trip (McNally Jackson, Brooklyn) as a gift for me, and I was pleased to receive it, having never actually read Ball – though weirdly I once brought back a Jesse Ball book from New York for my friend Philip Langeskov!

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Oh man, how did I not think of that! I’ve been meaning to get hold of that book for ages.

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I’ve seen bits of it and there’s some fantastic scenery. But it’s the solitariness that appeals most, and the fact of putting my feet in the Irish Sea, then the North Sea.

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Don’t regret! It just wasn’t its time now.

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Hadrian’s Wall, coast to coast. Nine days walking, some of them with a fair bit of pub or bunk room time for reading.

The requirement is: a single paperback, not too impressive; nothing that will need full attention; rather, something light, oblique, but bulky, that I can pick up and put down.

3 days ago 1 0 1 0

Awww…

Ive been auditioning books for a long solo walk later, and in happier news, Don Quixote stays on the pile. BUT I was disgusted and dismayed to read that the foolish knight is described as ‘verging on fifty’! This is like when I found out I was older than Leopold Bloom, all over again.

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Good to know! It’s going back on the shelf. The right moment will, hopefully, arrive.

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I have that sense, but there’s just so much textual paraphernalia to wade through. I wavered at ‘Les Trois Hommes Libres’ balancing their heels on sharp-edged dice, but when the description of the next apartment devolved to a long quote describing a legendary beast called ‘the tarand’, I bailed.

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It doesn’t help that many of the novel’s references to post-war French culture – domestic and otherwise – go right over my head. The style of wallpaper, like so much else… remains wallpaper.

This is why I liked Perfection so much: that it essentially updated Perec for contemporary readers.

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Paperback edition of Perec’s novel with a checkered design: 15 repeating squares eventually disappearing by off the bottom of the cover with different colours, some of them showing French apartment windows with shutters, some chess pieces or puzzle pieces. 🧩

Paperback edition of Perec’s novel with a checkered design: 15 repeating squares eventually disappearing by off the bottom of the cover with different colours, some of them showing French apartment windows with shutters, some chess pieces or puzzle pieces. 🧩

Well Georges Perec’s Life A User’s Manual is *not* going to be my next read. What starts out amusingly and playfully enough soon gets turgid. I have a colleague who reads this book once a year. However much I admire the premise, I’ve again failed at actually reading it.

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A ★★★★½ review of Blades of the Guardians: Wind Rises in the Desert (2026) Last day of teaching; two great classes with students; a quick pint in the sun; meet an old mate in Brixton; have some food; get a drink in a plastic glass and settle down for two hours of wide-screen...

This needed to be seen on a much bigger screen in a much fuller cinema. Where WERE you all?

boxd.it/e0UAYP

4 days ago 0 1 0 0
A bluebell wood with scattered blue to violet flowers in dappled sunlight with young trees with narrow trunks and light green foliage.

A bluebell wood with scattered blue to violet flowers in dappled sunlight with young trees with narrow trunks and light green foliage.

Where I’m calling from.

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Richard's fundraiser for Marie Curie Help Richard Smyth raise money to support Marie Curie

£204 from my target. Yes, £2000 is a arbitrary goal. But still, we're talking about £204 worth of hospice care for people going through hell. So please give if you can. Plus, the more you give the faster I'll run, that's just science. www.justgiving.com/page/richard...

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James Lasdun · Reality Instruction: In Court and on the Road The idea of a road trip organised around trials and hearings at court houses across the US had been in my head for years...

Awake early so sat in bed with a cup of tea and the LRB to read this long (12k-word) piece in which James Lasdun takes a road trip to investigate the US court system, sitting in state courts and talking to judges and staff. A fascinating reminder about how various American is beyond the headlines.

3 days ago 1 1 1 0
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A ★★★★½ review of Blades of the Guardians: Wind Rises in the Desert (2026) Last day of teaching; two great classes with students; a quick pint in the sun; meet an old mate in Brixton; have some food; get a drink in a plastic glass and settle down for two hours of wide-screen...

This needed to be seen on a much bigger screen in a much fuller cinema. Where WERE you all?

boxd.it/e0UAYP

4 days ago 0 1 0 0
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About - A Personal Anthology A weekly guest-editor picks and introduces a personal anthology of twelve favourite short stories. Click to read A Personal Anthology, by Jonathan Gibbs, a Substack publication with thousands of subsc...

Listen up. I know it's been a while, but A Personal Anthology will anthologise tomorrow, like on a normal Friday. Tomorrow's guest editor, picking and introducing a dozen favourite short stories, is Kimmo Rosenthal.

Hitting inboxes 2pm. Sign up here to get it:
apersonalanthology.substack.com/about

5 days ago 10 6 0 1

see also: Brothers Karamazov, A Little Life, The Count of Monte Cristo and The Goldfinch, all of which I've seen on the tube, and all of which show a definite commitment to the commute!

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I’m sure I’d like it, but… my 90s indie heart never really fell in step with Lawrence. (My 90s indie heart kind of stopped growing with Doin’ it for the Kids: ‘Ballad of the Band’ takes up most of my love for Lawrence!)

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Books on the tube

Moby-Dick by Herman Melville (Penguin Classic)
The Nature of Fashion: A Botanical Story of Our Material Lives by Carry Somers
Lucien by J R Thornton
All Fours by Miranda July
Misery by Stephen King

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And of ‘Hungover Mum’.

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Its organisation is simple yet confusing. The novel opens straight into narrative, then after 50pp there's a new section: 'Day 2: Jury', followed later by an untitled 'Day 3'. The time of the hearing is represented by 4 black pages, but its text comes later, as '2: The report'. Nothing matches!

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The social critique is only part of it, however; when you do get to the confession, it's like a second, entirely different novella: gripping in an appalling way; you never return to the juror's narrative. I re-read parts of the first half of the book to look for thematic connections, but found none.

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Also by Jesse Ball:

Autoportrait
The Children VI
The Divers' Game
Census
The Way Through Doors
Samedi the Deafness
The Curfew
The Lesson
Silence Once Begun A Cure for Suicide
How to Set a Fire and Why
March Book
The Village on Horseback
Fool Book
Vera & Linus
Og svo kom nottin
Deaths of Henry King Notes on My Dunce Cap
Sleep, Death's Brother

Also by Jesse Ball: Autoportrait The Children VI The Divers' Game Census The Way Through Doors Samedi the Deafness The Curfew The Lesson Silence Once Begun A Cure for Suicide How to Set a Fire and Why March Book The Village on Horseback Fool Book Vera & Linus Og svo kom nottin Deaths of Henry King Notes on My Dunce Cap Sleep, Death's Brother

Not sure. (See below.) I think he’s just permanently mentioned as a ‘writer’s writer’. I’m not sure he’s ever been published in the UK.

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