The hazy silhouette of new foes haunts an episode of Frieren that turns the tedious process of figuring out what they're like into something more gripping, where the shots' physical depth is key. Within an adaptation concerned about the way people leave, a wrecked town is powerful imagery
SAYONARA LARA!!!!!!!!
モブ以降、作打ちまでやったコンテ仕事でコンテに監督修正を入れられることがほぼなかったので今回の仕事はむずかしかった。ちょくちょく入る監督の修正の意図が自分の頭に直結していないので口から出る言葉がどうにもあやふやになる。この人の意図の上で進めるという経験の少なさが演出修正でがっつり直してしまいがちなとことかに繋がってくるんだろうなと思った
コナン805話、建物破壊シーン中盤の探偵バッジが出てくるあたりも田中宏紀パートに見えるけど作画wikiとsakugabooruには載ってない
五条悟推しの受験を頑張る姪っ子に描いてあげたもの。○○は名前。
#ひゃくえむ のためのLO
layout for #100meters
@souitiroukirari.bsky.social 庄一さん、こんにちは！お元気ですか？
映画『チェンソーマン』を観ました。本当に素晴らしかったです！スタッフの皆さん、本当に素晴らしい仕事をしていただきました！お疲れ様でした！ 😍
映画でどんな役を演じたか教えていただけますか？（原画/作監）🤔
【金曜日の誰でもないガール】
もないちゃん×ハートクロップド×プリーツミニ
#誰でもないガール
Mega Sceptile vs Ash-Greninja
Fan animation
#pokemon
🐐(🐰)x🐐(🦉)
polo
Accelerating the serious story has had positive effects wrt character dynamics (trimming baldie's sympathetic situation when rooting for Yaiba is already a struggle), but it means there's whiplash with the sudden sense of gravitas & scale. This is exceptional in isolation yet sorta weird in context
Moment to moment in Yaiba is still mostly a blast, maybe even more so this week because Yosuke Hatta's delivery is that much more compelling. Starting to feel some friction between the top level decisions (faster pacing, keeping dated humor, etc) and the *excellent* execution in the trenches, though
Really not feeling Ninkoro beyond specific bits like the extended Sanpei Shirato parody at the start of the first episode, but Yuki Yase storyboarding the second one is a fun hint about an upcoming Thing I'm more excited about
Only did one cut on ep 2 but I really liked doing it!
See you next week ~
Some of my LO on Yaiba ep 1 ❤️⚡️
たのしみ
An understated quality of Akira Amemiya may be his adaptability (reason why people thought he was just an Imaishi clone?). You can see his whole career in this clip from Sorairo Utility #12, but he's *still* adapting to its stop-and-go rhythm as opposed to the longer pauses he used in Gridman/Dyna
Akira Amemiya is credited for the storyboarding of the last episode of SoraIro Utility and the short preview sure looks very good already.
You can feel his touch on many shots.
Looking forward to watch it.
Frieren
You can now view the staff appearances for a chosen role on the 📊 Stats tab of a Staff List on KeyFrame Staff List!
keyframe-staff-list.com
