Photos?

‘American Don’ 3LP reissue

Can I get a hell yeah

Thorntons brand chocolate Easter egg, with 3D T-Rex cracking through the shell

He has risen

Yeah, I tell you, I don't get no regard. No regard at all. No esteem, either.

Gotta be Don Caballero

New Intro (Drive Like Jehu cover) 72 bpm

New Intro (Drive Like Jehu cover) by Path on #SoundCloud
on.soundcloud.com/ZaFtTTUF5NGi...

Islamic Republic of Iran targeted strike on Johnny Greenwood when

fatwa defining specifically how many dB above the noise floor the loudest harmonic must be before a waveform becomes haram

youtu.be/OTPNmfP5lbY?...

Goddamn! 🚂

Main man Harry Fones

Still from Scanners, just before you-know-what

Brigitte Bardot - Contact ! - 1968 YouTube video by Phil41

She was trash right? Still doesn’t take anything away from this:

youtu.be/1SE_K7SSDKgA

Photo of Alice Coltrane LP ‘Kirtan: Turiya Sings’

1st listen. Wonderful. Bass so good you can spread it on toast

Berk, the blue plasticine servant of The Thing. “I loves a bit o’ bonking”

Skeksis!!!! 100% 🤣

I remember hearing Shake Some Action for the first time about ten years ago and thinking the Roses must have listened to that. Great jangly descending guitar lines… 🥀

But don't say my car's topless say the titties is out

Nottingham Selectadisc!! Many an hour spent (and hundreds of £’s) there. Hard to think of a better record shop.

club of all time by performing for Igor Stravinsky at Birdland. Alfred Appel tells it definitively in his book Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce: The house was almost full, even before the opening set - Billy Taylor's piano trio - except for the conspicuous empty table to my right, which bore a RESERVED sign, unusual for Birdland. After the pianist finished his forty-five-minute set, a party of four men and a woman settled in at the table, rather clamorously, three waiters swooping in quickly to take their orders as a ripple of whispers and exclamations ran through Birdland at the sight of one of the men, Igor Stravinsky. He was a celebrity, and an icon to jazz fans because he sanctified modern jazz by composing Ebony Concerto for Woody Herman and his Orchestra (1946) - a Covarrubias "Impossible Interview" come true. As Parker's quintet walked onto the bandstand, trumpeter Red Rodney recognized Stravinsky, front and almost center. Rodney leaned over and told Parker, who did not look at Stravinsky. Parker immediately called the first number for his band, and, forgoing the customary greeting to the crowd, was off like a shot. At the sound of the opening notes, played in unison by trumpet and alto, a chill went up and down the back of my neck. They were playing "Koko, which, because of its epochal breakneck tempo - over three hundred beats per minute on the metronome - Parker never assayed before his second set, when he was sufficiently warmed up. Parker's phrases were flying as fluently as ever on this particular daunting "Koko." At the beginning of his second chorus he interpolated the opening of Stravinsky's Firebird Suite as though it had always been there, a perfect fit, and then sailed on with the rest of the number. Stravinsky roared with delight, pounding his glass on the table, the upward arc of the glass sending its liquor and ice cubes onto the people behind him, who threw up their hands or ducked. Parker didn't just happen to…

Stravinsky saw Charlie Parker play at Birdland

Poster for gig at Boileroom Guildford, Tuesday 4th November, featuring Augmentia, Joanna & The Dropouts, and Space Church

‘Did he really play on Petula Clark’s Downtown?’ Stewart Lee on his guitar hero Derek Bailey He was a genius of improvised music, a performer who abandoned composition – and wondered why anyone would buy his records. Comedian Stewart Lee celebrates the eccentric life of his great inspiration

Great to see DB mentioned anywhere, I managed to see him at ATP but must admit to not ‘getting it’ at the time, since then have heard Standards, Ballads and the first Arcana record are all amazing. 🤘

A screenshot of Apple Music playing ‘Dig Out The Switch’ by Dazzling Killmen

🥲🥲🥲🥲🥲🥲🥲🥲

Put It In H

MELVINS

Frank telling Jeffrey what beer he should drink

#nowplaying

How New York art and music pioneer Charlemagne Palestine found his way to Brussels Stuffed animals became a feature of his concerts and installations more than 50 years ago. It began in the late 1960s when he would perform long drone pieces that sometimes lasted for days.

Gigantic fan of his, got loads of his stuff, never knew that. Just read this which fills in a few gaps www.brusselstimes.com/983875/how-n...

Danish royalty wife?! Please elaborate

Didn’t expect to see Cornelius Cardew on the Shifty the other day