No problem!

Hello! I stopped receiving the Shudder newsletters in January for some reason, but the older ones include logins for press materials that still work, and there I have found several email addresses for contacts for this show. I think it's probably ok for me to post them here:

And that’s before we even get to this bsky.app/profile/ruem...

The Strokes - Reptilia - Live at Coachella 2026 YouTube video by Coachella

Are you kidding me with this youtu.be/GXVidwXrAzs

The Strokes sounding amazing at Coachella is making me feel very emotional

I am not being hyperbolic when I say that M&C is a breathtaking experience in IMAX. The film works incredibly well in that format. A genuine revelation.

The BFI IMAX screen with the holding image for FINDING YOUR WAY: THE FILMS OF PETER WEIR, with me alongside 13 of the film’s cast and crew looking very tiny as we stand on the small stage in front of the gigantic screen

Peter Weir on the BFI IMAX screen, standing on a beach in Sydney, Australia

Watching MASTER AND COMMANDER on the BFI IMAX screen yesterday was already one of the best cinemagoing experiences of my life. Getting to see with so many of the film’s cast and crew in the room was a privilege, made even more beautiful by Peter Weir’s own surprise recorded introduction.

Tomorrow!

This trailer ❤️❤️❤️

The screening of DEAD POETS SOCIETY tonight (the last one in the Peter Weir BFI season) sold out NFT2 and has been moved to the massive NFT1! I highly recommend seeing this film with a crowd: whatson.bfi.org.uk/Online/defau...

Vincenzo Latronico’s ‘Perfection’ doesn’t exi—

Article from The Wrap. Headline that reads: Inside Doug Liman's $70 Million Al-Made Movie Starring Casey Affleck and Gal Gadot "Bitcoin: Killing Satoshi" will be looking for buyers at Cannes and is billed as the first fully-generated, studio-quality Al feature film Emily Zemler April 15, 2026 @ 6:00 AM

One of those headlines that just gets hilariously worse as you read it

A picture of me standing next to a tube poster of Lee Cronin’s LEE CRONIN’S THE MUMMY where I am doing a similar facial expression to the aforementioned mummy: mouth ajar, left eye half-closed, other eye looking up.

Everybody’s doing the #LeeCroninsTheMummyChallenge !

#bestfilminlondontoday Apr 14 at capitalcelluloid.blogspot.com guide to rep cinema scene 'Powerful, assured, full of beautiful imagery & thankfully devoid of easy moralising' WITNESS (1985) in director's season with curator @elazic.bsky.social intro capitalcelluloid.blogspot.com/2026/03/capi...

Almost half way through the season. Come watch some Peter Weir films on the big screen.

First trip to BFI Southbank, and this couldn't have been a better first film to see there, just so inspiring and uplifting. Such a fucking classic that desveres many more rewatches.

This is the most inspirational film ever, especially for young men like myself. It is why English is my favourite subject. I watched it in the cinema and went to BFI Southbank for the first time. Has some of the best quotes in all of cinema, in my opinion.

❤️

On Letterboxd I found at least two young people who (separately) went to the BFI Southbank *for the first time* yesterday to see DEAD POETS SOCIETY in NFT1. There's something in my eye...

I forgot to take a picture of the sign outside the Prince Charles Cinema that said “AMELIE & HEAT SOLD OUT” so I could later put it on Bluesky with the caption “the two genders”. It’s like I’m not even a poster anymore.

I ordered Vincenzo Latronico’s ‘Perfection’ from the library months ago bc of course I did. Today I got a notification that it was ready for pick-up, but when I got there the staff couldn’t find it, which is the kind of first world problem I imagine the characters from the novel are dealing with.

It is going to be a Godard summer (and a Rozier spring)

UK: One of Sight & Sound’s “100 greatest films of all time”, Godard’s colossal HISTOIRE(S) DU CINÉMA is an epic essay film of major importance.

Our release also features Godard’s JLG/JLG, 2x50 YEARS OF FRENCH CINEMA, his final film SCENARIOS + more

Tuesday April 07 2026. BFI Southbank, London.

Caring is Sharing Peter Weir's Fearless formally and narratively brings up the challenges of being a person in the world, unavoidably tangled up in the problems of other people’s lives Peter Weir’s Fearless centres on...

I wrote about Peter Weir's FEARLESS (1993) and the profound humanism of the film's astonishingly smart, effective, and economical visual strategy for @animusmagazine.bsky.social a while back: animus-magazine.ghost.io/caring-is-sh...

Child’s eye photography. Cinematic close-up (the crash zoom on Lukas Haas’s eye!). Fancying people because they’re a bit damp. Death by grainstorm. The *looking*. So many things that cinema once had time for, and a few that only Peter Weir ever did.

Went to see Witness (1985) at the BFI. One of the very best movies they ever made.

Coming this July, a double-dose of Transmission with Nicolas Cage’s VAMPIRE’S KISS on UHD and two iconic short horror films in TWO BOXES: TELEVISED TERROR IN FRANCO’S SPAIN.

Caring is Sharing Peter Weir's Fearless formally and narratively brings up the challenges of being a person in the world, unavoidably tangled up in the problems of other people’s lives Peter Weir’s Fearless centres on...

I wrote about Peter Weir's FEARLESS (1993) and the profound humanism of the film's astonishingly smart, effective, and economical visual strategy for @animusmagazine.bsky.social a while back: animus-magazine.ghost.io/caring-is-sh...

Michael Jackson Estate Spent Up to $15 Million Removing Child Abuse Allegation Scenes After attorneys discovered a settlement clause with one of the singer’s accusers, the ending was replaced with scenes of Jackson at a triumphant concert

first day as a lawyer for Michael Jackson’s estate….biopic is moving along….now to take a big sip of coffee and check out the settlement terms with one of the children he was accused of abusing

pitchfork.com/news/michael...

it's truly the best!