#EnglishCreates: Futures
Today, Dr JT Welsch (University of York) re-examines the so-called 'death of reading':
'Like most clickbait, these rants rest on a false opposition. There’s no real war between print and digital media.'
universityenglish.ac.uk/death-of-rea...
#EnglishStudies
Chapter 1 of Moby Dick, page 1 The phrase ‘Call me Ishmael’, the first sentence of the book, is highlighted in blue, with careful highlighting on the very big C at the start. Above this, written in ballpoint pen ‘His name’
Love the glimpse into the beautiful mind that notated this used copy of Moby Dick I got
creativecritical.net is open for submissions!
Please send your
> essays, poems, stories, translations
> reflections on the relationship between creative and critical practice
> course materials or syllabi that incorporate creative work into critical teaching
to editors@creativecritical.net
creativecritical.net is open for submissions!
Please send your
> essays, poems, stories, translations
> reflections on the relationship between creative and critical practice
> course materials or syllabi that incorporate creative work into critical teaching
to editors@creativecritical.net
What books did you have to read in school?
“Sustainable, infinite, inspiring,” Nicholas Royle called A Personal Anthology.
Tomorrow’s edition, with a dozen handpicked short story recommendations, comes courtesy of guest editor Tim MacGabhann.
Sign up below, or RT if you already subscribe!
apersonalanthology.substack.com/about
I wrote about writing about a long ago trip to Faslane Peace Camp, very happy to see it published today by the excellent @minorliteratures.bsky.social. Read on desktop because the formatting is important!
This was a fantastic colloquium and it’s great to see all the materials & keynote up on Creative Critical dot net! Check it out 👇
“Every man who plays with literature at all must be ambitious to
succeed in some form of art that may be called 'creative,' as distinct from critical—a distinction which, since Arnold taught us our lesson, we know does not exist. ” Macy's nascent Creative-criticsm @creativecritical.bsky.social
If anyone on here has received an RSL Literature Matter Award and would be up for sharing their application, I'd be v grateful!
Published today! My book on play and seriousness.
“… explodes all academic frames and expectations.” Emmanuel Carrère @manchesterup.bsky.social
manchesteruniversitypress.co.uk/9781526177766/
New on our website: What Is Creative Criticism? A Field Report on a Colloquium at Oxford, hosted by Joe Moshenska and Iris Pearson and with a keynote by Mary Capello.
Help John help us 👇
A blue book resting on an open newspaper
A close up of the title and subheading of a newspaper article: ‘In their own words? Two illuminating new books on literary translation’
A close up of a photo me, a youngish woman in a white T-shirt underneath a pier. A pop out quote above it reads ‘The book keeps in sight Jen Calleja’s abiding excitement at language”
A picture of me with my head bowed over the own newspaper reading with a slight smile
“audacious, polemical, essential”
*Fair: The Life-Art of Translation* got a dream review in The Observer New Review today !!! Out Friday from @prototypepubs.bsky.social
New on our website: @victoriamoul.bsky.social writes about 'The Role of Verse Paraphrase in Early Modern Education and Literary Culture'
So good! Saving this…
Thanks, Jen!
Just one more day to submit for Tolka Issue Ten. Send us your non-fiction, memoir, essays, autofiction, and anything that falls in between. Submissions close midnight, Wednesday 21 May.
New on our website: @victoriamoul.bsky.social writes about 'The Role of Verse Paraphrase in Early Modern Education and Literary Culture'
One such haunted poet is David Miller, whose 'Then and Here: A meditation on Gérard de Nerval' we published in 2022...
'...this could be equally true for the poem, which is also a stain between its poles; an indiscriminately word-covered darkness, the thick blackness of airless language – and opposing it, a white and wordless silence.'
Denise Riley, 'Staining, egging, binding'
creativecritical.net/staining-egg...
'...this could be equally true for the poem, which is also a stain between its poles; an indiscriminately word-covered darkness, the thick blackness of airless language – and opposing it, a white and wordless silence.'
Denise Riley, 'Staining, egging, binding'
creativecritical.net/staining-egg...
This year I’ll be writing the ‘Fiction 1945-2000’ section for the 2024 edition of The Year’s Work in English Studies. If you published a monograph / chapter / article on (or mostly on) British fiction from 1945 to 2000 between 1st January and 31st December 2024, please let me know! Thanks
‘Poetics takes structural homologies from science and philosophy, but also from gardening and pinball, if it needs to.’
From our archive: @robertsheppard.bsky.social on poetics
Friends, creativecritical.net is now on Bluesky! It's an online journal and resource co-edited by Thomas Karshan, Gabriel Flynn, and myself, dedicated to bridging the gap between creative and critical practices.
Hi Emily, thank you for making this! Please could you add us to the pack?
Hello, Bluesky!
We are a website for writing, research, and teaching that explores the relationship between creative and critical practices.
To give you a taste, here's one of our most popular posts: @vijaykhurana.bsky.social rewriting a passage from Joyce's The Dead.
Please share!
