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Posts by Rob šŸ’†

An ad for the upcoming Trans/Queer Jam

An ad for the upcoming Trans/Queer Jam

As the Transhet Jam is wrapping up, I went ahead and put up a page for the Trans/Queer Jam!

This jam will take place May 1st to July 13th and will accept any comic, game, novel, etc that contains at least one trans character in a queer/homosexual romance or erotica story!

itch.io/jam/transque...

1 month ago 241 150 4 2
Idrisah: Wellā€¦ In my opinion, you shouldā€¦ She glances back at Cheevwut. Idrisah: (ASL) Also quit. Especially after that shit with Mel. Talita: (ASL) Maybeā€¦ Not now, soon after you, Gillie, AND Cal. Management is angry, I think. Ohwitiil walks past the cubicle. Ohwitiil: IDRISAH! Keep packing, Iā€™ve got someone who needs your desk tomorrow! Maybe this one will actually stick around! Talita and Idrisah exchange a look of knowing exhaustion.

Idrisah: Wellā€¦ In my opinion, you shouldā€¦ She glances back at Cheevwut. Idrisah: (ASL) Also quit. Especially after that shit with Mel. Talita: (ASL) Maybeā€¦ Not now, soon after you, Gillie, AND Cal. Management is angry, I think. Ohwitiil walks past the cubicle. Ohwitiil: IDRISAH! Keep packing, Iā€™ve got someone who needs your desk tomorrow! Maybe this one will actually stick around! Talita and Idrisah exchange a look of knowing exhaustion.

Talita: Iā€™ll stop distracting you. Idrisah: Seeya laterā€¦ Talita waves goodbye to Idrisah and exits the recycling plant, looking absentmindedly at her tablet while walking through the personal exit into the Shikaviil Port dome. An odd echo to her footsteps makes her look up in confusion. She glances around, trying to parse the sound.

Talita: Iā€™ll stop distracting you. Idrisah: Seeya laterā€¦ Talita waves goodbye to Idrisah and exits the recycling plant, looking absentmindedly at her tablet while walking through the personal exit into the Shikaviil Port dome. An odd echo to her footsteps makes her look up in confusion. She glances around, trying to parse the sound.

Walking past the edge of the sound wall, Talita sees the source of the noise. Far across the dome, near the apartments, a group of centaurs walk on the circular road. There appear to be five adults, four smaller and one larger, as well as four children half their height. All of them have half-lidded eyes and implacable expressions. The four smaller adults are dressed in loose belted leather overpants on their rear four legs, with fabric undershirts that are neatly tucked into their waistbands to leave their upper torsos bare. They wear decorative fabric collars and necklaces adorned with dangling beads, strings, tufts of feathers, and pleating. In their manes they have tucked ornamental combs made from metal, bone, feathers, and beads. Three of them appear to be light in color with thin dark stripes and dark irises, and one is darker with broad stripes and light irises. All have a bar piercing through the upper portion of their trunks, and the oldest of the lighter individuals has two bars. They speak amongst themselves. The four children wear identical dark capelets with tassels that appear to be furred tails. Three are light in color, one is darker. They look around with wider eyes, and one curls their trunk up. They stand close to the small adults, who put reassuring hands on them. The largest adult stands in front of the group, speaking to an enthusiastically smiling Mel and politely smiling Tod. They are finely dressed in a tasseled skirt that covers their lower body and overpants, with a collared cape featuring long hanging panels with embroidery and a tasseled scallop pattern, with a brooch of a carved animal's head at their throat. A chatelaine with a six-legged turtle-like creature hangs from their belt. They are white with black stripes and dark facial markings that extend to the tip of their trunk, which has two bar piercings. The right side of their face is an eyeless crater of scar tissue, with bone missing from the crown of their head to nearly their nostril, an injury that on a human would have been instantly fatal. The large centaur turns their single dark eye and makes eye contact across the distance with Talita, who stares back in dumbfounded horror.

Walking past the edge of the sound wall, Talita sees the source of the noise. Far across the dome, near the apartments, a group of centaurs walk on the circular road. There appear to be five adults, four smaller and one larger, as well as four children half their height. All of them have half-lidded eyes and implacable expressions. The four smaller adults are dressed in loose belted leather overpants on their rear four legs, with fabric undershirts that are neatly tucked into their waistbands to leave their upper torsos bare. They wear decorative fabric collars and necklaces adorned with dangling beads, strings, tufts of feathers, and pleating. In their manes they have tucked ornamental combs made from metal, bone, feathers, and beads. Three of them appear to be light in color with thin dark stripes and dark irises, and one is darker with broad stripes and light irises. All have a bar piercing through the upper portion of their trunks, and the oldest of the lighter individuals has two bars. They speak amongst themselves. The four children wear identical dark capelets with tassels that appear to be furred tails. Three are light in color, one is darker. They look around with wider eyes, and one curls their trunk up. They stand close to the small adults, who put reassuring hands on them. The largest adult stands in front of the group, speaking to an enthusiastically smiling Mel and politely smiling Tod. They are finely dressed in a tasseled skirt that covers their lower body and overpants, with a collared cape featuring long hanging panels with embroidery and a tasseled scallop pattern, with a brooch of a carved animal's head at their throat. A chatelaine with a six-legged turtle-like creature hangs from their belt. They are white with black stripes and dark facial markings that extend to the tip of their trunk, which has two bar piercings. The right side of their face is an eyeless crater of scar tissue, with bone missing from the crown of their head to nearly their nostril, an injury that on a human would have been instantly fatal. The large centaur turns their single dark eye and makes eye contact across the distance with Talita, who stares back in dumbfounded horror.

This week on #RunawayToTheStars: Oh golly, so that's what Mel's surprise was!

Catch up: https://runawaytothestars.com
Read ahead: https://patreon.com/jayrockin

1 month ago 438 118 20 1
Preview
Coming soon: HOW TO TOUCH GRASS [Relaunch] A comics anthology about exiting our bubbles and embracing community.

As a collection, How To Touch Grass brings together so many diverse takes on grass, on community building, on self-care, on history itself...!

One might say that it... /covers a lot of ground/...? šŸ˜€šŸ„šŸ˜†šŸŒ¾

www.kickstarter.com/projects/pow...

1 month ago 29 23 0 3
This is page one of a black and white comic with a simplified, cartoony style by the artist Mycorob. He depicts himself in this comic and will be referred to as Robin. Inkling and Nibford are sitting on top of the first panel. Above the first panel it says the title of the comic: Happy anniversary! Panel 1: Robin is sitting at his desk and drawing. He wears glasses, has short hair, and is wearing a dark hoodie. He turns around and speaks directly to the reader and says: Oh hey there! Did you know that the cartoonist cooperative is three years old now? Panel 2: Robin points to the left and says: I found them through a good friend. Said friend is depicted as an anthro skink and poking out of a small round panel in the corner. Above the round panel it says the name Hye. Panel 3: Robin continues: And I joined them last year in August. Panel 4: Robin is standing next to Nibford and Inkling and pointing toward his own speech bubbles. Nibford and Inkling have very muscular arms in this panel and link their hands in solidarity. Robin continues his speech: First and foremost, The Cartoonist Cooperative is a member-driven organization working to improve and protect the labor rights of comic industry workers worldwide. But they also do quite a lot more!

This is page one of a black and white comic with a simplified, cartoony style by the artist Mycorob. He depicts himself in this comic and will be referred to as Robin. Inkling and Nibford are sitting on top of the first panel. Above the first panel it says the title of the comic: Happy anniversary! Panel 1: Robin is sitting at his desk and drawing. He wears glasses, has short hair, and is wearing a dark hoodie. He turns around and speaks directly to the reader and says: Oh hey there! Did you know that the cartoonist cooperative is three years old now? Panel 2: Robin points to the left and says: I found them through a good friend. Said friend is depicted as an anthro skink and poking out of a small round panel in the corner. Above the round panel it says the name Hye. Panel 3: Robin continues: And I joined them last year in August. Panel 4: Robin is standing next to Nibford and Inkling and pointing toward his own speech bubbles. Nibford and Inkling have very muscular arms in this panel and link their hands in solidarity. Robin continues his speech: First and foremost, The Cartoonist Cooperative is a member-driven organization working to improve and protect the labor rights of comic industry workers worldwide. But they also do quite a lot more!

Page 2. Robin is jumping into the page with Nibford in his hands. Inkling stands at the front and raises his fist. Everyone is smiling and ink is spilled everywhere. Behind Robin is a crowd of people who are smiling and interacting with each other. Robin continues his speech about the cartoonist cooperative: Through their discord and the forum, I can talk to my peers and give or receive direct help. In my short time I already got tons of tips and learned so much! On the left are three panels that list examples of things that Robin has been assisted with or gotten advice on. The first one shows a pile of comic pages and says: Direct feedback on pages. The second one shows an iPad next to a graphic display and says: tech support. The third one shows a woman holding her phone to her ear and says: How to write alt text.

Page 2. Robin is jumping into the page with Nibford in his hands. Inkling stands at the front and raises his fist. Everyone is smiling and ink is spilled everywhere. Behind Robin is a crowd of people who are smiling and interacting with each other. Robin continues his speech about the cartoonist cooperative: Through their discord and the forum, I can talk to my peers and give or receive direct help. In my short time I already got tons of tips and learned so much! On the left are three panels that list examples of things that Robin has been assisted with or gotten advice on. The first one shows a pile of comic pages and says: Direct feedback on pages. The second one shows an iPad next to a graphic display and says: tech support. The third one shows a woman holding her phone to her ear and says: How to write alt text.

Page 3. Panel 1: Close-up of Robin. His eyes are closed and he is thinking to himself: But the most important advice that I got so far was. Panel 2: Shows Robin grabbing a version of himself from 6 months ago and shaking him. He yells at his old version: Make comics! To get better you simply have to make comics! Stop waiting! Panel 3: Close-up of Robin looking at his phone and looking really worried. The background is darker now. The text in the panel says: Especially during times like these. With the rise of Artificial Intelligence and more and more censorship. Panel 4: Robin notices a crowd of happy people coming toward him. It breaks him out of his bad mood and he looks toward them. The text continues: Finding community and supporting eachother is more important than ever before. Panel 5: Robin is lying on his side on the ground and smiling. Inkling is sitting on his knee and doing a thumbs-up. Nibford is sitting next to them and resting against Robinā€™s leg. Robin says to the reader: So you can join the cartoonist cooperative now if you make comics in any capacity. Inkling adds to that: You can also join as a volunteer! The end.

Page 3. Panel 1: Close-up of Robin. His eyes are closed and he is thinking to himself: But the most important advice that I got so far was. Panel 2: Shows Robin grabbing a version of himself from 6 months ago and shaking him. He yells at his old version: Make comics! To get better you simply have to make comics! Stop waiting! Panel 3: Close-up of Robin looking at his phone and looking really worried. The background is darker now. The text in the panel says: Especially during times like these. With the rise of Artificial Intelligence and more and more censorship. Panel 4: Robin notices a crowd of happy people coming toward him. It breaks him out of his bad mood and he looks toward them. The text continues: Finding community and supporting eachother is more important than ever before. Panel 5: Robin is lying on his side on the ground and smiling. Inkling is sitting on his knee and doing a thumbs-up. Nibford is sitting next to them and resting against Robinā€™s leg. Robin says to the reader: So you can join the cartoonist cooperative now if you make comics in any capacity. Inkling adds to that: You can also join as a volunteer! The end.

The @cartoonist.coop is 3 years old now!! šŸ„³šŸŽˆ
To commemorate this occasion, I made a short comic sharing some of my experiences and thoughts. I am eternally grateful for this space and all the work they do šŸ’–
#comic #comicoop

1 month ago 39 15 2 0
Preview
The Cartoonist Cooperative Making comics better for everyone!

You can join via their website ( cartoonist.coop/join/ )

I also don't make comics professionally, hobbyists are more than welcome :)

1 month ago 1 0 0 0

Thank you!! ā˜ŗļø

1 month ago 0 0 0 0
This is page one of a black and white comic with a simplified, cartoony style by the artist Mycorob. He depicts himself in this comic and will be referred to as Robin. Inkling and Nibford are sitting on top of the first panel. Above the first panel it says the title of the comic: Happy anniversary! Panel 1: Robin is sitting at his desk and drawing. He wears glasses, has short hair, and is wearing a dark hoodie. He turns around and speaks directly to the reader and says: Oh hey there! Did you know that the cartoonist cooperative is three years old now? Panel 2: Robin points to the left and says: I found them through a good friend. Said friend is depicted as an anthro skink and poking out of a small round panel in the corner. Above the round panel it says the name Hye. Panel 3: Robin continues: And I joined them last year in August. Panel 4: Robin is standing next to Nibford and Inkling and pointing toward his own speech bubbles. Nibford and Inkling have very muscular arms in this panel and link their hands in solidarity. Robin continues his speech: First and foremost, The Cartoonist Cooperative is a member-driven organization working to improve and protect the labor rights of comic industry workers worldwide. But they also do quite a lot more!

This is page one of a black and white comic with a simplified, cartoony style by the artist Mycorob. He depicts himself in this comic and will be referred to as Robin. Inkling and Nibford are sitting on top of the first panel. Above the first panel it says the title of the comic: Happy anniversary! Panel 1: Robin is sitting at his desk and drawing. He wears glasses, has short hair, and is wearing a dark hoodie. He turns around and speaks directly to the reader and says: Oh hey there! Did you know that the cartoonist cooperative is three years old now? Panel 2: Robin points to the left and says: I found them through a good friend. Said friend is depicted as an anthro skink and poking out of a small round panel in the corner. Above the round panel it says the name Hye. Panel 3: Robin continues: And I joined them last year in August. Panel 4: Robin is standing next to Nibford and Inkling and pointing toward his own speech bubbles. Nibford and Inkling have very muscular arms in this panel and link their hands in solidarity. Robin continues his speech: First and foremost, The Cartoonist Cooperative is a member-driven organization working to improve and protect the labor rights of comic industry workers worldwide. But they also do quite a lot more!

Page 2. Robin is jumping into the page with Nibford in his hands. Inkling stands at the front and raises his fist. Everyone is smiling and ink is spilled everywhere. Behind Robin is a crowd of people who are smiling and interacting with each other. Robin continues his speech about the cartoonist cooperative: Through their discord and the forum, I can talk to my peers and give or receive direct help. In my short time I already got tons of tips and learned so much! On the left are three panels that list examples of things that Robin has been assisted with or gotten advice on. The first one shows a pile of comic pages and says: Direct feedback on pages. The second one shows an iPad next to a graphic display and says: tech support. The third one shows a woman holding her phone to her ear and says: How to write alt text.

Page 2. Robin is jumping into the page with Nibford in his hands. Inkling stands at the front and raises his fist. Everyone is smiling and ink is spilled everywhere. Behind Robin is a crowd of people who are smiling and interacting with each other. Robin continues his speech about the cartoonist cooperative: Through their discord and the forum, I can talk to my peers and give or receive direct help. In my short time I already got tons of tips and learned so much! On the left are three panels that list examples of things that Robin has been assisted with or gotten advice on. The first one shows a pile of comic pages and says: Direct feedback on pages. The second one shows an iPad next to a graphic display and says: tech support. The third one shows a woman holding her phone to her ear and says: How to write alt text.

Page 3. Panel 1: Close-up of Robin. His eyes are closed and he is thinking to himself: But the most important advice that I got so far was. Panel 2: Shows Robin grabbing a version of himself from 6 months ago and shaking him. He yells at his old version: Make comics! To get better you simply have to make comics! Stop waiting! Panel 3: Close-up of Robin looking at his phone and looking really worried. The background is darker now. The text in the panel says: Especially during times like these. With the rise of Artificial Intelligence and more and more censorship. Panel 4: Robin notices a crowd of happy people coming toward him. It breaks him out of his bad mood and he looks toward them. The text continues: Finding community and supporting eachother is more important than ever before. Panel 5: Robin is lying on his side on the ground and smiling. Inkling is sitting on his knee and doing a thumbs-up. Nibford is sitting next to them and resting against Robinā€™s leg. Robin says to the reader: So you can join the cartoonist cooperative now if you make comics in any capacity. Inkling adds to that: You can also join as a volunteer! The end.

Page 3. Panel 1: Close-up of Robin. His eyes are closed and he is thinking to himself: But the most important advice that I got so far was. Panel 2: Shows Robin grabbing a version of himself from 6 months ago and shaking him. He yells at his old version: Make comics! To get better you simply have to make comics! Stop waiting! Panel 3: Close-up of Robin looking at his phone and looking really worried. The background is darker now. The text in the panel says: Especially during times like these. With the rise of Artificial Intelligence and more and more censorship. Panel 4: Robin notices a crowd of happy people coming toward him. It breaks him out of his bad mood and he looks toward them. The text continues: Finding community and supporting eachother is more important than ever before. Panel 5: Robin is lying on his side on the ground and smiling. Inkling is sitting on his knee and doing a thumbs-up. Nibford is sitting next to them and resting against Robinā€™s leg. Robin says to the reader: So you can join the cartoonist cooperative now if you make comics in any capacity. Inkling adds to that: You can also join as a volunteer! The end.

The @cartoonist.coop is 3 years old now!! šŸ„³šŸŽˆ
To commemorate this occasion, I made a short comic sharing some of my experiences and thoughts. I am eternally grateful for this space and all the work they do šŸ’–
#comic #comicoop

1 month ago 39 15 2 0
A graphic announcing the Anti-censorship Comix Anthology. Text reads, "The Cartoonist Cooperative Presents The Anti-censorship Comix Anthology. Available tomorrow February 25th. Viewer Discretion is advised! " Art shows the Co-op's mascots Inkling and Nibford reading an unseen comic; Nibford blushes while Inkling turns completely red and involuntarily tosses some ink into the air. Also featured is the cover of the anthology another colorful image featuring a peach covered in white fluid and text that reads "FUCK CENSORSHIP"

A graphic announcing the Anti-censorship Comix Anthology. Text reads, "The Cartoonist Cooperative Presents The Anti-censorship Comix Anthology. Available tomorrow February 25th. Viewer Discretion is advised! " Art shows the Co-op's mascots Inkling and Nibford reading an unseen comic; Nibford blushes while Inkling turns completely red and involuntarily tosses some ink into the air. Also featured is the cover of the anthology another colorful image featuring a peach covered in white fluid and text that reads "FUCK CENSORSHIP"

Available SOON: the Cartoonist Co-op is launching the Anti-Censorship Comix Anthology tomorrow! Check out this collection of protest comics centering taboo topics in the face of ongoing censorship against transgressive art. VIEWER DISCRETION IS ADVISED.

Art by @firecatrich.bsky.social

1 month ago 79 36 0 3
Image shows a drawing of the female wrestlers Willow Nightingale and Kris Statlander. The background has a yellow tint and the women are colored with a limited palette. Willow is in a running pose, has her arms raised and is waving at the viewer. She is wearing a belt around her waist. Kris is smiling and posing. She is flexing her muscular arms. End of description.

Image shows a drawing of the female wrestlers Willow Nightingale and Kris Statlander. The background has a yellow tint and the women are colored with a limited palette. Willow is in a running pose, has her arms raised and is waving at the viewer. She is wearing a belt around her waist. Kris is smiling and posing. She is flexing her muscular arms. End of description.

Cute old sketch of Willow and Kris šŸ‹ļøā€ā™€ļø
#wrestling #fanart

2 months ago 3 1 0 0
Preview
Coming soon: Runaway to the Stars Alien, tran-species foster Talita has enough to deal with on the scrapworld of Dirtball. And the slyly crime-y A.I. Bip isn't helping!

RUNAWAY TO THE STARS!

Trans-species foster kid Talita is an alien among (mostly!) humans.

Will a rogue AI convince her to abandon her post on the scrapworld of Dirtball, to seek a life among the stars??

www.kickstarter.com/projects/iro...

(And read the webcomic here! www.runawaytothestars.com)

2 months ago 166 97 6 6
Advertisement
This is the first page of a black and white zine about the movie Star Trek The Motion Picture. In a handwritten font it says Star Trek The Motion Picture in all caps above the first panel. Panel 1: On the bridge of the Enterprise. Kirk is sitting in the captainā€™s chair. He notices something and turns around. Spock is in the foreground. His robe is visible but not his face. Panel 2: Close-up of Spockā€™s hand pressing the turbolift button. Kirk calls out to him and says: ā€œSpock!ā€ Panel 3: Kirk is smiling and says: ā€œWelcome Aboard.ā€ Panel 4: Spock is standing in the turbolift. His back is facing Kirk. He turns his head a bit but doesnā€™t turn around. Panel 5: The turbolift door closes. Panel 6: A narrow panel is framing Spock as he stands in the turbolift. He is looking down at the floor. A text starts here and it says: I have chosen not to bloom with you. Panel 7: Spock is in his space suit and floating in dark space. The text continues: I will remain underground.

This is the first page of a black and white zine about the movie Star Trek The Motion Picture. In a handwritten font it says Star Trek The Motion Picture in all caps above the first panel. Panel 1: On the bridge of the Enterprise. Kirk is sitting in the captainā€™s chair. He notices something and turns around. Spock is in the foreground. His robe is visible but not his face. Panel 2: Close-up of Spockā€™s hand pressing the turbolift button. Kirk calls out to him and says: ā€œSpock!ā€ Panel 3: Kirk is smiling and says: ā€œWelcome Aboard.ā€ Panel 4: Spock is standing in the turbolift. His back is facing Kirk. He turns his head a bit but doesnā€™t turn around. Panel 5: The turbolift door closes. Panel 6: A narrow panel is framing Spock as he stands in the turbolift. He is looking down at the floor. A text starts here and it says: I have chosen not to bloom with you. Panel 7: Spock is in his space suit and floating in dark space. The text continues: I will remain underground.

Panel 8: Spock is floating towards a bright shining light. The text says: Comfortable. Panel 9: He is reaching his hand out towards the light. The text says: Static. Panel 10: Close-up of his hand reaching towards the light. Within the light is a newborn baby with its umbilical cord still attached. The text says: Alone. Panel 11: Frontal drawing of Spock in the space suit. There are sparks flying out of him and he is grasping a shining light close to his chest. The text says: And yet. Panel 12: Spock is in medbay and lying on a bed. Kirk is standing above him. The text continues: I desire. Panel 13: Close-up of Spock grabbing Kirkā€™s hand. The text says: To grow. Panel 14: Still a close-up of the hands. Kirk puts his free hand on top of Spockā€™s hand. The text says: In the sun. Panel 15: A drawing of a blooming flower, a smaller plant is growing right next to it. The text finishes: Together with you. The End. This comic was made by Mycorob.

Panel 8: Spock is floating towards a bright shining light. The text says: Comfortable. Panel 9: He is reaching his hand out towards the light. The text says: Static. Panel 10: Close-up of his hand reaching towards the light. Within the light is a newborn baby with its umbilical cord still attached. The text says: Alone. Panel 11: Frontal drawing of Spock in the space suit. There are sparks flying out of him and he is grasping a shining light close to his chest. The text says: And yet. Panel 12: Spock is in medbay and lying on a bed. Kirk is standing above him. The text continues: I desire. Panel 13: Close-up of Spock grabbing Kirkā€™s hand. The text says: To grow. Panel 14: Still a close-up of the hands. Kirk puts his free hand on top of Spockā€™s hand. The text says: In the sun. Panel 15: A drawing of a blooming flower, a smaller plant is growing right next to it. The text finishes: Together with you. The End. This comic was made by Mycorob.

To bloom with you.

#art #comicoop #zine #startrek

3 months ago 10 1 0 0
Post image

šŸ”“ New RUIN page! In a monastery whose god is housed inside its very chambers, two young men begin a forbidden romance. An award-winning, Ignatz-nominated comic, co-created with & illustrated by @spiremint.bsky.social.

šŸ‘ā€šŸ—Ø Read at visagecomic.com
šŸ“æ Buy the completed comic at evegwood.com/shop

2 months ago 20 18 0 0
Image shows a drawing of the female wrestlers Willow Nightingale and Kris Statlander. The background has a yellow tint and the women are colored with a limited palette. Willow is in a running pose, has her arms raised and is waving at the viewer. She is wearing a belt around her waist. Kris is smiling and posing. She is flexing her muscular arms. End of description.

Image shows a drawing of the female wrestlers Willow Nightingale and Kris Statlander. The background has a yellow tint and the women are colored with a limited palette. Willow is in a running pose, has her arms raised and is waving at the viewer. She is wearing a belt around her waist. Kris is smiling and posing. She is flexing her muscular arms. End of description.

Cute old sketch of Willow and Kris šŸ‹ļøā€ā™€ļø
#wrestling #fanart

2 months ago 3 1 0 0
The cover of Shards of Reflections. The header says Kickstarting now! There are several tags with arrows pointing to the book telling you what the book has in store. - Supernatural noir - Art deco future setting - Identity crisis - Unreliable POV - Psychological mystery - Vampires are capitalists - Stand alone in shared universe - She can do a little murder, as a treat

The cover of Shards of Reflections. The header says Kickstarting now! There are several tags with arrows pointing to the book telling you what the book has in store. - Supernatural noir - Art deco future setting - Identity crisis - Unreliable POV - Psychological mystery - Vampires are capitalists - Stand alone in shared universe - She can do a little murder, as a treat

My kickstarter is now up! Please grab yourself Shards of Reflections, the 5th book in my webcomic series The City Between! www.kickstarter.com/projects/149...

It follows a newbie vampire trying to track down her sire. Please spread the word!

2 months ago 34 27 0 2
This is a fake comic cover illustration. The background is pink. In the foreground at the bottom right corner is a naked woman. Her arms are raised and her eyes are closed. She has a calm expression. The drawing of her gets repeated in different colors in the background and reaches up to the upper left corner of the Image. The title is in the background in a white font and says: Where do you end. The title gets repeated across the entire page. End of description.

This is a fake comic cover illustration. The background is pink. In the foreground at the bottom right corner is a naked woman. Her arms are raised and her eyes are closed. She has a calm expression. The drawing of her gets repeated in different colors in the background and reaches up to the upper left corner of the Image. The title is in the background in a white font and says: Where do you end. The title gets repeated across the entire page. End of description.

cover concept I did a while ago

#art #coverdesign

2 months ago 7 0 0 0
Sweet Transparency by Elise Schuenke, published on ohjoysextoy.com/sweet-transparency-elise-schuenke on January 20, 2026 Elise Schuenke draws in a manga-cartoony style with a pastel purplish-bluish color tone over a broader spectrum of colors. Lanna pauses her game and sets her controller on the coffee table, turning her girlfriend, saying "Sage... Can I ask something?" "Hm?" Sage replies, engrossed in their book. With worried eyes, Lanna asks, "Are you mad at me?" "PPfft!!" Sage spits their tea back into their mug in shock, but keeping their eyes lowered.

Sweet Transparency by Elise Schuenke, published on ohjoysextoy.com/sweet-transparency-elise-schuenke on January 20, 2026 Elise Schuenke draws in a manga-cartoony style with a pastel purplish-bluish color tone over a broader spectrum of colors. Lanna pauses her game and sets her controller on the coffee table, turning her girlfriend, saying "Sage... Can I ask something?" "Hm?" Sage replies, engrossed in their book. With worried eyes, Lanna asks, "Are you mad at me?" "PPfft!!" Sage spits their tea back into their mug in shock, but keeping their eyes lowered.

"When you came home, you didn't smile and your voice was so flat." Lanna hurriedly explains. "And earlier, when you sat down, you didn't say anything!" Panicked and embarrassed, Sage thinks to themself, "Boy, that DOES seem like I'm mad at her!!!" "Did I eat the last bean burrito...?" Wonders Lanna morosely. "NO, NO, you're fine, Lan!" Sage interrupts, reaching out a hand to reassuringly grip her shoulder.

"When you came home, you didn't smile and your voice was so flat." Lanna hurriedly explains. "And earlier, when you sat down, you didn't say anything!" Panicked and embarrassed, Sage thinks to themself, "Boy, that DOES seem like I'm mad at her!!!" "Did I eat the last bean burrito...?" Wonders Lanna morosely. "NO, NO, you're fine, Lan!" Sage interrupts, reaching out a hand to reassuringly grip her shoulder.

Sweating with regret and anxiety, Sage continues, while still looking into their tea mug, "Lanna- Ugh, I can totally see how you saw that." "I'll always hear you out, y'know." Lanna's voice says over the view of Sage's reflection in their tea. "I know. I love that about you." Sage replies, keeping eye contact with their mug reflection. An image of Sage appears overhead, showing them with a neutral face and holding one of the smiling, blank masks in front of them while a sea of menacing yellow eyes scrutinizes them. "Being autistic, I feel like I have to be ultra expressive with my face and voice so people feel comfy around me." They narrate over a scene of them performing on a stage. The performing-Sage gesticulates dramatically while holding their smiling mask up while they are surrounded by coworkers and the general public that smile at them approvingly. "Masking, for me, is pretending I'm others' version of normal." "Wow, that sounds exhausting!" Lanna frets next to Sage on the couch. A pink banner unfurls across the bottom of the page, stating "Read the rest on Oh Joy Sex Toy.com"

Sweating with regret and anxiety, Sage continues, while still looking into their tea mug, "Lanna- Ugh, I can totally see how you saw that." "I'll always hear you out, y'know." Lanna's voice says over the view of Sage's reflection in their tea. "I know. I love that about you." Sage replies, keeping eye contact with their mug reflection. An image of Sage appears overhead, showing them with a neutral face and holding one of the smiling, blank masks in front of them while a sea of menacing yellow eyes scrutinizes them. "Being autistic, I feel like I have to be ultra expressive with my face and voice so people feel comfy around me." They narrate over a scene of them performing on a stage. The performing-Sage gesticulates dramatically while holding their smiling mask up while they are surrounded by coworkers and the general public that smile at them approvingly. "Masking, for me, is pretending I'm others' version of normal." "Wow, that sounds exhausting!" Lanna frets next to Sage on the couch. A pink banner unfurls across the bottom of the page, stating "Read the rest on Oh Joy Sex Toy.com"

After a long, hard day of masking their autistic traits at work, all Sage wants is to act natural at home. Unfortunately, their neurotypical gf takes the un-emotive version of Sage in the worst way in @troubledminnesotan.bsky.social's story of misunderstandings.
www.ohjoysextoy.com/sweet-transp...

3 months ago 305 89 6 3

i will not redraw every panel
I will not redraw every page
this would only drain my energy
already drained by stress and age

2 months ago 140 27 5 1
a 9 panel comic. panel 1 is of an urn at a funeral. it's raining. "My dad died a year ago this month. we never got along. he was abusive all my life, often drunk, and very hard to manage." panel 2 is a whiskey tumbler. "everybody says he wasn't always like that, but that never really felt like it mattered because to me, he always was." panel 3 is a man staring across a black river at night. "There's a story about my dad's family, about a father and son who lived on a farm by a river in kentucky. one night, the father drowned himself in the river, and the next day when the son saw what had happened, he followed him into the river too." panel 4 is a river winding between mountains. "it was never officially ruled as a double suicide. That wasn't right with the lord." panel five is a hand touching a man's forehead. "I think they were sick. I think everyone in dad's family was sick, and so was he, and that's why I have bipolar. The way he passed was ugly. death isn't like it is on tv. it's messy." panel six is two hands holding each other. "our last moments together were..." panel 7 is a first person pov of an arm with an IV in it. "I was hospitalized for acute stress-related acid damage to my stomach after the funeral, and returned six more times after that." panel 8, crying in the ER. "I never told him I was gay." panel 8, walking down the street. "The story of the father and son followed me around. it made me wonder; could that have been me? it runs in us after all. mental illness, and huge, brutal despair. I feel it all the time."

a 9 panel comic. panel 1 is of an urn at a funeral. it's raining. "My dad died a year ago this month. we never got along. he was abusive all my life, often drunk, and very hard to manage." panel 2 is a whiskey tumbler. "everybody says he wasn't always like that, but that never really felt like it mattered because to me, he always was." panel 3 is a man staring across a black river at night. "There's a story about my dad's family, about a father and son who lived on a farm by a river in kentucky. one night, the father drowned himself in the river, and the next day when the son saw what had happened, he followed him into the river too." panel 4 is a river winding between mountains. "it was never officially ruled as a double suicide. That wasn't right with the lord." panel five is a hand touching a man's forehead. "I think they were sick. I think everyone in dad's family was sick, and so was he, and that's why I have bipolar. The way he passed was ugly. death isn't like it is on tv. it's messy." panel six is two hands holding each other. "our last moments together were..." panel 7 is a first person pov of an arm with an IV in it. "I was hospitalized for acute stress-related acid damage to my stomach after the funeral, and returned six more times after that." panel 8, crying in the ER. "I never told him I was gay." panel 8, walking down the street. "The story of the father and son followed me around. it made me wonder; could that have been me? it runs in us after all. mental illness, and huge, brutal despair. I feel it all the time."

panel 1, drawing at my cintiq. "My art mutated. ive seen it in other artists who have lost important people. it changes the nature of the work. grief is in the hand. its an unintentional affection." panel 2is two men, figures in shadow, underwater surrounded by seaweed. "what's at the bottom of the river? what came out of those rolling appalachias, where dad's story begins? who were those people who went down in the water and never came back?" panel 3 is a house at night with only the attic light shining. "what is grief? how does it move? does it have translucence? does it follow you down dark halls at night? does it show you things that aren't there?" panel 4, crying on the floor in the laundry room. "I feel like a haunted house." panel 5 is a hand holding a slide. "but, there..." panel 6 is a closeup of the slide; a father, two children, and a grandma, standing on a rock looking out over the appalachian mountains. "something so human. a spark of inspiration. art can save your life. grief is a kind of love, and in this understanding, i realized i had a story inside me about all those things." panel 7 crosses the whole bottom of the page; looking out across water to a weeping willow growing on the far shore. "maybe this is how i can learn to forgive. forgive my dad, and my family, and that father and son beneath the river, and all the rest of it, caught up on a cool gust of wind through green leaves."

panel 1, drawing at my cintiq. "My art mutated. ive seen it in other artists who have lost important people. it changes the nature of the work. grief is in the hand. its an unintentional affection." panel 2is two men, figures in shadow, underwater surrounded by seaweed. "what's at the bottom of the river? what came out of those rolling appalachias, where dad's story begins? who were those people who went down in the water and never came back?" panel 3 is a house at night with only the attic light shining. "what is grief? how does it move? does it have translucence? does it follow you down dark halls at night? does it show you things that aren't there?" panel 4, crying on the floor in the laundry room. "I feel like a haunted house." panel 5 is a hand holding a slide. "but, there..." panel 6 is a closeup of the slide; a father, two children, and a grandma, standing on a rock looking out over the appalachian mountains. "something so human. a spark of inspiration. art can save your life. grief is a kind of love, and in this understanding, i realized i had a story inside me about all those things." panel 7 crosses the whole bottom of the page; looking out across water to a weeping willow growing on the far shore. "maybe this is how i can learn to forgive. forgive my dad, and my family, and that father and son beneath the river, and all the rest of it, caught up on a cool gust of wind through green leaves."

panels 1, 2, and 3, reaching into the fronds of the willow tree. panel 4, closeup of an open palm with a willow seed in it. "maybe grief can be a seed." panel 5: drawing at the cintique, view from behind. "I can do it. I can grow something incredible, and I can learn to look at the river and feel still inside." panel 6 is the same view, but farther out. the window is visible and the moon is out. "I can do it. I'm still alive, are you listening? i didnt die after you, you didn't take me with you, I can do it. I am alive. I am alive." final panel; a full-color illustration of a weeping willow blowing in the wind, it's reflection showing in the water it grows by. "are you listening?"

panels 1, 2, and 3, reaching into the fronds of the willow tree. panel 4, closeup of an open palm with a willow seed in it. "maybe grief can be a seed." panel 5: drawing at the cintique, view from behind. "I can do it. I can grow something incredible, and I can learn to look at the river and feel still inside." panel 6 is the same view, but farther out. the window is visible and the moon is out. "I can do it. I'm still alive, are you listening? i didnt die after you, you didn't take me with you, I can do it. I am alive. I am alive." final panel; a full-color illustration of a weeping willow blowing in the wind, it's reflection showing in the water it grows by. "are you listening?"

a comic about my comic

11 months ago 244 84 20 3
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This is a Witcher fancomic depicting a scene from the second book. Page 1. Panel 1: Geralt and Yennefer are on Thanedd Island at a Banquet at the academy of Aretuza. They are standing in front of the buffet in a big ballroom. Yennefer is looking at a big plate of crab legs and says: Give me a little Salmon, Witcher. And some Crab. Geralt points at the crab legs and says: they were probably caught a month ago and itā€™s really hot. Arenā€™t you worried? Panel 2: Yennefer smirks and replies snarkily: These crabs were creeping along the seabed this morningā€¦ teleportation is a wonderful invention. Panel 3: Geralt grins and says: Indeed! It ought to be made more widely available. Panel 4: Yennefer blushes a bit and looks angry. She reaches out her hand and says: Weā€™re working on it. Come on, give me some. Panel 5: Geralt blushes a bit and smiles at her. Panel 6: He hands her a crab leg.

This is a Witcher fancomic depicting a scene from the second book. Page 1. Panel 1: Geralt and Yennefer are on Thanedd Island at a Banquet at the academy of Aretuza. They are standing in front of the buffet in a big ballroom. Yennefer is looking at a big plate of crab legs and says: Give me a little Salmon, Witcher. And some Crab. Geralt points at the crab legs and says: they were probably caught a month ago and itā€™s really hot. Arenā€™t you worried? Panel 2: Yennefer smirks and replies snarkily: These crabs were creeping along the seabed this morningā€¦ teleportation is a wonderful invention. Panel 3: Geralt grins and says: Indeed! It ought to be made more widely available. Panel 4: Yennefer blushes a bit and looks angry. She reaches out her hand and says: Weā€™re working on it. Come on, give me some. Panel 5: Geralt blushes a bit and smiles at her. Panel 6: He hands her a crab leg.

Page 2. Panel 1: Geralt looks fondly at Yennefer and says: I love you, Yen. Panel 2: Yennefer raises an eyebrow. She is eating her crab leg and says: I said drop the ostentationā€¦ Panel 3: Geralt! She suddenly yells out. Itā€™s the first time youā€™ve said that! Panel 4: They start to bicker and Yennefer corners him. Geralt says: It canā€™t be. You are making fun of me. Yennefer replies: You used to think it but now you said it! Geralt raises his hands in defense and says: Is there a difference? Yennefer yells back: A HUGE ONE! Panel 5: Geralt looks like a sad puppy and whispers her nickname Panel 6: Yennefer is clearly blushing. She says: Donā€™t talk with your mouth full! I love you too. End of description.

Page 2. Panel 1: Geralt looks fondly at Yennefer and says: I love you, Yen. Panel 2: Yennefer raises an eyebrow. She is eating her crab leg and says: I said drop the ostentationā€¦ Panel 3: Geralt! She suddenly yells out. Itā€™s the first time youā€™ve said that! Panel 4: They start to bicker and Yennefer corners him. Geralt says: It canā€™t be. You are making fun of me. Yennefer replies: You used to think it but now you said it! Geralt raises his hands in defense and says: Is there a difference? Yennefer yells back: A HUGE ONE! Panel 5: Geralt looks like a sad puppy and whispers her nickname Panel 6: Yennefer is clearly blushing. She says: Donā€™t talk with your mouth full! I love you too. End of description.

One of my favorite scenes from the books

#art #comicoop #thewitcher

3 months ago 14 9 0 0
This is a Witcher fancomic depicting a scene from the second book. Page 1. Panel 1: Geralt and Yennefer are on Thanedd Island at a Banquet at the academy of Aretuza. They are standing in front of the buffet in a big ballroom. Yennefer is looking at a big plate of crab legs and says: Give me a little Salmon, Witcher. And some Crab. Geralt points at the crab legs and says: they were probably caught a month ago and itā€™s really hot. Arenā€™t you worried? Panel 2: Yennefer smirks and replies snarkily: These crabs were creeping along the seabed this morningā€¦ teleportation is a wonderful invention. Panel 3: Geralt grins and says: Indeed! It ought to be made more widely available. Panel 4: Yennefer blushes a bit and looks angry. She reaches out her hand and says: Weā€™re working on it. Come on, give me some. Panel 5: Geralt blushes a bit and smiles at her. Panel 6: He hands her a crab leg.

This is a Witcher fancomic depicting a scene from the second book. Page 1. Panel 1: Geralt and Yennefer are on Thanedd Island at a Banquet at the academy of Aretuza. They are standing in front of the buffet in a big ballroom. Yennefer is looking at a big plate of crab legs and says: Give me a little Salmon, Witcher. And some Crab. Geralt points at the crab legs and says: they were probably caught a month ago and itā€™s really hot. Arenā€™t you worried? Panel 2: Yennefer smirks and replies snarkily: These crabs were creeping along the seabed this morningā€¦ teleportation is a wonderful invention. Panel 3: Geralt grins and says: Indeed! It ought to be made more widely available. Panel 4: Yennefer blushes a bit and looks angry. She reaches out her hand and says: Weā€™re working on it. Come on, give me some. Panel 5: Geralt blushes a bit and smiles at her. Panel 6: He hands her a crab leg.

Page 2. Panel 1: Geralt looks fondly at Yennefer and says: I love you, Yen. Panel 2: Yennefer raises an eyebrow. She is eating her crab leg and says: I said drop the ostentationā€¦ Panel 3: Geralt! She suddenly yells out. Itā€™s the first time youā€™ve said that! Panel 4: They start to bicker and Yennefer corners him. Geralt says: It canā€™t be. You are making fun of me. Yennefer replies: You used to think it but now you said it! Geralt raises his hands in defense and says: Is there a difference? Yennefer yells back: A HUGE ONE! Panel 5: Geralt looks like a sad puppy and whispers her nickname Panel 6: Yennefer is clearly blushing. She says: Donā€™t talk with your mouth full! I love you too. End of description.

Page 2. Panel 1: Geralt looks fondly at Yennefer and says: I love you, Yen. Panel 2: Yennefer raises an eyebrow. She is eating her crab leg and says: I said drop the ostentationā€¦ Panel 3: Geralt! She suddenly yells out. Itā€™s the first time youā€™ve said that! Panel 4: They start to bicker and Yennefer corners him. Geralt says: It canā€™t be. You are making fun of me. Yennefer replies: You used to think it but now you said it! Geralt raises his hands in defense and says: Is there a difference? Yennefer yells back: A HUGE ONE! Panel 5: Geralt looks like a sad puppy and whispers her nickname Panel 6: Yennefer is clearly blushing. She says: Donā€™t talk with your mouth full! I love you too. End of description.

One of my favorite scenes from the books

#art #comicoop #thewitcher

3 months ago 14 9 0 0

I haven't spoken about this publicly until now, but I and 4 other collaborators for Yazeba's have been in an incredibly exhausting and ethically dubious legal battle for over a year. I'm thankful that Rascal News has officially released our story.

3 months ago 213 66 1 1
Image is a drawing of Kira and Odo at the beach. Kira is resting on her back on a beach towel and stroking Odoā€™s hair. Odo is lying on his stomach and resting his head on Kiraā€™s chest. He is so comfortable that some of his limbs are turning into liquid. End of description.

Image is a drawing of Kira and Odo at the beach. Kira is resting on her back on a beach towel and stroking Odoā€™s hair. Odo is lying on his stomach and resting his head on Kiraā€™s chest. He is so comfortable that some of his limbs are turning into liquid. End of description.

Melting in the sun with you ā˜€ļø

#art #startrek

3 months ago 8 1 0 0
Image is a drawing of Kira and Odo at the beach. Kira is resting on her back on a beach towel and stroking Odoā€™s hair. Odo is lying on his stomach and resting his head on Kiraā€™s chest. He is so comfortable that some of his limbs are turning into liquid. End of description.

Image is a drawing of Kira and Odo at the beach. Kira is resting on her back on a beach towel and stroking Odoā€™s hair. Odo is lying on his stomach and resting his head on Kiraā€™s chest. He is so comfortable that some of his limbs are turning into liquid. End of description.

Melting in the sun with you ā˜€ļø

#art #startrek

3 months ago 8 1 0 0
Comic cover titled ā€œSilver & Ironā€ in all caps, ā€œpart oneā€. The title takes up the entire cover and is superimposed over a single figure standing in the centre of the page, a young but strong-looking man with light skin, visible chest and arm hair, and a beard which tapers into points at his chin and his cheeks. His hair is jaw-length and the top half is tied back, though some strands have come undone. He has upturned eyes and a moderately long nose with a slight bend in the bridge. A scar runs through his left eye leaving the pupil permanently dilated, making it appear darker than his right eye. He looks at the viewer with a sense of determination and grit, wiping blood off his chin; more blood stains his shirt, untucked and half-unbuttoned to expose part of his chest, and there are more traces of blood on his left hand which holds a crudely-hewn dagger.

Comic cover titled ā€œSilver & Ironā€ in all caps, ā€œpart oneā€. The title takes up the entire cover and is superimposed over a single figure standing in the centre of the page, a young but strong-looking man with light skin, visible chest and arm hair, and a beard which tapers into points at his chin and his cheeks. His hair is jaw-length and the top half is tied back, though some strands have come undone. He has upturned eyes and a moderately long nose with a slight bend in the bridge. A scar runs through his left eye leaving the pupil permanently dilated, making it appear darker than his right eye. He looks at the viewer with a sense of determination and grit, wiping blood off his chin; more blood stains his shirt, untucked and half-unbuttoned to expose part of his chest, and there are more traces of blood on his left hand which holds a crudely-hewn dagger.

SILVER & IRON: Part One
Ashley Lovell is a hopeful young werewolf who thinks he may have finally met a vampire willing to cooperate with him to eradicate a supernatural disease - only for both men to learn firsthand that your day can always get worse.

40+ pages, all in this thread šŸ§µšŸŒ™ #Silver&Iron

5 months ago 467 223 15 23
The companions from dragon age origins are all surrounding a statue of the player character. Oghrin and Morrigan are resting on the grass, Morriganā€™s hood is covering her face. Alistair is walking up to the statue and bringing flowers. Leliana is playing an instrument and sitting on the podest at the bottom of the statue. Stenā€™s sword is driven into the rock of the statue. Wynne is using magic to make flowers bloom all around the statue and Zevran is sitting ontop of the shoulder of the statue. End of description

The companions from dragon age origins are all surrounding a statue of the player character. Oghrin and Morrigan are resting on the grass, Morriganā€™s hood is covering her face. Alistair is walking up to the statue and bringing flowers. Leliana is playing an instrument and sitting on the podest at the bottom of the statue. Stenā€™s sword is driven into the rock of the statue. Wynne is using magic to make flowers bloom all around the statue and Zevran is sitting ontop of the shoulder of the statue. End of description

Your sacrifice will not be in vain.

#art #dragonage

3 months ago 231 90 1 0
Hiveworks Guild logo. Two bees sitting on a bee hive holding hands.

Hiveworks Guild logo. Two bees sitting on a bee hive holding hands.

The Hiveworks Artist Guild has released a public statement alleging years of labor abuses, financial mismanagement, and misconduct at Hiveworks at the hands of Xellette ā€œXelā€ Velamist and Isabelle ā€œIsaā€ MelanƧon. Read their full statement at:

cartoonist.coop/hiveworks-gu...

3 months ago 2452 1425 47 216
This is the first page of a black and white zine about the movie Star Trek The Motion Picture. In a handwritten font it says Star Trek The Motion Picture in all caps above the first panel. Panel 1: On the bridge of the Enterprise. Kirk is sitting in the captainā€™s chair. He notices something and turns around. Spock is in the foreground. His robe is visible but not his face. Panel 2: Close-up of Spockā€™s hand pressing the turbolift button. Kirk calls out to him and says: ā€œSpock!ā€ Panel 3: Kirk is smiling and says: ā€œWelcome Aboard.ā€ Panel 4: Spock is standing in the turbolift. His back is facing Kirk. He turns his head a bit but doesnā€™t turn around. Panel 5: The turbolift door closes. Panel 6: A narrow panel is framing Spock as he stands in the turbolift. He is looking down at the floor. A text starts here and it says: I have chosen not to bloom with you. Panel 7: Spock is in his space suit and floating in dark space. The text continues: I will remain underground.

This is the first page of a black and white zine about the movie Star Trek The Motion Picture. In a handwritten font it says Star Trek The Motion Picture in all caps above the first panel. Panel 1: On the bridge of the Enterprise. Kirk is sitting in the captainā€™s chair. He notices something and turns around. Spock is in the foreground. His robe is visible but not his face. Panel 2: Close-up of Spockā€™s hand pressing the turbolift button. Kirk calls out to him and says: ā€œSpock!ā€ Panel 3: Kirk is smiling and says: ā€œWelcome Aboard.ā€ Panel 4: Spock is standing in the turbolift. His back is facing Kirk. He turns his head a bit but doesnā€™t turn around. Panel 5: The turbolift door closes. Panel 6: A narrow panel is framing Spock as he stands in the turbolift. He is looking down at the floor. A text starts here and it says: I have chosen not to bloom with you. Panel 7: Spock is in his space suit and floating in dark space. The text continues: I will remain underground.

Panel 8: Spock is floating towards a bright shining light. The text says: Comfortable. Panel 9: He is reaching his hand out towards the light. The text says: Static. Panel 10: Close-up of his hand reaching towards the light. Within the light is a newborn baby with its umbilical cord still attached. The text says: Alone. Panel 11: Frontal drawing of Spock in the space suit. There are sparks flying out of him and he is grasping a shining light close to his chest. The text says: And yet. Panel 12: Spock is in medbay and lying on a bed. Kirk is standing above him. The text continues: I desire. Panel 13: Close-up of Spock grabbing Kirkā€™s hand. The text says: To grow. Panel 14: Still a close-up of the hands. Kirk puts his free hand on top of Spockā€™s hand. The text says: In the sun. Panel 15: A drawing of a blooming flower, a smaller plant is growing right next to it. The text finishes: Together with you. The End. This comic was made by Mycorob.

Panel 8: Spock is floating towards a bright shining light. The text says: Comfortable. Panel 9: He is reaching his hand out towards the light. The text says: Static. Panel 10: Close-up of his hand reaching towards the light. Within the light is a newborn baby with its umbilical cord still attached. The text says: Alone. Panel 11: Frontal drawing of Spock in the space suit. There are sparks flying out of him and he is grasping a shining light close to his chest. The text says: And yet. Panel 12: Spock is in medbay and lying on a bed. Kirk is standing above him. The text continues: I desire. Panel 13: Close-up of Spock grabbing Kirkā€™s hand. The text says: To grow. Panel 14: Still a close-up of the hands. Kirk puts his free hand on top of Spockā€™s hand. The text says: In the sun. Panel 15: A drawing of a blooming flower, a smaller plant is growing right next to it. The text finishes: Together with you. The End. This comic was made by Mycorob.

To bloom with you.

#art #comicoop #zine #startrek

3 months ago 10 1 0 0