brunhildferrarieikoishibashijimorourke.bandcamp.com/album/loreil...

Delighted to see Tutti Frutti by #AnnetteVandeGorne make the list of Best Experimental Music of 2025 on Bandcamp.

It's a great selection of tracks (and styles) from across Annette's long career.

Big thanks to Marc Masters and Bandcamp

#musiqueconcrete #electroacoustic

Londoners.... this evening at @thehorsehospital.bsky.social

For today's Bandcamp Friday we're offering 15% off any of our releases in any format - use the code august2025

Newly released for today's Bandcamp Friday... and marking 20 years since its broadcast debut on BBC Radio 3, Guest + Host = Ghost, is our 2005 collaboration with #peterblegvad (this artwork is Peter's)

Available now:
langhamresearchcentre.bandcamp.com/album/guest-...

The 750-kilogram snake of destruction fatberg, by RUBBISH MUSIC 1 track album

Here's a nice little freebie... Rubbish Music's set from November's Donaueschinger Musiktage.... available for nowt via our Bandcamp rubbishmusic1.bandcamp.com/album/the-75...

Looking forward to this.... preview track is lush 👏

For today's Bandcamp Friday 7th March, enjoy 20% off anything in the LRC catalogue, digital or physical.

Just head to our Bandcamp and use the code march_2025

Happy Bandcamp Friday..

Enjoy 20% off anything in the Persistence of Sound catalogue, today only - use the code march_2025 via our Bandcamp

woah re point 1....
I'll rejoin with freezing rice - saves so much time

This was a fun Rubbish Music show last night @cafeotodalston.bsky.social with Beibei Wang, @k8carr.bsky.social and Matt Atkins.

I enjoyed his Classic FM show, Henry memorably introducing an extract from Eugene Onegin to rhyme with Lonnie Donegan

there's a good anecdote in Elizabeth Wilson's biog of DS with our hero on a train, Russian propaganda shrilly emitting from a speaker. He takes a small pair of wire-cutters from his top pocket and cuts the power, smirks, gets back to his work

Londoners...Coming up at @cafeotodalston.bsky.social Monday 3rd March, the first collab between Rubbish Music (Kate Carr and I @k8carr.bsky.social) and percussionist Beibei Wang playing waste percussion, plus a solo set from Matt Atkins

www.cafeoto.co.uk/events/rubbi...

Nice show coming this Saturday evening at Hundred Years Gallery in London - Kate Carr & Matt Atkins launching their new album Ogranelles, Malvern Brune, [something's happening] and me with some new solo concrète works. Tickets on the door. Doors at 7pm

"It's so Beautiful, the World These Days": An Interview With David Lynch | The Quietus Few film directors’ names double up as a musical descriptive, but ‘Lynchian’ passed into the music writer’s lexicon some time ago and lingers there, instantly resonant with anyone who’s a fan of David...

Of all the pieces published or republished since David Lynch's death, this might be my favourite, by Frances Morgan for @thequietus.com drilling deeper into the sound of the films

thequietus.com/interviews/d...

Londoners...Coming up at @cafeotodalston.bsky.social Monday 3rd March, the first collab between Rubbish Music (Kate Carr and I @k8carr.bsky.social) and percussionist Beibei Wang playing waste percussion, plus a solo set from Matt Atkins

www.cafeoto.co.uk/events/rubbi...

The Persistence of Sound Collection just keeps on growing - new next month, Natasha Barrett's Toxic Colour

persistenceofsound.bandcamp.com/album/the-pe...

This was a really fun Rubbish Music show last year at Donaueschingen - pick it up for nowt via Bandcamp

Persistence of Sound Celebrating musique concrète, electroacoustic music, field recordings and the sounds in between

Persistence of Sound releases electroacoustic / concrète / field rxs and the gnarly things in between.

Keep up with what's coming up - give us a follow on Bandcamp:

persistenceofsound.bandcamp.com

Yes, I would say the stereo versions retain a different sense of movement and space, although clearly different from an ambisonic listening experience

Toxic Colour, by Natasha Barrett 5 track album

Natasha Barrett returns with a new collection of pieces originating from environmental sounds recorded using 3D ambisonic microphones.
Releases 28 March on Persistence of Sound

natashabarrett.bandcamp.com/album/toxic-...

A bird's-eye view of a former Auschwitz II-Birkenau camp showing a wide dirt pathway flanked by parallel rows of barbed-wire fences. Groups of visitors walk along the path, surrounded by the remnants of brick structures and barracks, now reduced to foundations. Green grass contrasts with the somber history of the site, as the path leads toward a guard tower in the distance.

Auschwitz was at the end of a long process. It did not start from gas chambers.

This hatred was gradually developed by humans. From ideas, words, stereotypes & prejudice through legal exclusion, dehumanization & escalating violence... to systematic and industrial murder.

Auschwitz took time.

😂

The Persistence of Sound collection is expanding, with new releases scheduled for early 2025