A MAN OF HIS TIME (Notre Salut) by Emmanuel Marre will make its world premiere in Competition at the @festivaldecannes.

Starring #SwannArlaud and @sandrine_blancke_.

Produced by @kidam_production and @michigan.films.
#cannes79
#Cannes2026 #FestivalDeCannes #EmmanuelMarre #NotreSalut

The new trailer has arrived for Milagros Mumenthaler's acclaimed drama #TheCurrents, opening next month.

Watch: thefilmstage.com/the-currents...

A Useful Ghost - DMovies Young woman dies and returns as a vacuum cleaner, is this powerful and deeply absorbing comedy from Thailand - showing at the Queer East Festival 2026

Young woman dies and returns as a vacuum cleaner, is this powerful and deeply absorbing comedy from Thailand

From the Queer East Festival 2026:

dmovies.org/2026/04/10/a...

Chimney Town: Frozen In Time - Film Review - Eye For Film Young chimney sweep Lubicchi finds himself in a mysterious realm where he is drafted in to help restart a stuck clock in order to return home.

"The animation in Chimney Town: Frozen In Time is a constant delight even if the balance between the stories is uneven" www.eyeforfilm.co.uk/review/chimn...

Festival CPH:DOX | Critique : Mariinka - Le Polyester Dans l’est de l’Ukraine, portraits de plusieurs jeunes Ukrainiennes et Ukrainiens dont la vie est marquée par plus de dix ans de guerre et de conflits

CPHDOX | "Mariinka" du Belge Pieter-Jan de Pue : une dizaine d’années de guerre, de résilience et d’épuisement en Ukraine. En ouverture et en compétition. Critique + bande annonce lepolyester.com/critique-mar...

Mariinka by Pieter-Jan De Pue Review | CPH:DOX Opening Film Filmed over the course of ten years, Pieter-Jan De Pue’s documentary Mariinka is one of the best films made about the Russian invasion of Ukraine.

“The doc is shot on 16mm Kodak Vision3 film, and the stock looks so good, it makes me wonder why more documentaries don’t utilise this truly cinematic format.”

Ukraine war doc Mariinka (Pieter-Jan De Pue) is a bona fide masterpiece.

journeyintocinema.com/mariinka-rev...

Marc van de Klashorst sees a Greek tragedy in Pieter-Jan de Pue's MARIINKA, a scattershot image of the effects of war on a community being ripped apart, yet also a hopeful story about human perseverance #cphdox buff.ly/mz767G0

‘Mariinka’ Review: A Haunting Chronicle of Young Lives Shattered by the War in Ukraine In 'Mariinka,' Belgian documentarian Pieter-Jan De Pue opens CPH: DOX fest with a Ukraine war diary.

“What lingers by the film’s end is the sense of time passing and lives irrevocably altered, a necessary reminder that the consequences of war extend far beyond the battlefield.” variety.com/2026/film/re...

CPH:DOX 2026: Exclusive MARIINKA Poster Premiere, Chronicling a Decade of War in Eastern Ukraine Ahead of its world premiere opening the 2026 edition of CPH:DOX, we unveil the official poster for Pieter-Jan De Pue's decade-spanning documentary tracing the lives of young Ukrainians shaped by war i...

CPH:DOX 2026: Exclusive MARIINKA Poster Premiere, Chronicling a Decade of War in Eastern Ukraine screenanarchy.com/2026/03/cphd...

Narciso - Film Review - Eye For Film Paraguay, 1958. The charismatic Narciso returns from Buenos Aires with rock ’n’ roll in his veins. Under the suffocating military regime, he becomes a music sensation and a symbol of freedom. But then...

"What makes Narciso striking is the way it acquires a contemporary charge without insisting on it" - www.eyeforfilm.co.uk/review/narci... #Berlinale #Berlinale2026 #FilmSky🎬

Yellow letters Festival de Berlín '26

El Oso de Oro de #Berlinale2026 casi se puede considerar una respuesta a la controversia surgida durante el festival. El arte es política en #YellowLetters, la última película del director de #SalaDeProfesores. @theprfactory.bsky.social

enprimerafila.substack.com/p/yellow-letters

Nina Roza - DMovies Art dealer returns to his native Bulgaria in order meet with a prodigy painter, in this heartwarming meditation on national identify, family and individuality - from the Official Competition of the 76...

"A convincing and relatable tale of reconnection"

Geneviève Dulude-de Celles wins Silver Bear for Best Screenplay:

dmovies.org/2026/02/16/n...

Paul Risker interviews the Canadian director of Nina Roza, which just won the Silver Bear for Best Screenplay; they discuss growing up in the countryside, being an outcast, children bearing their parents' wounds, Fellini, Bertolucci, and more read our exclusive interview dmovies.org/2026/02/22/o...

Interview: Marcelo Martinessi on Narciso (Berlin 2026) We interview writer-director Marcelo Martinessi about the Berlinale-premiering Narciso, the true story behind it, the Paraguayan film industry, and more.

NARCISO had its World Premiere at the #Berlinale, where it won the FIPRESCI award in Panorama! 😍

Read what writer-director Marcelo Martinessi told @serenaseghedoni.bsky.social about telling the story of Bernardo Aranda, the film industry in Paraguay, the cast & more!

#Berlinale2026 #interview

İlker Çatak's YELLOW LETTERS won the Golden Bear at the Berlinale! 🤩🐻

Read @jwalters204.bsky.social's review: t.ly/6uXdr

#Berlinale #Berlinale2026

YELLOW LETTERS wins the GOLDEN BEAR 🧸✨ #yellowletters

The Blood Countess (Die Blutgräfin) Review Isabelle Huppert is a melodramatic marvel in The Blood Countess (Die Blutgräfin), Ulrike Ottinger’s campy, uneven vampiric treat.

Isabelle Huppert is a melodramatic marvel in this strangely alluring horror comedy from Ulrike Ottinger!

Read @willstot94.bsky.social's review of THE BLOOD COUNTESS (Die Blutgräfin) from the Berlinale!

#Berlinale2026 #Berlinale #IsabelleHuppert

loudandclearreviews.com/the-blood-co...

EXCLUSIVE: Trailer for Berlinale Panorama entry Iván & Hadoum 14/02/2026 - The first feature by Spanish filmmaker Ian de la Rosa portrays a romance set in southern Spain's industrial greenhouses, offering a new and fresh take on the gender issue

#EXCLUSIVE Have a look at the trailer for Ian de la Rosa's first feature Iván & Hadoum now on our website‼️ The love story, in which a man has to decide between a long-awaited promotion & his relationship, world premieres in Berlinale's Panorama section. #Europeancinema
cineuropa.org/489135

🐻🏳️‍🌈 La película 'Iván & Hadoum', de Ian e la Rosa, ha ganado este viernes el Teddy Award a la Mejor Película en la 40 edición de estos galardones

🎬 Reconocen al cine LGTBiQ+ y se entregan en paralelo a la Berlinale

kinotico.es/actualidad/2...

Ivan & Hadoum - DMovies Ian De La Rosa's skilful debut details the tender love story of a trans man and a cis woman in Southern Spain - from the Panorama section of the 76th Berlinale

Ian De La Rosa's skilful debut details the tender love story of a trans man and a cis woman in Southern Spain

Ivan & Hadoum premieres at the Panorama section of the 76th Berlinale

dmovies.org/2026/02/17/i...

IVAN & HADOUM by Ian de la Rosa wins the 40th TEDDY AWARD 🌈🧸#berlinale #teddyaward #ivan&hadoum #iandelarosa @avaloncine.bsky.social @teddyaward.bsky.social

A group of boys in malambo outfits

"The River Train lets language do what plot will not always do, it gives a child’s abstract longings a body" www.eyeforfilm.co.uk/review/the-r... #Berlinale2026 #Berlinale

Papaya - Film Review - Eye For Film Papaya, a tiny seed in the Amazon rainforest who is passionate about flying, must keep moving to avoid taking root. But when she discovers the power of her roots, it triggers a revolution that transfo...

"Any child can identify with Papaya's plucky pioneer" www.eyeforfilm.co.uk/review/papay... #Berlinale #Berlinale2026 #FilmSky🎬

‘Yellow Letters’ Review: İlker Çatak’s Turkey-Set Political Drama Has Much To Say About Current State Of Right-Leaning West — Berlin Film Festival ‘Yellow Letters’ review: İlker Çatak’s Turkey-set political drama has much to say about the state of the right-leaning West — Berlin Film Festival

“the trenchantly honest and terrifically acted new film from The Teachers’ Lounge director Ilker Çatak might be the most important film yet made about Donald Trump’s America.”
deadline.com/2026/02/yell...

Berlinale Review: An Extraordinary Isabelle Huppert Dwarfs Everyone Else In Ulrike Ottinger’s Campy The Blood Countess When I think about a quintessential Isabelle Huppert film, I like to defer to a largely forgotten feature that will soon turn ten: Serge Bozon’s 2017 Mrs. Hyde. I say “quintessential” because Huppert ...

An extraordinary Isabelle Huppert delivers one of her most memorable creations in Ulrike Ottinger’s #TheBloodCountess.

Read @leonardogoi.bsky.social's Berlinale review:

Narciso Film Review: The Voice of the People Marcelo Martinessi's Narciso tells a timely, poignant story of repression, rebellion, and societies that turn us into monsters and persecutors.

"Who killed Narciso? Does it even matter, when society has already numbed half the country and turned the other half into monsters & persecutors?"

Marcelo Martinessi draws from real life & asks all the right questions in the Asunción-set NARCISO!

Read @serenaseghedoni.bsky.social's review!

⭐⭐⭐⭐

Iván & Hadoum - Film Review - Eye For Film In a greenhouse in southern Spain, Iván falls in love with his newly hired co-worker, Hadoum. But his long-awaited promotion interferes with their relationship, forcing Iván to decide what kind of per...

"Iván & Hadoum announces de la Rosa as a filmmaker with uncommon emotional precision." - www.eyeforfilm.co.uk/review/ivan-... #Berlinale2026 #Berlinale #FilmSky🎬

Nina Roza Review: Warm, Intricate Drama Nina Roza is a confident, understated drama from Geneviéve Dulude-de Calles that reflects on a variety of questions in increasingly interesting ways.

This confident, understated drama from Geneviéve Dulude-de Calles reflects on a variety of questions in increasingly interesting ways! 🤩

Read @willstot94.bsky.social's review of NINA ROZA!

#Berlinale2026 #Berlinale

‘The Blood Countess’ Review: A Hilarious Isabelle Huppert Fully Puts the Vamp Into Vampire Ulrike Ottinger's 'The Blood Countess' is a loopy Viennese vampire hunt that couldn't be more exquisitely tailored for Isabelle Huppert.

‘The Blood Countess’ Review: A Hilarious Isabelle Huppert Fully Puts the Vamp Into Vampire variety.com/2026/film/re...

Berlinale 2026: İlker Çatak's Clever 'Yellow Letters' - Artists vs Politics In these contemporary times, with the world becoming more & more authoritarian by the day, it's important to speak out, speak up, and take a stand. But doing so can be dangerous, of course. Artists have always been a target of authoritarian regimes – because they often use their art to speak out, speak up, and stand against the government and their oppression. German-Turkish filmmaker İlker Çatak's latest film is a tale of two artists who start to struggle when an authoritarian regime comes for them and starts to censor, shut down, and oppress their way of living and their vitally important artistic expression. His new film is titled Yellow Letters, also known as Gelbe Briefe in German, and it's set in Germany though he's using the prominent German cities to double as two prominent cities in Turkey (Berlin is Ankara, Hamburg is Istanbul). The title is a reference to German culture – in Germany, a yellow letter is an official, legally binding document from courts, authorities, or police – often indicating a summons, lawsuit, penalty order, or debt collection. You don't want to get one of these, especially if it's saying you're in trouble for your art or something you stated. // Continue Reading ›

Berlinale 2026: İlker Çatak's Clever 'Yellow Letters' - Artists vs Politics