Oh dang, the WORD IS OUT, BABY!!! I drew a cover for LOBO #5, out in July from @dcoffical.bsky.social!! This was a wild one for me and I am SO glad my wonderful editor trusted me with it!! Hope y’all pick it up!!! 😎😎😎
Jean Giraud
Estrenando colchón hoy
This self-portrait by Egon Schiele displays his distinctive style of expressive and raw linear forms paired with intense emotional emphasis. Schiele often explored themes of identity and existential introspection, as reflected in the stark and contemplative expression in the portrait.
Self Portrait, 1914
https://botfrens.com/collections/88/contents/25649
Egon Schiele's "Portrait of Johann Harms" features an introspective figure seated with a distinct linearity and expressive contour lines characteristic of Schiele's style. The artwork captures deep emotion and contemplation, emphasizing the subject's elongated form and detailed hands.
Portrait of Johann Harms, 1916
https://botfrens.com/collections/88/contents/25790
Bequest of Scofield Thayer, 1982
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso), 1914
https://botfrens.com/collections/88/contents/124041
"Madame Schiele" by Egon Schiele portrays a seated woman with distinctive expressive lines and earthy tones, characteristic of Schiele's unique approach to form and emotion. The artwork highlights the influence of his wife Edith Harms, capturing her introspective expression and the fluidity of her clothes against a minimalistic background.
Madame Schiele, 1917
https://botfrens.com/collections/88/contents/25826
Egon Schiele's "Lovers Man and Woman" poignantly captures the raw intimacy and complexity of human connection through his distinctive expressive lines and bold forms. Known for his exploration of the human figure, Schiele showcases his signature emphasis on emotional intensity and psychological depth in this artwork.
Lovers Man and Woman, 1914
https://botfrens.com/collections/88/contents/25552
Ken Niimura
Corto´s expressions
Giving Nanako some extra siblings. 🧡
#shinmegamitensei #smt #persona #persona4
Lo peor de que la tauromaquia sea una salvajada es que los trajes de luces se quedan ahí
Will McPhail
Rakuda Laughs es un manga que se puede definir fácilmente como "Torpedo japonés". Tenemos un protagonista sin ninguna buena cualidad, bruto, violento, violador y todo es grotesco, pero el excelente dibujo de estilo francés de Terada hace que valga la pena leer las salvajadas de Rakuda.
scott pilgrim ex
(1/2) Scott Pilgrim EX is out today!! check @tributegames.com _games for all the links and info. The game includes these 2 GIGANTIC Illustrations I did in our first collab together with Bryan Lee O'Malley which has been such a crazy honor and joy for me. Been a fan since 2006 (cont -
Brian Level
@brianlevel.bsky.social
Primera vez que veo una portada decente de Charlie Hebdo
I know Shalvey followed Linehan in Twitter (Grant Morrison also did)
Bellona
Umbral Chains
The Incredible Hulk
It's time once again, as The SKTCHD AWRDS kicked off with my Creators of 2025, as I handed out awards to folks like @denizcamp.bsky.social, @davidlopez.bsky.social, @kellythompson.bsky.social, @paperflan.bsky.social, and more to highlight just some of the amazing work from comics in 2025.
You know what must be done.
“Corridor Again” is a new 13-page comic drawn by @spacemacchiato.bsky.social and written by myself. You can read it below or purchase a high-resolution .pdf for a price of your choosing at the link: hagaipalevsky.itch.io/corridor-again
(1/2)
Katsuhiro Otomo
Frank Frazetta
A drawing of Titan Luz and Amity floating in front of pink clouds and magic glyphs.
New print for Sac Anime! #theowlhouse
También resulta que Daniel Craig se me hace algo menos atractivo acá que en las dos anteriores por su cabello.
Muy disfrutable y especialmente emotiva en la última confesión. Me agobiaba un poco con todas las vueltas de tuercas por la segunda mitad, y me resulta algo rebuscada la actitud de Blanc con el momento Damasco, pero fue sin duda mejor que la anterior (y que Knives Out si me apuran).
Cómo se llama el primer cuadro?
Colorful portrait of a seated man, eyes closed, facing to the left in profile
Another portrait by Egon Schiele of the same subject, this one from 1911. At left he inscribed the sitter's name emphatically, "Anton Peschka!"